National Symbols Of St Martin

A fascinating look at national symbols worldwide and the important role they play in creating and maintaining individual and collective identity.

The year 1963 can be considered as the beginning of tourism development on the island of St. Martin and, therefore, the transition year between an agricultural, rural economy and a commercial, tourist-oriented economy. The 37-square mile French / Dutch Island with English-speaking natives began its transformation into modernity with the electrification of the greater part of the island and the construction of the first terminal of the Princess Juliana International Airport during that year. Many islanders left their gardens and grounds to work in the construction field, in the stores and hotels, which opened that year. As the development increased, numerous immigrants from the close neighboring islands came in search of work, and waves of St. Martiners who had migrated to then prosperous Caribbean islands returned to their homeland to fill the new positions in the first banks, business administrations, and governmental offices. The festive, gentle way of life of the natives harmoniously blended with the burgeoning new economy, and greatly contributed to the success of the tourism industry, which made St. Martin one of the top Caribbean destinations. Its attractiveness derived not only from the unique beauty of its combined pond and hill sceneries, but also from the warm hospitality and friendliness of the natives.

Now more than ever the role of icons and monuments in shaping a national identity is a subject of vital importance to scholars of both nationalism and memory studies. While the nation-state undoubtedly has a powerful influence on a society’s cultural memory, it cannot necessarily control the ways in which icons are perceived. Once created, national symbols and perceptions of them take on a life of their own. Taking an innovative approach to the study of Iranian nationalism, Merhavy examines the way symbols from Iran’s past have played an important role in the struggles between political, religious, and ideological movements over legitimacy in the last five decades. Using a rich variety of primary sources, he traces the process by which these symbols have been appropriated, rejected, and reinterpreted by the Pahlavi state, the Islamic opposition, and finally, the Islamic Republic. In doing so, this volume contributes to our understanding of cultural symbols that survive political upheavals, dramatic and significant as they may be. It also contributes to the growing body of literature that challenges the state centered perspective of much research on modern Iran by exposing the ever growing importance of civil society in the Iranian public sphere from the second half of the twentieth century onward.

Grard M. Hunt is a man without a country, trying to piece together in essays, editorials and scholarship a country of his own from three quite separate nations: French Colonial by birth and upbringing; United States by military service and higher education; and Canada by profession in teaching and scholarship. The three have by no means come together in a single national unity. His homing tendency seems to be towards St. Martin, but St. Martin is itself an amalgam a clump of volcanic earth still divided, for no good reason, between two independent sovereigns thousands of miles away. He is a unitary citizen without an integrated polity. (...) Many of Grards essays are grave and penetrating trials. Many are sentimental catching up with childhood comrades, sharing grief over a lost friend or relative. Several of these discourses are critiques of the wayward tendencies of French efforts to govern Saint-Martin from Paris through Guadeloupe. The most serious and extensive of essays aim at encouraging a greater sense of historical awareness and of community solidarity among St. Martiners ... From Foreword to Rambling on Saint Martin by Theodore J. Lowi

After World War II Germans not only had to rebuild, they had to redefine their national political identity as well. This book traces how state symbols such as national colors, anthems, holidays, capital cities, and postage stamps were used to legitimize the two Germanies from 1949 to 1959. Although the Federal Republic of Germany and the German Democratic Republic (GDR) developed distinct post-war identities, the one cannot be understood apart from the other, for they were in direct competition to define the same state symbols. The study of symbols offers valuable insights into the realms of identity formation and of politics, that is, how symbols can promote political integration. By examining the creation of state symbols and the processes by which they were established in the public realm, Feinstein evaluates the extent to which German political culture overcame the Nazi past to legitimize both a republican and a socialist system. This book is especially relevant to scholars who want to understand the common ground upon which the citizens of today’s unified Germany can construct a shared identity.

History, culture, environmental conservation, profiles of historical figures of the Caribbean island of St. Martin.

This book relocates Bearden's Caribbean experience to the center of the work he did during the most productive period of his life. Produced in full color, it includes 130 Bearden paintings, almost all Caribbean watercolors and collages, few of which have ever been published.