Narrative Theology And Moral Theology

Moral thinking today finds itself stranded between the particular and the universal. Alasdair MacIntyre's work on narrative, discussed here along with that of Stanley Hauerwas and H. T. Engelhardt, aims to undo the perceived damage done by the Enlightenment by returning to narrative and abandoning the illusion of a disembodied reason that claims to be able to give a coherent explanation for everything. It is precisely this - a theory that holds good for all cases - that John Rawls proposed, drawing on the heritage of Emmanuel Kant. Who is right? Must universality be abandoned? Must we only think about morality in terms that are relative, bound by space and time? Alexander Lucie-Smith attempts to answer these questions by examining the nature of narrative itself as well as the particular narratives of Rawls and St Augustine. Bound and rooted as they are in history and personal experience, narratives nevertheless strain at the limits imposed on them. It is Lucie-Smith's contention that each narrative that points to a lived morality exists against the background of an infinite horizon, and thus it is that the particular and the rooted can also make us aware of the universal and unchanging.

Narrative Theology is still with us, to the delight of some and to the chagrin of others. 'Why Narrative?Ó is in reprint because it represents what is still a very important question. This diverse collection of essays on narrative theology has proven very useful in university and seminary theology classes. It is also of great use as a primer for the educated layperson or church study group. Jones and Hauerwas have done an excellent job of selecting representative essays that deal with appeals to narrative in areas such as personal identity and human action, biblical hermeneutics, epistemology, and theological and ethical method.

In Narrative Theology and the Hermeneutical Virtues, Goodson offers a philosophical analysis of the arguments and tendencies of the narrative theologies of Hans Frei and Stanley Hauerwas. Goodson concludes that the movement of narrative theology needs the language and logic of the virtues in order for it to survive within the modern academy.

Is the use of narrative as a method of doing theology justified? This volume, one of the first critical analyses of the subject, makes a strong case for such theology. Michael Goldberg explores the notion that all convictions are founded in some narrative and looks at the theological implications of biography and autobiography. He does so by considering the works of Carol P. Christ, James H. Cone, Joseph Fletcher, James Wm. McClendon, Jr., James W. Fowler, Will D. Campbell, Elie Wiesel, H. Richard Niebuhr, Hans W. Frei, Irving Greenberg, and others. After carefully examining the meaning, truth, and rationality of narrative theology, Goldberg summarizes its validity and describes ways that narrative might be used for theology in the future.

Moral thinking today finds itself stranded between the particular and the universal. Alasdair MacIntyre's work on narrative, discussed here along with that of Stanley Hauerwas and H. T. Engelhardt, aims to undo the perceived damage done by the Enlightenment by returning to narrative and abandoning the illusion of a disembodied reason that claims to be able to give a coherent explanation for everything. It is precisely this - a theory that holds good for all cases - that John Rawls proposed, drawing on the heritage of Emmanuel Kant. Who is right? Must universality be abandoned? Must we only think about morality in terms that are relative, bound by space and time? Alexander Lucie-Smith attempts to answer these questions by examining the nature of narrative itself as well as the particular narratives of Rawls and St Augustine. Bound and rooted as they are in history and personal experience, narratives nevertheless strain at the limits imposed on them. It is Lucie-Smith's contention that each narrative that points to a lived morality exists against the background of an infinite horizon, and thus it is that the particular and the rooted can also make us aware of the universal and unchanging.

System and Story is intended to develop a means for bridging the gap between critics of system and those who may find value in doing systematics from a Biblically oriented context. Narrative theologians have rightly identified and critiqued the development of system in academic theology. Unfortunately, they have not identified the ways in which systematic elements have always played a role in theological knowledge. This study demonstrates the inherent systematic tendencies that still exist in narrative approaches to theology, while at the same time acknowledging the appropriateness of aspects of the narrative critique of system. The reaction against Enlightenment modernism is examined from the perspective of the heightened role of system in religious epistemology. The work of Stanley Hauerwas serves to carry much of the conversation regarding the critique of system and a narrative alternative as it is discovered in communal formation. After summarizing Hauerwas' theology, if such a thing is possible, the final chapters explore the ecclesiological concerns of narrative theologians according to a more systematic rendering of pneumatology. A Biblical rendering of pneumatology from the perspective of the Spirit's role in ecclesiology allows for a modest (i.e., pre-modern) systematic presentation commensurate with narrative communal formation. Thus, the narrative attempt to once again do theology for the church is seen as compatible with a Scriptural (i.e., modestly systematic) theology of the Spirit.

""Amidst the tumult and confusion of the times, John W. Aldridge has kept a singular purity of vision," said the New York Times Book Review. While the changing editorial policies of the major book reviews and magazines threaten to make serious literary criticism a thing of the past, Aldridge still believes that books and their ideas have a living relation to daily life. Taken together, these essays offer not only a survey of John Aldridge's distinguished career as a critic, but also an intriguing picture of the evolution of contemporary literature."--BOOK JACKET.