Neither Saints Nor Sinners

This book brings together the portraits and autobiographical texts of six 17th-century Latin American women, drawing on primary sources that include Inquisition and canonization records, confessional and mystic journals, and legal defenses and petitions.

This book brings together the portraits and autobiographical texts of six 17th-century Latin American women, drawing on primary sources that include Inquisition and canonization records, confessional and mystic journals, and legal defenses and petitions.

From the Pulitzer Prize-winning author of The Looming Tower comes a fascinating book about religion in America, about the passions, triumphs, and failures of the life of faith, revealing stories of grace and despair, sexual scandal and attempted murder. • "Insightful...vivid...beautifully rendered stories." —Chicago Tribune Lawrence Wright's Saints and Sinners are Jimmy Swaggart, who preached a hellfire gospel with rock 'n' roll abandon before he was caught with a, prostitute in a seedy motel; Anton LaVey, the kitsch-loving, gleefully fraudulent founder of the First Church of Satan; Madalyn Murray O'Hair, whose litigious atheism sometimes resembled a brand of faith; Matthew Fox, the Dominican priest who has aroused the fury of the Vatican for dismissing the doctrine of original sin and denouncing the church as a dysfunctional family; Walker Railey, the rising star of Dallas's Methodist church, who, at the pinnacle of his success, was suspected of attempting to murder his wife; and Will Campbell, the eccentric liberal Southern Baptist preacher whose challenges to established ways of thinking have made him a legend in his own time.

Each of the book's five chapters evokes a colonial Mexican cultural and intellectual sphere: the library, anatomy and medicine, spirituality, classical learning, and publishing and printing. Using an array of literary texts and historical documents and alongside secondary historical and critical materials, the author Stephanie Kirk demonstrates how Sor Juana used her poetry and other works to inscribe herself within the discourses associated with these cultural institutions and discursive spheres and thus challenge the male exclusivity of their precepts and precincts. Kirk illustrates how Sor Juana subverted the masculine character of erudition, writing herself into an all-male community of scholars. From there, Sor Juana clearly questions the gender politics at play in her exclusion, and undermines what seems to be the inextricable link previously forged between masculinity and institutional knowledge. Sor Juana Inés de la Cruz and the Gender Politics of Knowledge in Colonial Mexico opens up new readings of her texts through the lens of cultural and intellectual history and material culture in order to shed light on the production of knowledge in the seventeenth-century colonial Mexican society of which she was both a product and an anomaly.

A native of Italy and a splendid cook herself, Mazzoni savors the food writings and images of a broad spectrum of Catholic saints and holy women, including Catherine of Genoa, Angela of Foligno, Gemma Galgani, and the first person in the United States to be canonized, Elisabeth Ann Seton. Continuum Books