Narratives Of Arab Secularism

This book offers a new interpretation of the rich narratives of Arab secularism, contending that secularism as a set of ideas and a social movement is destined to loom large on the political and legal horizon of most Arab states. Youssef M. Choueiri provides a study of three moments in the development of secularism in the Arab World, the Machiavellian, the Alfierian and the Gramscian. It is within such a scope that secularism in its interaction with state-building projects, women’s emancipation and religion is treated as an intellectual current and a discursive entity embedded in the political process of its diverse societies. Through the chapters, Choueiri demonstrates how secularism occupies a pivotal presence in the religious and political life of the Arab world, exploring such interrelated configurations as indigenous contributions, diverse reforms and the impact of Western states. He concludes that secularism has become a moral prerequisite and a required vehicle in creating the necessary conditions for the success of democracy in the Middle East. Narratives of Arab Secularism tackles the complexity and contemporary ramifications of the subject in a way that no previous single study has been able to. It will be relevant to both students and academics dealing with topics related to the Middle East including religion, politics, anthropology and history.

Interrogating Secularism is a call to rethink binary categories of "religion" and "secularism" in contemporary Arab American fiction and art. While most studies that explore the traffic between literature and issues of secularism emphasize how canonical texts naturalize and reinforce secular values, Interrogating Secularism approaches this nexus through novels written by and about ethnic and religious minorities. Haque juxtaposes accounts of secular experience in the writing of Arab Anglophone authors such as Mohja Kahf, Rabih Alameddine, Khaled Mattawa, Laila Lalami, and Rawi Hage, with Arab and Muslim artists such as Ninar Esber, Mounir Fatmi, Hasan Elahi, and Emily Jacir. Looking at multiple genres and modes of aesthetic production, including AIDS narratives, visual art, and digital media, Haque explores how their conventions are used to subvert the ideals tied to secularism and the various anxieties and investments that support secularism as a premise. These authors and artists critique Western iterations of secular thought in spaces such as art exhibits, airports, borders, and literary discourses to capture how the secularism thesis reproduces the exclusivity it intends to remedy.

"This illustrates how writers (both Christian and Muslim) took a secular stand, not only in their writings on the nature of government, nationalism and the socio-economic system, but also when addressing issues such as morality and religion in relation to society, education, women's rights, language and literature, science, and freedom of thought and expression."--BOOK JACKET.

“A dark but brilliantly original work . . . one of the most important books on religion and the modern in recent years.” —H-Net Reviews Opening with the provocative query “what might an anthropology of the secular look like?” this book explores the concepts, practices, and political formations of secularism, with emphasis on the major historical shifts that have shaped secular sensibilities and attitudes in the modern West and the Middle East. Talal Asad proceeds to dismantle commonly held assumptions about the secular and the terrain it allegedly covers. He argues that while anthropologists have oriented themselves to the study of the “strangeness of the non-European world” and to what are seen as non-rational dimensions of social life (things like myth, taboo, and religion),the modern and the secular have not been adequately examined. The conclusion is that the secular cannot be viewed as a successor to religion, or be seen as on the side of the rational. It is a category with a multi-layered history, related to major premises of modernity, democracy, and the concept of human rights. This book will appeal to anthropologists, historians, religious studies scholars, as well as scholars working on modernity. “A difficult if stunningly eloquent book, a response both elusive and forthright to the many shelves of ‘books on terrorism’ which this country’s trade publishers are rushing into print.” —Bryn Mawr Review of Comparative Literature “This wonderfully illuminating book should be read alongside the author’s Genealogies of Religion.” —Religion “One of the most interesting scholars of religious writing today.” —Christian Scholar’s Review “Asad’s brilliant study remains a defining piece of intellectual and scholarly contribution for all of those interested in exploring the religious and the secular in the modern era.” —The American Journal of Islamic Social Sciences

Sadik Al-Azm (1934-2016) was one of the foremost Arab public intellectuals, who offered innovative, often controversial challenges to conventional narratives on Islam and the West, Secularism, Orientalism, and the Israel-Palestine issue. This fourth and final volume of his works in English includes his essays on: Faith and Reason in Islam: Strategies in the Education of Muslim Communities Sharia from a Secular Perspective Crossing Borders: Orientalism, lslamism and Postmodernism The Concept of Civil Society in Relation to the 'Arab Spring' Statement by 99 Syrian Intellectuals ("Charta 99") Goethe Medal 2015 Acceptance Speech

This book is a translation of Aziz al-Azmeh's seminal work Al-'Ilmaniya min mandhur mukhtalif that was first published in Beirut in 1992. Both celebrated and criticised for its reflections on Arab secularisation and secularism in the modern history of the Arab World, it is the only study to date to approach its subject as a set of historical changes which affected the regulation of the social, political and cultural order, and which permeated the concrete workings of society, rather than as an ideological discussion framed from the outset by the assumed opposition between Islam and secularism. The author takes a comprehensive analytical perspective to show that an almost imperceptible yet real, multi-faceted and objective secularising process has been underway in the Arab world since the 1850s. The early onset was the result of adapting to systemic novelties introduced at the time and a reaction to the perceived European advance and local retardation. The need for meaningful reform, and the actions taken in order to put in place a new organisation of state and society based on modern organisational and educational criteria, rather than older, religious traditions, stemmed from the perceived weakness of Arab polities and from an internal drive to overcome this situation. The book follows these themes into the close of the 20th century, marked with the rise of Islamism. A preface to the English translation takes a retrospective look at the theme from the vantage point of social, political and intellectual issues of relevance today.

In order to better understand how the world viewed the US 2016 presidential election, the issues that mattered around the world, and how nations made sense of how their media systems constructed presentations of the presidential election, Robert S. Hinck, Skye C. Cooley, and Randolph Kluver examine global news narratives during the campaign and immediately afterwards. Analyzing 1,578 news stories from 62 sources within three regional media ecologies in China, Russia, and the Middle East, Hinck, Cooley, and Kluver demonstrate how the US election was incorporated into narrative constructions of the global order. They establish that the narratives told about the US election through national and regional media provide insights into how foreign nations construct US democracy, and reflect local understandings regarding the issues, and impacts, of US policy towards those nations. Avoiding jargon-laden prose, Global Media and Strategic Narratives of Contested Democracy is as accessible as it is wide-ranging. Its empirical detail will expand readers’ understanding of soft power as narrative articulations of foreign nation’s policies, values, and beliefs within localized media systems. Communication/media studies students, as well as political scientists whose studies includes media and global politics, will welcome its publication.

The first study to undertake a wide-ranging comparison of invocations of al-Andalus across the the Arab and Hispanic worlds. Around the globe, concerns about interfaith relations have led to efforts to find earlier models in Muslim Iberia (al-Andalus). This book examines how Muslim Iberia operates as an icon or symbol of identity in twentieth and twenty-first century narrative, drama, television, and film from the Arab world, Spain, and Argentina. Christina Civantos demonstrates how cultural agents in the present ascribe importance to the past and how dominant accounts of this importance are contested. Civantos’s analysis reveals that, alongside established narratives that use al-Andalus to create exclusionary, imperial identities, there are alternate discourses about the legacy of al-Andalus that rewrite the traditional narratives. In the process, these discourses critique their imperial and gendered dimensions and pursue intercultural translation. Christina Civantos is Associate Professor of Languages and Literatures at the University of Miami and the author of Between Argentines and Arabs: Argentine Orientalism, Arab Immigrants, and the Writing of Identity, also published by SUNY Press.