Negative Of A Group Photograph

As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium. The fact that a photograph is split between negative and positive manifestations means that its identity is always simultaneously divided and multiplied. The interaction of these two components was often spread out over time and space and could involve more than one person, giving photography the capacity to produce multiple copies of a given image and for that image to have many different looks, sizes and makers. This book traces these complications for canonical images by such figures as William Henry Fox Talbot, Kusakabe Kimbei, Dorothea Lange, Man Ray, Seydou Keïta, Richard Avedon, and Andreas Gursky. But it also considers a number of related issues crucial to any understanding of photography, from the business practices of professional photographers to the repetition of pose and setting that is so central to certain familiar photographic genres. Ranging from the daguerreotype to the digital image, the end result is a kind of little history of photography, partial and episodic, but no less significant a rendition of the photographic experience for being so. This book represents a summation of Batchen’s work to date, making it be essential reading for students and scholars of photography and for all those interested in the history of the medium

BE AMAZED. BE INFORMED. BE PROUD. Get to know about our country?s firsts and foremosts in human endeavour, education, defence, government, adventure, cinema, literature and the arts, along with freshly introduced chapters on science and technology, business and economy, the natural world and structures. With a brand-new look and readerfriendly infographics, charts and tables, this book now includes more than 300 images and all the fascinating absolutes you always wanted ? such as records for the longest, tallest, fastest and heaviest ? that have stood steadfast over the years. Plus it features hundreds of exciting new records that mark our nation?s and its people?s move towards always bettering the best! ONLY IN THE LIMCA BOOK OF RECORDS 2018. READ?AND LEAD!

REAL-LIFE SUPERHEROES. CHAMPIONS AMONG CHAMPIONS. THE MOST OUTSTANDING RECORDS. India's firsts and foremosts, her stellar victories and accomplishments in human endeavour, structures, education, defence, government, science and technology, adventure, business, cinema, the natural world, literature and the arts - discover them all in this landmark volume that marks 30 completed years of the country's only comprehensive book of records. From the longest, tallest and fastest to the unique and truly extraordinary, this curation of superlatives presents an astonishing range of newly set records as well as those that have stood steadfast over the years. Besides infographics, tables and over 700 colour images, the Super 30 and Record Rewind capsules recall golden moments of the past three decades. In our support of a cleaner and greener planet, a new environment and sustainability section spotlights eco-warriors and their earth-friendly feats. Finally, as a tribute to the fight against the pandemic, the Covid-19 feature traces mighty milestones, compassionate action and innovative ideas that echo the very spirit of the Limca Book of Records - persistence, resilience and triumph in the face of all odds.

This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.

Negative of a Group Photograph brings together three decades of poems by the leading Iranian poet Azita Ghahreman. Born in Mashhad in 1962 and based in Sweden since 2006, Ghahreman is the author of five highly acclaimed collections. Her poems are lyrical and intimate, addressing themes of loss, exile and female desire, as well as the changing face of her country. Negative of a Group Photograph runs the gamut of Ghahreman's experience: from her childhood in the Khorasan region of south-eastern Iran to her exile to Sweden, from Iran's book-burning years and the war in Iraq to her unexpected encounters with love. The poems in this illuminating collection are brought to life in English by the poet Maura Dooley, working in collaboration with Elhum Shakerifar. Farsi-English dual language edition co-published with the Poetry Translation Centre.

Photographs, some barely known, on the domestic lives of Virginia Woolf (1882-1941) and Vanessa Bell (1879-1961) and the historical, cultural and artistic milieux of their circle in Bloomsbury, including Vivienne Eliot, Vita Sackville-West, Lady Ottoline Morrell and Dora Carrington.