New Dimensions Of Doctor Who

The Doctor may have regenerated on many occasions, but so too has Doctor Who. Moving with the times, the show has evolved across fifty years...New Dimensions of Doctor Who explores contemporary developments in Doctor Who's music, design and representations of technology, as well as issues of showrunner authority and star authorship. Putting these new dimensions in context means thinking about changes in the TV industry such as the rise of branding and transmedia storytelling. Along with its faster narrative pace, and producer/fan interaction via Twitter, 'new Who' also has a new home at Roath Lock Studios, Cardiff Bay. Studying the 'Doctor Who Experience' in its Cardiff setting, and considering audience nostalgia alongside anniversary celebrations, this book explores how current Doctor Who relates to real-world spaces and times. New Directions of Doctor Who is the scholarly equivalent of a multi-Doctor story, bringing together the authors of Triumph of a Time Lord and TARDISbound, as well as the editors of Time and Relative Dissertations in Space, Impossible Worlds, Impossible Things, Torchwood Declassified and Doctor Who, The Eleventh Hour. It also features contributions from experts on TV brands, bioethics, transmedia and cultural icons. As 'new Who' creates ongoing mysteries and poses exciting questions, this collection demonstrates the vitality of Doctor Who studies.

The Doctor may have regenerated on many occasions, but so too has Doctor Who. Moving with the times, the show has evolved across fifty years. New Dimensions of Doctor Who brings together experts on the Doctors, on TV brands, bioethics, transmedia, and cultural icons to explore contemporary developments in the series' music, design and representations of technology, plus issues of showrunner authority and star authorship. Putting these new dimensions into context means thinking about changes in the TV industry such as the rise of branding and transmedia storytelling. Along with its faster na.

The Doctor may have regenerated on many occasions, but so too has Doctor Who. Moving with the times, the show has evolved across fifty years...New Dimensions of Doctor Who explores contemporary developments in Doctor Who's music, design and representations of technology, as well as issues of showrunner authority and star authorship. Putting these new dimensions in context means thinking about changes in the TV industry such as the rise of branding and transmedia storytelling. Along with its faster narrative pace, and producer/fan interaction via Twitter, 'new Who' also has a new home at Roath Lock Studios, Cardiff Bay. Studying the 'Doctor Who Experience' in its Cardiff setting, and considering audience nostalgia alongside anniversary celebrations, this book explores how current Doctor Who relates to real-world spaces and times. New Directions of Doctor Who is the scholarly equivalent of a multi-Doctor story, bringing together the authors of Triumph of a Time Lord and TARDISbound, as well as the editors of Time and Relative Dissertations in Space, Impossible Worlds, Impossible Things, Torchwood Declassified and Doctor Who, The Eleventh Hour. It also features contributions from experts on TV brands, bioethics, transmedia and cultural icons. As 'new Who' creates ongoing mysteries and poses exciting questions, this collection demonstrates the vitality of Doctor Who studies.

