Narrative And Anti Narrative Structures In Lev Tolstoj S Early Works

One hundred years after his death, Tolstoy still inspires controversy with his notoriously complex narrative strategies. This original book explores how and why Tolstoy has mystified interpreters and offers a new look at his most famous works of fiction.

Joe Andrew and Robert Reid assemble thirteen analytical discussions of Tolstoi’s key works, written by leading scholars from around the world. The works studied cover almost the entire length of Tolstoi’s career; the analyses present unique insights into Tolstoi’s artistic world.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.

The present volume has as its primary aim readings, from a feminist perspective, of a number of works from Russian literature published over the period in which the 'woman question' rose to the fore and reached its peak. All the works considered here were produced in, or hark back to, a fairly narrowly defined period of not quite 20 years (1846-1864) in which issues of gender, of male and female roles were discussed much more keenly than in perhaps any other period in Russian literature. The overall project is summed up by the three key words of this book's title, narrative, space and gender, and, especially, the interconnections between them. That is, what do the way these stories were told tell us about gender identities in mid-nineteenth-century Russia? Which spaces were central to these fictional worlds? Which spaces suggested which gender identities? The discussions therefore focus on issues of narrative and space, and how they acted as 'technologies of gender'. This volume will be of interest to all interested in nineteenth-century Russian literature, as well as students of gender, and of the semiotics of narrative space.

Leo Tolstoy’s earliest published work, the trilogy Childhood, Boyhood, and Youth, was written when he was in his twenties, offering a tantalizing first glimpse of the literary talents that would come to fruition in his later masterpieces. Chronicling the experiences of a wealthy landowner’s son as he grows up and becomes aware of the world and his place in it, these three short novels were only loosely inspired by Tolstoy’s own memories. In old age he condemned the work as “an awkward mixture of fact and fiction,” but the imaginative powers that enabled him to capture so vividly the universal emotions and sensations of childhood have enthralled generations of readers. We are blessed to have, alongside the mature writer of Anna Karenina and War and Peace and the revolutionary mystic of the later years, the young Tolstoy who wrote these elegiac tales. In their sensitivity to nature and their evocations of fugitive feelings, they reveal his genius in all its untroubled early splendor.

More than 1200 books, essays, articles and dissertations about Tolstoy can be found in this bibliography. The entries are divided into sections on Tolstoy's fiction, art and aesthetics, philosophy, religion, education, and political, social and economic thought. The volume also lists Tolstoy biographies, comparisons with other authors and works abo