Never Google Heartbreak

'I can't recommend this highly entertaining book enough - it's clever, witty and downright hilarious.' 5/5 I Heart Chick Lit 'Fans of Sophie Kinsella and Lindsey Kelk, meet Emma Garcia.Vivienne Summers may very well become your next favourite heroine and the one you will want to keep visiting over and over.' Good Books and a Cup of Tea 'With a heroine to root for, a hero to swoon over, and a story so honest and compelling, Emma Garcia has written Chick Lit at itÕs best. I canÕt wait to read her next novel!' 10/10 Novelicious VivÕs ex-fiance, Rob, proposed to her three months after she slept with him - she thought it was one of those whirlwind romances you read about in magazines. Five years later, after Rob calling off the wedding for the third time, she has finally moved out. As Viv passes through the three essential stages of grief (denial, vodka, disastrous haircut), she becomes determined that it's not too late to try and get Rob back. One drunken declaration of love at an extremely inappropriate moment later, and Viv's scruffy, tequila-swilling best friend Max is there to pick up the pieces. Just when VivÕs starting to realise that maybe the real thing has been under her nose all along, she makes what might just be the biggest mistake of her life... Can love sneak up on us unexpected? WhatÕs the answer to heartbreak? And whatÕs a girl to do when even the Internet doesnÕt have the answer? Never has heartbreak been so amusing... a refreshingly honest, achingly funny read for fans of Sophie Kinsella, Helen Fielding and Paige Toon. What theyÕre saying about Never Google Heartbreak... The fast pace of the book and my inability to put it down meant I finished within twenty-four hours. With a heroine to root for, a hero to swoon over, and a story so honest and compelling, Emma Garcia has written Chick Lit at itÕs best. I canÕt wait to read her next novel! 10/10ê Novelicious.com 'A genuinely likeable and very funny heroine . . . A fun read with a great leading lady.' Heat magazine 'This feisty and honest story of a crazy-in-love woman is hugely funny - perfect easy reading.' Closer magazine 'Her cracking pace and rapier wit, together with her robust and honest prose will be bound to win Emma Garcia a sackful of fans. Perfect for lovers of Bridesmaids and Caitlin Moran.' Red magazine online 'Have you ever read a book where you've fallen in love with it after a few pages? Well, this normally happens whenever I read a book by my favourite authors: Sophie Kinsella, Lindsey Kelk, Lucy Robinson, Ali McNamara, Gemma Burgess and a few more . . . I really adored everything about NEVER GOOGLE HEARTBREAK . . . It made me laugh and cackle like a loon, made my heart swell full of love when the romantic bits kicked in . . . I can't recommend this highly entertaining book enough - it's clever, witty and downright hilarious.' I Heart Chick Lit 'One for everyone who has messed up something good, and then disastrously tried to get it back . . . Brilliant' Star magazine 'Hopelessly funny, this book is a classic with a modern twist' Company magazine

'I can't recommend this highly entertaining book enough - it's clever, witty and downright hilarious.' 5/5 I Heart Chick Lit 'Fans of Sophie Kinsella and Lindsey Kelk, meet Emma Garcia.Vivienne Summers may very well become your next favourite heroine and the one you will want to keep visiting over and over.' Good Books and a Cup of Tea 'With a heroine to root for, a hero to swoon over, and a story so honest and compelling, Emma Garcia has written Chick Lit at itÕs best. I canÕt wait to read her next novel!' 10/10 Novelicious VivÕs ex-fiance, Rob, proposed to her three months after she slept with him - she thought it was one of those whirlwind romances you read about in magazines. Five years later, after Rob calling off the wedding for the third time, she has finally moved out. As Viv passes through the three essential stages of grief (denial, vodka, disastrous haircut), she becomes determined that it's not too late to try and get Rob back. One drunken declaration of love at an extremely inappropriate moment later, and Viv's scruffy, tequila-swilling best friend Max is there to pick up the pieces. Just when VivÕs starting to realise that maybe the real thing has been under her nose all along, she makes what might just be the biggest mistake of her life... Can love sneak up on us unexpected? WhatÕs the answer to heartbreak? And whatÕs a girl to do when even the Internet doesnÕt have the answer? Never has heartbreak been so amusing... a refreshingly honest, achingly funny read for fans of Sophie Kinsella, Helen Fielding and Paige Toon. What theyÕre saying about Never Google Heartbreak... The fast pace of the book and my inability to put it down meant I finished within twenty-four hours. With a heroine to root for, a hero to swoon over, and a story so honest and compelling, Emma Garcia has written Chick Lit at itÕs best. I canÕt wait to read her next novel! 10/10ê Novelicious.com 'A genuinely likeable and very funny heroine . . . A fun read with a great leading lady.' Heat magazine 'This feisty and honest story of a crazy-in-love woman is hugely funny - perfect easy reading.' Closer magazine 'Her cracking pace and rapier wit, together with her robust and honest prose will be bound to win Emma Garcia a sackful of fans. Perfect for lovers of Bridesmaids and Caitlin Moran.' Red magazine online 'Have you ever read a book where you've fallen in love with it after a few pages? Well, this normally happens whenever I read a book by my favourite authors: Sophie Kinsella, Lindsey Kelk, Lucy Robinson, Ali McNamara, Gemma Burgess and a few more . . . I really adored everything about NEVER GOOGLE HEARTBREAK . . . It made me laugh and cackle like a loon, made my heart swell full of love when the romantic bits kicked in . . . I can't recommend this highly entertaining book enough - it's clever, witty and downright hilarious.' I Heart Chick Lit 'One for everyone who has messed up something good, and then disastrously tried to get it back . . . Brilliant' Star magazine 'Hopelessly funny, this book is a classic with a modern twist' Company magazine

