Nearly Departed In Deadwood

"The first time I came to Deadwood, I got shot in the ass."--Violet Parker Little girls are vanishing from Deadwood, South Dakota, and Violet Parker's daughter could be next. She's desperate to find the monster behind the abductions. But if she's not careful, Violet just might end up as one of Deadwood's dearly departed

“Hell is empty and all the devils are here.” ~William Shakespeare Violet Parker knows better than to play with devils. They always cheat, especially when lives are at stake. Deadwood’s charming, troublemaking, and soul-sucking devils are no different, and they’re biting at her heels. But the clock is ticking and Violet has no choice—she must risk her life to save her treasured Aunt Zoe. With any luck, she might be able to trick the devils and beat the old terrors at their own game. If not, Deadwood could end up short one Executioner. “Executioners don't duck, they swing.” ~Violet Parker

All Violet Parker wants is a day off. Better yet, just a “normal” day. But things never go as planned, especially in Deadwood. Someone—or rather something—broke into the local taxidermy shop and took bites out of the critter displays before racing off into the dark. But this is no random crime and Violet knows it. With a bounty on her head and troublemakers zeroing in on her, she soon goes from being the hunter to the hunted. “Burly muscled and rawhide tough don’t matter. Never tangle with a Scharfrichter!” ~Violet Parker

“Nothing good ever happens at the butt-crack of dawn. No doubt, the headless corpse on the autopsy table in front of me would agree.”—Violet Parker Real estate agent, Violet “Spooky” Parker stumbles upon a body-part theft ring at the local funeral parlor and suspects her caustic coworker has a hand in it—or maybe a foot. Can Violet discover what’s in the crates the crooks are sneaking out of the mortuary in the dark of night? Or will she end up in one of them herself … in pieces?

Something has gone foul in the Black Hills … something gravely unnatural. Leave it to Violet Parker to stumble into the middle of it. A creepy phone call. A dead body. Two meddling detectives. A glut of trouble-making ex-partners. Can things get any worse? Violet swears to keep her nose out of police business this time. But when her son is linked to the victim, she returns to the scene of the crime. More than just a mystery to solve, now her son might be in mortal danger.

Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this “haunted” house was recently the stage for a two-act, murder-suicide tragedy. Ghost or no ghost, Violet knows this can’t be as bad as the last house of horrors she tried to sell, but sexy Doc Nyce has serious doubts. Her only hope of hanging on to her job is to prove that the so-called, ghostly sightings are merely the eccentric owner’s optical delusions. But someone—or something—in the house wants Violet stopped...dead.

One dead body. One century-old haunted opera house. One zombie musical. One pissed-off detective. Will Violet “Spooky” Parker keep her tail out of trouble or will she end up as one of Deadwood’s walking dead?

RITA Award–Winning Author: She’s starting a new life on the Wyoming frontier—but is her heart ready for a new love? Tired and hungry after two days of traveling, Susanna Hopkins is just about at the end of her tether when her train finally arrives in Cheyenne. She’s bound for a new life in a Western garrison town. Then she discovers she doesn’t even have enough money to pay for the stagecoach! Luckily for her, the compassionate Major Joseph Randolph is heading in the same direction. As a military surgeon, Joe is used to keeping his professional distance and tries not to dwell on Susanna’s understated beauty, But he’s drawn to this woman who carries loss and pain equal to his own and has a heart that is just as hesitant and wary. . . . “Kelly has the rare ability to create realistic yet sympathetic characters that linger in the mind.” —Library Journal