Nature Remade

"In this fourth volume in our Convening Science series with the Marine Biological Laboratory, contributors, including historians, biologists, and philosophers, explore the development of bioengineering. The essays show how engineering is both a means to a functional end and a method of learning about the world. The book is organized around three themes--controlling and reproducing, knowing and making, and envisioning--to chart the increasing sophistication of our engineering of biological systems and to change our sense of the scales at which engineering occurs, to include not just genetics but also ecosystem-level intervention. The volume will attempt to make the case for "the centrality of engineering for understanding and imagining modern life.""--

The so-called science wars pit science against culture, and nowhere is the struggle more contentious—or more fraught with paradox—than in the burgeoning realm of genetics. A constructive response, and a welcome intervention, this volume brings together biological and cultural anthropologists to conduct an interdisciplinary dialogue that provokes and instructs even as it bridges the science/culture divide. Individual essays address issues raised by the science, politics, and history of race, evolution, and identity; genetically modified organisms and genetic diseases; gene work and ethics; and the boundary between humans and animals. The result is an entree to the complicated nexus of questions prompted by the power and importance of genetics and genetic thinking, and the dynamic connections linking culture, biology, nature, and technoscience. The volume offers critical perspectives on science and culture, with contributions that span disciplinary divisions and arguments grounded in both biological perspectives and cultural analysis. An invaluable resource and a provocative introduction to new research and thinking on the uses and study of genetics, Genetic Nature/Culture is a model of fruitful dialogue, presenting the quandaries faced by scholars on both sides of the two-cultures debate.

Provocative essays explore how ideas about human nature inform or shape human understanding of nature and the environment.

First published in Great Britain by Granta Books, 2015.

"Every year you grow, you will find me bigger." --Aslan to Lucy in Prince Caspian C. S. Lewis was, of course, a brilliant apologist, and his books contain much to feed your intellect. But Lewis was also very concerned about Christian formation and strongly desired to help believers deepen their faith and broaden their vision of God. In this book Peter Schakel opens to you the more practical parts of Lewis's wonderful writings. Covering areas of potential struggle such as prayer, suffering, doubt and love, Schakel draws principles from Lewis's nonfiction as well as illustrations from the Chronicles of Narnia to stir your imagination and soul so that you might see God in new ways. In addition, the author quotes from contemporaries of Lewis, showing how their thinking fit with Lewis's. With reflection questions included, this deeper look at Lewis's formational writings is valuable for your personal devotions or for group discussions. Either way, as you read you will find God bigger and bigger.

"Many more of our decisions to conserve nature have been motivated by environmental aesthetics than by environmental ethics, more by beauty than by duty. This book by Arnold Berleant is therefore especially welcome and important. It will help to advance an inquiry that has been badly neglected but is sorely needed". -- J. Baird Callicott, author of Earth's Insights. "In the past thirty years, Arnold Berleant has been calling attention to the ethics and aesthetics of the environment. He is indeed America's latter-day Henry David Thoreau". -- E. F. Kaelin, author of An Aesthetics for Art Educators.

From the author of Losing Earth, a beautifully told exploration of our post-natural world that points the way to a new mode of ecological writing. We live at a time in which scientists race to reanimate extinct beasts, our most essential ecosystems require monumental engineering projects to survive, chicken breasts grow in test tubes, and multinational corporations conspire to poison the blood of every living creature. No rock, leaf, or cubic foot of air on Earth has escaped humanity's clumsy signature. The old distinctions—between natural and artificial, dystopia and utopia, science fiction and science fact—have blurred, losing all meaning. We inhabit an uncanny landscape of our own creation. In Second Nature, ordinary people make desperate efforts to preserve their humanity in a world that seems increasingly alien. Their stories—obsessive, intimate, and deeply reported—point the way to a new kind of environmental literature, in which dramatic narrative helps us to understand our place in a reality that resembles nothing human beings have known. From Odds Against Tomorrow to Losing Earth to the film Dark Waters (adapted from the first chapter of this book), Nathaniel Rich’s stories have come to define the way we think of contemporary ecological narrative. In Second Nature, he asks what it means to live in an era of terrible responsibility. The question is no longer, How do we return to the world that we’ve lost?It is, What world do we want to create in its place?

The reigning authority on intellectual property in the Internet age, Lawrence Lessig spotlights the newest and possibly the most harmful culture — a war waged against those who create and consume art. America's copyright laws have ceased to perform their original, beneficial role: protecting artists' creations while allowing them to build on previous creative works. In fact, our system now criminalizes those very actions. Remix is an urgent, eloquent plea to end a war that harms every intrepid, creative user of new technologies. It also offers an inspiring vision of the postwar world where enormous opportunities await those who view art as a resource to be shared openly rather than a commodity to be hoarded.