He kidnapped me. That was how I met Atlas Hyde. A man known by many names and admired by all. But most didn't know he was ruthless, conniving, and always got what he wanted. No matter the cost. I was a good girl. Never in trouble with the law. Never took drugs. Always did precisely what was expected of me. Even with his hand around my throat and words that cut sharper than knives, I couldn't help but wonder what happened to this beautiful man to make him that way. That wonder disappeared when he threatened to kill my sister if I didn't follow his dark demands. The good girl I once knew had now been buried alive beneath this game of hatred and lust. And I had a feeling Atlas Hyde never lost.

I fell in love with him when I was thirteen years old.He was older, mysterious, and unattainable. The guy I could never touch.Then one night changed everything for us. But there was one huge problem.He belonged to her.

"Heartbreak House" by George Bernard Shaw is a witty and incisive comedy that serves as a scathing critique of the British upper class and their complacency in the face of impending disaster. Set on the eve of World War I, the play takes place in the eccentric household of Captain Shotover, a retired seafarer whose home serves as a microcosm of British society. As various guests gather at Heartbreak House, they reveal themselves to be shallow, self-absorbed, and disconnected from the realities of the world around them. Through sharp dialogue and biting satire, Shaw exposes the moral bankruptcy of the ruling class and the folly of their pursuit of pleasure and material wealth. At its core, "Heartbreak House" is a cautionary tale about the consequences of moral apathy and political indifference. Shaw uses the characters and setting of the play to explore themes of power, corruption, and the decline of Western civilization, offering a searing indictment of the social and political forces that led to the cataclysm of World War I.

I never used to live my life by rules. At least not until my fiancé betrayed me, turning my entire world upside down. Unsure of how to move on, my luck seemed to suddenly change. My estranged mother's last gift to me before she died landed on my doorstep, giving me the opportunity to start my life over. I snatched up the chance to leave my life behind in Minnesota, opening my arms up to the hot, sunny weather of Texas. It was easy to start over in unfamiliar territory, my unofficial rules of heartbreak worn on my chest like a badge of honor. But along with the house my mother left came a new neighbor. An obnoxious neighbor with dangerous glaring eyes and a set of abs that should be considered illegal. He was mysterious and full of secrets, a story hidden behind his hard exterior. Before I knew it, Dallas Beckett was about to break all my rules. I just didn't realize he had his own set, and I was about to put every one of them to the test.

Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre. Pygmalion (1912) was a world-wide smash hit from the time of its première in Vienna 1913 and it has remained popular to this day. Shaw was awarded an Academy Award in 1938 for his screenplay of the film adaptation. It was, of course, later made into the much-loved musical My Fair Lady. Heartbreak House (1917), which was finally performed in 1920 and published in 1921, bares the hallmarks of European modernism and a formal break from Shaw's previous work. A meditation on the war and the resultant decline in European aristocratic culture, it was perhaps staged too soon after the conflict; indeed, it did not have the success of his earlier works, which was likely due to his experimental aesthetics combined with a war-weary audience that sought lighter fare. However, while this contemporary reception was muted, it is now recognised as a modernist masterpiece. Saint Joan (1923) marked Shaw's resurrection and apotheosis. The first major work written of Joan of Arc after her canonization (1920), the play interrogates the origins of European nationalism in the post-war era. Like Pygmalion, it was an immediate world-wide hit and secured Shaw the Nobel Prize for Literature in 1925. Drawing upon the transcripts of Joan's trial, Shaw blended his trademark wit to produce a hybrid genre of comedy and history play. Despite the historical setting, Saint Joan is highly accessible and continues to delight audiences.