Necronomicon Files

Occult scholars explore how H. P. Lovecraft’s fictional book of magic became a cultural phenomenon and real-life legend in this revised and expanded volume. What if a book existed that revealed the answers to all of life’s mysteries? For those who believe in it, The Necronomicon is exactly that—an eighth-century occult text of immense power. In. fact, The Necronomicon is a creation of science fiction writer H. P. Lovecraft, who referred to the work in a number of stories and gave weight to its legend by inventing its own elaborate history. In The Necronomicon Files two occult authorities explore all aspects of The Necronomicon, from its first appearance in Lovecraft’s fiction to its ongoing pervasive appearance in cult and occult circles. The authors show how Lovecraft’s literary circle added to the book’s legend by referring to it in their own writing. As people became convinced of the book’s existence, references to it in literature and film continue to grow. This revised and expanded edition also examines the lengths people have undergone to find the Necronomicon, and the cottage industry that has arisen in response to the continuing demand for a book that does not exist. The Necronomicon Files illuminates the transformations of a modern myth, exposing a literary hoax while celebrating the romance of Necronomicon lore.

What if a book existed that gave answers to everything you've ever wondered about? What would you do to learn its secrets? Tales of such books have abounded for millennia and are legend in occult history. One of the most pervasive modern iterations is that of the Necronomicon, said to be a genuine occult text from the 8th century. The Necronomicon really is the creation of science fiction writer H.P. Lovecraft (1891-1937), in whose books the magic volume first appears in print. In The Necronomicon Files two occult authorities explore all aspects of The Necronomicon, from its first appearance in Lovecraft's fiction to its ongoing pervasive appearance in cult and occult circles. The Necronomicon Files, revised and expanded further, reveals the hoax of the Necronomicon. Harms and Gonce show that the apocryphal history of the Necronomicon was concocted by Lovecraft to lend it verisimilitude in his fiction. The magical text was transformed into an icon among Lovecraft's literary circle, who added to the book's legend by referring to it in their own writing. People became convinced that it was a real book and its references in literature and film continue to grow. The book also examines what people have undergone to find the Necronomicon and the cottage industry that has arisen over the past three decades to supply the continuing demand for a book that does not exist. Scholarly yet accessible, humorous and intriguing, The Necronomicon Files illuminates the depth of the creative process and the transformations of modern myth, while still managing to preserve much of the romance and fascination that surrounds the Necronomicon in our culture.

Necronomicon -- a mere glance at its pages sends its readers shrieking into the night, their soul seared for all eternity! At least that's what people want you to believe ... Thank goodness authors Daniel Harms and John Wisdom Gonce III set the record straight in this scholarly yet accessible history of the dreaded tome. The Necronomicon Files is an incredibly comprehensive guide to the Necronomicon that covers all aspects, legends, and factual history surrounding this nefarious book. From a complete history of the book as it evolved in the Cthulhu mythos started by Lovecraft and continued by others, to contemporary editions now available to the public. From appearances and references in movies and other media, to the actual magical concepts behind the fictional and published Necronomicon variants. Much more than just a dry, factual account, Harms's and Gonce's deep knowledge in their respective fields of interest bring the history and continuing influence of the Necronomicon alive with wit and verve. Humorous and intriguing, this compassionate examination of the Necronomicon is a thorough repudiation of the myths surrounding it, yet preserves much of the romance and fascination associated with the legend. Book jacket.

From Faust (1926) to The Babadook (2014), books have been featured in horror films as warnings, gateways, prisons and manifestations of the monstrous. Ancient grimoires such as the Necronomicon serve as timeless vessels of knowledge beyond human comprehension, while runes, summoning diaries, and spell books offer their readers access to the powers of the supernatural—but at what cost? This collection of new essays examines nearly a century of genre horror in which on-screen texts drive and shape their narratives, sometimes unnoticed. The contributors explore American films like The Evil Dead (1981), The Prophecy (1995) and It Follows (2014), as well as such international films as Eric Valette’s Malefique (2002), Paco Cabeza’s The Appeared (2007) and Lucio Fulci’s The Beyond (1981).

Modern practicing occultists have argued that renowned horror writer H. P. Lovecraft was in possession of in-depth knowledge of black magick. Literary scholars claim that he was a master of his genre and craft, and his findings are purely psychological, nothing more. Was Lovecraft a practitioner of the dark arts himself? Was he privileged to knowledge that cannot be otherwise explained? Weaving the life story of Lovecraft in and out of an analysis of various modern magickal systems, scholar John Steadman has found direct and concrete examples that demonstrate that Lovecraft’s works and specifically his Cthulhu Mythos and his creation of the Necronomicon are a legitimate basis for a working magickal system. Whether you believe Lovecraft had supernatural powers or not, no one can argue against Lovecraft’s profound influence on many modern black arts and the darker currents of western occultism.

An exploration of John Dee’s Enochian magic of angel contact, its reinterpretation over the years, and its endurance to the present day.

H. P. Lovecraft's compelling character, Abdul Alhazred, is brought to life in this epic tale detailing the mad sorcerer's tragic history and magical adventures. Alhazred tells his own life story, beginning with himself as a poor, handsome boy in Yemen who attracts the attention of the king for his divine skill in poetry. As the court poet, young Abdul lives a luxurious life at the palace, where he studies necromancy and magic. But falling in love with the king's daughter leads to a foolish tryst, which is ultimately discovered. As punishment, Abdul is tortured, brutally mutilated, and cast into the desert, known as the Empty Space. Battling insanity, he joins a tribe of ghouls and learns forbidden secrets from a stranger called Nyarlathotep. Thus begins his downward spiral into wickedness. Renamed Alhazred, he escapes the desert and embarks on a quest to restore his body and reunite with his true love. Traveling across the ancient world and fantastic realms, he is hounded by foes and tormented by the demands of his dark lord.

This collection of essays considers the place of magic in the modern world, first by exploring the ways in which modernity has been defined in explicit opposition to magic and superstition, and then by illuminating how modern proponents of magic have worked to legitimize their practices through an overt embrace of evolving forms such as esotericism and supernaturalism. Taking a two-track approach, this book explores the complex dynamics of the construction of the modern self and its relation to the modern preoccupation with magic. Essays examine how modern “rational” consciousness is generated and maintained and how proponents of both magical and scientific traditions rationalize evidence to fit accepted orthodoxy. This book also describes how people unsatisfied with the norms of modern subjectivity embrace various forms of magic—and the methods these modern practitioners use to legitimate magic in the modern world. A compelling assessment of magic from the early modern period to today, Magic in the Modern World shows how, despite the dominant culture’s emphatic denial of their validity, older forms of magic persist and develop while new forms of magic continue to emerge. In addition to the editors, contributors include Egil Asprem, Erik Davis, Megan Goodwin, Dan Harms, Adam Jortner, and Benedek Láng.