Nellie Taft

On the morning of William Howard Taft's inauguration, Nellie Taft publicly expressed that theirs would be a joint presidency by shattering precedent and demanding that she ride alongside her husband down Pennsylvania Avenue, a tradition previously held for the outgoing president. In an era before Eleanor Roosevelt, this progressive First Lady was an advocate for higher education and partial suffrage for women, and initiated legislation to improve working conditions for federal employees. She smoked, drank, and gambled without regard to societal judgment, and she freely broke racial and class boundaries. Drawing from previously unpublished diaries, a lifetime of love letters between Will and Nellie, and detailed family correspondence and recollections, critically acclaimed presidential family historian Carl Sferrazza Anthony develops a riveting portrait of Nellie Taft as one of the strongest links in the series of women -- from Abigail Adams to Hillary Rodham Clinton -- often critically declared "copresidents."

Few presidential couples enjoyed a closer relationship in the White House than Will and Nellie Taft. Throughout William Howard Taft's rise in American politics, she had been his most intimate confidant. When circumstances separated them, as when Helen Herron Taft became incapacitated by a stroke and was unable to accompany the president on his storied travels-or was herself on recuperative trips-she pressed him for letters, and he obliged with gossipy correspondence that provides a fascinating account of his presidency at decisive moments in his single term. These 113 letters, all but a few never before published, represent a rare glimpse into the mind of a chief executive speaking candidly about individuals and issues. In them, Taft commented on political issues he encountered and decisions he made-as well as his growing disillusion with Theodore Roosevelt, his unhappiness with Congress, and his struggles with his weight and golf score. Breathing new life into a bygone era in all of its complexity and humanity, they also open a new window on Washington early in the twentieth century-providing Taft's reactions not only to social figures of the Progressive Era but also to the impact of innovations like the automobile and rudimentary air conditioning. Sometimes indiscreet and frustrated with his political prospects, Taft comes through as a man who worked hard at a job for which he was not well suited. Indeed, Taft has been written off as a failed chief executive who was pushed into office by his wife; yet, as he insisted to Nellie, he was a creditable chief executive confronted with a changing political environment. Taft's letters may not warrant calling him a great president, but they reveal a more thoughtful occupant of the White House than scholars have acknowledged. Other than those that Harry Truman wrote to Bess, there is no comparable archive of modern presidential letters to a spouse that equals the letters to "Dearest Nellie" that Will Taft sent. Edited and introduced by a leading historian of the Progressive Era, Taft's letters not only reveal the inner workings of a presidency at decisive moments but also humanize a chief executive to whom history has been less than kind.

On the morning of William Howard Taft's inauguration, Nellie Taft publicly expressed that theirs would be a joint presidency by shattering precedent and demanding that she ride alongside her husband down Pennsylvania Avenue, a tradition previously held for the outgoing president. In an era before Eleanor Roosevelt, this progressive First Lady was an advocate for higher education and partial suffrage for women, and initiated legislation to improve working conditions for federal employees. She smoked, drank, and gambled without regard to societal judgment, and she freely broke racial and class boundaries. Drawing from previously unpublished diaries, a lifetime of love letters between Will and Nellie, and detailed family correspondence and recollections, critically acclaimed presidential family historian Carl Sferrazza Anthony develops a riveting portrait of Nellie Taft as one of the strongest links in the series of women -- from Abigail Adams to Hillary Rodham Clinton -- often critically declared "copresidents."

As ambitious as her husband, William Howard Taft, Helen Herron may be the most underrated of all our First Ladies. She encouraged Taft in all his political accomplishments and he may not have become president without her. He preferred the judiciary and eventually became Chief Justice of the Supreme Court. Helen (Nellie) Taft was the first wife of a president to ride down Pennsylvania Avenue with her husband on inauguration day and the only woman who was wife of both a president and a chief justice. She is best known for working with the wife of the Japanese Ambassador to import and plant more than 3,000 cherry trees around the Washington Tidal Basin. Witty, intelligent, open-minded, and curious about the world, she is even today beloved in the Philippines, where her husband served as head of the civil government in 1900. She and her husband courted criticism for including Filipinos in social affairs. In this volume, she recounts her full life as partner to U.S. President William Howard Taft.

The only man to serve as president and chief justice, who approached every decision in constitutional terms, defending the Founders’ vision against new populist threats to American democracy William Howard Taft never wanted to be president and yearned instead to serve as chief justice of the United States. But despite his ambivalence about politics, the former federal judge found success in the executive branch as governor of the Philippines and secretary of war, and he won a resounding victory in the presidential election of 1908 as Theodore Roosevelt’s handpicked successor. In this provocative assessment, Jeffrey Rosen reveals Taft’s crucial role in shaping how America balances populism against the rule of law. Taft approached each decision as president by asking whether it comported with the Constitution, seeking to put Roosevelt’s activist executive orders on firm legal grounds. But unlike Roosevelt, who thought the president could do anything the Constitution didn’t forbid, Taft insisted he could do only what the Constitution explicitly allowed. This led to a dramatic breach with Roosevelt in the historic election of 1912, which Taft viewed as a crusade to defend the Constitution against the demagogic populism of Roosevelt and Woodrow Wilson. Nine years later, Taft achieved his lifelong dream when President Warren Harding appointed him chief justice, and during his years on the Court he promoted consensus among the justices and transformed the judiciary into a modern, fully equal branch. Though he had chafed in the White House as a judicial president, he thrived as a presidential chief justice.