Doctor Who has always contained a rich current of religious themes and ideas. In its very first episode it asked how humans rationalise the seemingly supernatural, as two snooping school teachers refused to accept that the TARDIS was real. More recently it has toyed with the mystery of Doctor’s real name, perhaps an echo of ancient religions and rituals in which knowledge of the secret name of a god, angel or demon was thought to grant a mortal power over the entity.But why does Doctor Who intersect with religion so often, and what do such instances tell us about the society that produces the show and the viewers who engage with it? The writers of Time and Relative Dimensions in Faith attempt to answer these questions through an in-depth analysis of the various treatments of religion throughout every era of the show’s history. While the majority of chapters focus on televisual Doctor Who, the authors also look at audios, novels and the response of fandom. Their analyses – all written in an accessible but academically-thorough style – reveal that examining religion in a long-running series such as Doctor Who can contribute to a number of key debates within faith communities and religious history.Most importantly, it provides another way of looking at why Doctor Who continues to inspire, to engage and to excite generations of passionate fans, whatever their position on faith.The contributors are drawn from the UK, the USA and Australia, and their approaches are similarly diverse. Chapters have been written by film scholars and sociologists; theologians and historians; rhetoricians, philosophers and anthropologists. Some write from the perspective of a particular faith or belief; some write from the perspective of no religious belief. All, however, demonstrate a solid knowledge of and affection for the brilliance of Doctor Who.Chapter titles:‘Why Time Lords do not live forever’; ‘Pushing the Protest Button: Doctor Who’s Anti-Authoritarian Ethic’; ‘Divine and Human Nature: incarnation and kenosis in Doctor Who’; ‘Breaking the Faiths in “The Curse of Fenric” and ‘The God Complex”’; ‘The Doctor Working on God’s Time: Kairos and Intervention in “The Waters of Mars” and “A Christmas Carol”’; ‘“You’re this Doctor’s companion. What exactly do you do for him? Why does he need you?”: Doctor Who, Liminality and Martha the Apostle’; ‘“Humany-Wumany”: Humanity vs. Human in Doctor Who’; ‘The Monstrous and the Divine in Doctor Who: The Role of Christian Imagery in Russell T. Davies’s Doctor Who Revival’; ‘“With proof, you don’t have to believe”: Doctor Who and the Celestials’; ‘“Her Brain was full of Superstitious Nonsense”: Modernism and the Failure of the Divine in Doctor Who’; ‘Religion in Doctor Who: Cult Ethics’; ‘Mediating Between the Scientific and the Spiritual in Doctor Who’; ‘Karma, Conditionality, and Clinging to the Self: The Tennant Years as Seen Through a Tibetan Buddhist Lens’; '"There never was a Golden Age”: Doctor Who and the Apocalypse’; ‘Qui Quae Quod: Doctor Who and the History of Magic’; ‘The Church Militant? The Church of England, humanity and the future in Doctor Who’; ‘Bigger on the Inside? Doctoring the Concept of “Religion or Belief” under English Law’; ‘“Something Woolly and Fuzzy”: The Representation of Religion in the Big Finish Doctor Who Audio Adventures’; ‘Doctoring the Doctor: Midrashic Adventures in Text and Space’.

Essays examine the abundant mythological elements underpinning the 46-year-run of the popular BBC television series "Doctor Who." Contributors include a well-known "Doctor Who" novelist, an organizer of one of the largest "Doctor Who" online communities, plus several university scholars and founders of the American Northeast Tolkien Society.

An all-new adventure – with all the Doctors! The universe is collapsing, swallowed up into the void – and the people of Earth have turned against the Doctor, forcing him to team up with his past and future selves. The unprecedented crossover between all thirteen Doctors continues, as the secret of the void is revealed, the Fourth Doctor and River Song play crucial parts in the survival of all of Time and Space, and the final, spectacular conflict is engaged! Writers George Mann (‘Dark Souls’), Cavan Scott (‘Tekken’), Gordon Rennie (‘Fighting American’), Emma Beeby (‘Mata Hari’), and artists including Rachael Stott, Mariano Laclaustra, Ivan Rodriguez, Wellington Diaz, and many more bring this universe-shattering tale to its amazing conclusion! Collects the second half of the Doctor Who: The Lost Dimension event: Special #1 and #2, 12D #3.8 and Omega. “A fast-paced story that will keep your attention” – Clearing Out the Clutter “Every time a new Doctor appeared so did a smile on my face.” – Nerdly “Expansive, charming and gorgeous. 9 out of 10.” – Newsarama p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Calibri} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Calibri; min-height: 14.0px}

The long-running popular TV series Doctor Who is, Piers Britton argues, a 'uniquely design intensive text': its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who's attempts at worldbuilding are notorious for being hit-and-miss – old jokes about wobbly walls and sink plungers die hard – the distinctiveness of the series' design imagery is beyond question. And over the course of six decades Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series' identity and mythos. In the first in-depth study of Doctor Who's costumes, sets and graphics, Piers Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of key images. Case studies include the visual morphology of Doctor Who's historical adventures, the evaluative character of cosplay, and the ongoing significance for the Doctor Who brand of such high-profile designs as the Daleks and the TARDIS interior, the 'time-tunnel' title sequence, and the costumes of the Fourth and Thirteenth Doctors.

Doctor Who – new dawn explores the latest cultural moment in this long-running BBC TV series: the casting of a female lead. Analysing showrunner Chris Chibnall and Jodie Whittaker’s era means considering contemporary Doctor Who as an inclusive, regendered brand. Featuring original interview material with cast members, this edited collection also includes an in-depth discussion with Segun Akinola, composer of the iconic theme tune’s current version. The book critically address the series’ representations of diversity, as well as fan responses to the thirteenth Doctor via the likes of memes, cosplay and even translation into Spanish as a grammatically gendered language. In addition, concluding essays look at how this moment of Who has been merchandised, especially via the ‘experience economy’, and how official/unofficial reactions to UK lockdown helped the show to further re-emphasise its public-service potential.