Neighbors At War Anthropological Perspectives On Yugoslav Ethnicity Culture And History

First published in 2007. Emerging from communism in the early 1990s, the new state of Bosnia and Herzegovina was immediately embroiled in devastating ethnonationalist conflict. Now an international protectorate, the choices of its elites may well propel Bosnia either to a stable future, integrated into an expanding European entity, or to a future filled with insecurity, conflict, and adversity. This volume assesses current conditions in Bosnia, as well as the prospects for stability in a country torn between nationalistic elites on the one hand and the desires of important regional actors for control of Bosnia on the other, with a fractious international community overseeing the matter. Friedman controversially denies that the wars of Yugoslavia's dissolution are a necessary product of ancient ethnic hatreds, contending that Bosnia and Herzegovina was once the quintessential multi-ethnic, multireligious community and could be again. Containing chapters on the country's history, economics, international relations, and politics, this book will provide social scientists with an accessible overview of contemporary Bosnia and Herzegovina.

Across the globe, memorial and grave sites are being increasingly weaponized in conflicts and politicized by parties to advance agendas. Here, Carol S. Lilly examines ideas of death, politics, memory, ideology and nationalism in the former Yugoslav republics of Bosnia & Hercegovina, Croatia, and Serbia to shine fresh light on cemetery culture in 20th-century Europe. More specifically, Death and Burial in Socialist Yugoslavia argues that while the CPY created its own communities of the dead in postwar Partisan Cemeteries, it failed to do the same for civilian cemeteries in ways that might reinforce its ideals of secularism, pluralism, and brotherhood and unity. Moreover, the communist regime left the previous system of ethno-religious segregation in place, further isolating Catholics, Orthodox, Muslims and Jews who continued to be buried in separate locations. Finally, it explicitly politicized burial rites and grave markers, making cemeteries into legitimate spaces of political discourse. As a result, by the time Yugoslavia disintegrated in the early 1990s, dead bodies and cemeteries had become a concerted weapon of war in the ongoing ethnic conflict. Ultimately, then, this timely study reveals for the first time the extent to which the communist regime not only failed to created their own communities of the dead but also further divided and alienated living communities in Yugoslavia.

This wide-ranging, insightful book will make readers keenly aware of the media’s power, while underscoring the role that we all play in fostering a media climate that cultivates a greater sense of humanity, cooperation, and fulfillment of human potential. What role do the media have in creating the conditions for atrocities such as occurred in Rwanda? Conversely, can the media be used to preserve democracy and safeguard the human rights of all citizens in a diverse society? How will the media, now global in scope, affect the fate of the planet itself? The author explores these intriguing questions and more in this in-depth examination of the media’s power to either help or harm. She begins by documenting how the media were used to spread a contagion of hate in three deadly conflicts: Rwanda, Nazi Germany, and the former Yugoslavia. She then turns to areas of the world where the media acted constructively—by aiding the peace process in Northern Ireland, rebuilding democracy in Chile, bridging ethnic divides in South Africa, improving the lot of women in Senegal, and boosting transparency and democratization in Mexico and Taiwan. Finally, she explains how the media interact with psychological and cultural forces to impact perceptions, fears, peer-pressure, "groupthink," and the creation of heroes and villains.

Modern travel memoir spans history in trailing the ghost of Archduke Ferdinand’s assassin and WWI’s primary catalyst, Gavrilo Princip.

Ethnic Cleansing in the Balkans looks at the phenomenon of ethnic cleansing in the Balkans over the last two hundred years. It argues that the events that occurred during this time can be demystified, that the South East of Europe was not destined to become violent and that constructions of the Balkans as endemically violent misses a important political point and historical point. Carmichael provides an account of ethnic cleansing in the Balkans as a single historical phenomenon and brings together a vast array of primary and secondary sources to produce a concise and accessible argument. This book will be of interest to students and researchers of European studies, history and comparative politics.

In spite of the growing literature on discourse analysis, the relationship of discourse to violent/non-violent outcomes of conflict is an under-researched area. This book combines theories on ethnic conflict, identity construction and discourse analysis with a comprehensive and inclusive survey of the countries of the former Yugoslavia. It presents an understanding of the interrelationship between 'words' and 'deeds' grounded through an extensively close analysis of film, television and newspapers samples taken from the period. This combination of ground-breaking applications of theory with detailed empirical case studies will make Media Discourse and the Yugoslav Conflicts of key interest to scholars across a range of social sciences including sociology, discourse analysis, media, conflict and peace studies as well as those concerned with ethnopolitical conflict.

The nine ethnomusicologists who contributed to this volume, balanced in age and gender and hailing from a diverse array of countries, share the goal of stimulating further development in the field of ethnomusicology. By theorizing applied ethnomusicology, offering histories, and detailing practical examples, they explore the themes of peace and conflict studies, ecology, sustainability, and the theoretical and methodological considerations that accompany them. Theory, Method, Sustainability, and Conflict is the first of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology, which can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.