In this fascinating study, Lewis L. Gould has brought a shadowy first lady into the light and restored her to a rightful place as a patron of music. Helen Herron Taft came to the White House intent on establishing Washington, D.C., as the nation's cultural capital. A stroke in May 1909 made her a semi-invalid, impaired her speech, and disrupted her agenda. Historians have written her off as a shrewish figure who pushed her portly husband into the presidency. Gould challenges this outdated narrative with new information on Helen Taft's campaign to bring the best of classical music to the White House during her four years. He draws on prodigious research about the musicians who performed there-including violinist Fritz Kreisler, pianist Fannie Bloomfield-Zeisler, and contralto Ernestine Schumann-Heink, and reveals for the first time how Nellie Taft enlisted a diverse array of top-notch artists for her musicales, recitals, and social events. The result is a major contribution to a better understanding of the White House as a cultural center at the turn of the last century. Beyond her musical agenda, Helen Taft enhanced the appearance of Washington with the planting of the cherry trees from Japan that now bloom each spring. Gould also delves with insight into Mrs. Taft's role in the politics of her husband's administration. He provides the most complete recounting into her part in the dismissal of Henry White as ambassador to France, a key moment in the emergence of her husband's split with Theodore Roosevelt. He discusses the nature of her stroke, based on letters from her husband and her doctors, and reveals how Mrs. Taft, her daughter Helen, and the journalist Eleanor Egan crafted the first ever memoir of any first lady. Drawing on memoirs and manuscripts not used before, Gould re-creates memorable occasions at the Taft White House, when dramatist Ruth Draper delivered her monologues, Charles Coburn staged Shakespeare on the White House lawn, and Lady Augusta Gregory of the Irish Players dropped by. Gould's path-breaking study of Helen Taft is a significant addition to the literature on first ladies and a tribute to a complex and brave woman who overcame illness and adversity to leave her own special imprint on the history of the White House.

Pulitzer Prize–winning author and presidential historian Doris Kearns Goodwin’s dynamic history of Theodore Roosevelt, William H. Taft and the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. Winner of the Carnegie Medal. Doris Kearns Goodwin’s The Bully Pulpit is a dynamic history of the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. The story is told through the intense friendship of Theodore Roosevelt and William Howard Taft—a close relationship that strengthens both men before it ruptures in 1912, when they engage in a brutal fight for the presidential nomination that divides their wives, their children, and their closest friends, while crippling the progressive wing of the Republican Party, causing Democrat Woodrow Wilson to be elected, and changing the country’s history. The Bully Pulpit is also the story of the muckraking press, which arouses the spirit of reform that helps Roosevelt push the government to shed its laissez-faire attitude toward robber barons, corrupt politicians, and corporate exploiters of our natural resources. The muckrakers are portrayed through the greatest group of journalists ever assembled at one magazine—Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—teamed under the mercurial genius of publisher S.S. McClure. Goodwin’s narrative is founded upon a wealth of primary materials. The correspondence of more than four hundred letters between Roosevelt and Taft begins in their early thirties and ends only months before Roosevelt’s death. Edith Roosevelt and Nellie Taft kept diaries. The muckrakers wrote hundreds of letters to one another, kept journals, and wrote their memoirs. The letters of Captain Archie Butt, who served as a personal aide to both Roosevelt and Taft, provide an intimate view of both men. The Bully Pulpit, like Goodwin’s brilliant chronicles of the Civil War and World War II, exquisitely demonstrates her distinctive ability to combine scholarly rigor with accessibility. It is a major work of history—an examination of leadership in a rare moment of activism and reform that brought the country closer to its founding ideals.

Inventing a Voice is a comprehensive work on the lives and communication of twentieth-century first ladies. Using a rhetorical framework, the contributors look at the speaking, writing, media coverage and interaction, and visual rhetoric of American first ladies from Ida Saxton McKinley to Laura Bush. The women's rhetorical devices varied--some practiced a rhetoric without words, while others issued press releases, gave speeches, and met with various constituencies. All used interpersonal or social rhetoric to support their husbands' relationships with world leaders, party officials, boosters, and the public. Featuring an extensive introduction and chapter on the 'First Lady as a Site of 'American Womanhood, '' Wertheimer has gathered a collection that includes the post-White House musings of many first ladies, capturing their reflections on public expectations and perceived restrictions on their communication.