New Essays On The Scarlet Letter

These interpretative essays explore different topics and issues in the context of history and culture.

The book is a collection of critical essays on Nathaniel Hawthorne's The Scarlet Letter (1850). The interpretations deal with its main characters, «The Custom-House», the Spanish sailors, the Book of Revelations, and the artist as adulterer. The authors apply different critical tools such as allegory or hermeneutical exposition.

Contains a collection of reviews and critical essays on The scarlet letter.

'Thou and thine, Hester Prynne, belong to me.' With these chilling words a husband claims his wife after a two-year absence. But the child she clutches is not his, and Hester must wear a scarlet 'A' upon her breast, the sin of adultery visible to all. Under an assumed name her husband begins his search for her lover, determined to expose what Hester is equally determined to protect. Defiant and proud, Hester witnesses the degradation of two very different men, as moral codes and legal imperatives painfully collide. Set in the Puritan community of seventeenth-century Boston, The Scarlet Letter also sheds light on the nineteenth-century in which it was written, as Hawthorne explores his ambivalent relations with his Puritan forebears. The text of this edition is taken from the Centenary Edition of Hawthorne's works, the most authoritative critical edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Specifically designed for undergraduates, the series will be a powerful resource for anyone engaged in the critical analysis of major American novels and other important texts.

This perennially popular Norton Critical Edition has been revised to reflect the most current scholarly approaches to The Scarlet Letter—Hawthorne’s most widely read novel—as well as to the five short prose works—“Mrs. Hutchinson,” “Endicott and the Red Cross,” “Young Goodman Brown,” “The Minister’s Black Veil,” and “The Birth-mark”—that closely relate to the 1850 novel. This Second Norton Critical Edition also includes: · Revised and expanded explanatory footnotes, a new preface, and a note on the text by Leland S. Person. · Key passages from Hawthorne’s notebooks and letters that suggest the close relationship between his private and public writings · Seven new critical essays by Brook Thomas, Michael Ryan, Thomas R. Mitchell, Jay Grossman, Jamie Barlowe, John Ronan, and John F. Birk. · A Chronology and revised and expanded Selected Bibliography.

The Threads of The Scarlet Letter offers new discoveries regarding the origins of Hawthorne's masterpiece, as well as critical interpretations based on these discoveries. Relying on a blend of close reading, biographical analysis, and archival research, this book demonstrates anew the power of traditional scholarship. The Threads of The Scarlet Letter illuminates Hawthorne's transformation of Poe's celebrated tale The Tell-Tale Heart and Lowell's long-neglected poem A Legend of Brittany and, identifying the hitherto-unknown author of the seminal narrative The Salem Belle, investigates Hawthorne's brilliant borrowing from that novel as well. The present volume argues that Hawthorne repeatedly attenuated his sources, but also allowed sufficient detail to permit their recognition. Furthermore, this volume elaborates Hawthorne's reworking of formal traditions in The Scarlet Letter--traditions that importantly clarify the meaning of the whole. The Scarlet Letter is shown to be a complex rendering of man's fall and redemption, and a triumphant assertion of literary vocation. The Threads of The Scarlet Letter includes a useful bibliographical overview of the history of the study of the origins of Hawthorne's greatest work.

Boundaries, borderlines, limits on the one hand and rites of passage, contact zones, in-between spaces on the other have attracted renewed interest in a broad variety of cultural discourses after a long period of decenterings and delimitations in numerous fields of social, psychological, and intellectual life. Anthropological dimensions of the subject and its multifarious ways of world-making represent the central challenge among the concerns of the humanities. The role of literature and the arts in the formation of cultural and personal identities, theoretical and political approaches to the relation between self and other, the familiar and the foreign, have become key issues in literary and cultural studies; forms of expressivity and expression and question of mediation as well as new enquiries into ethics have characterized the intellectual energies of the past decade. The aim of Borderlands is to represent a variety of approaches to questions of border crossing and boundary transgression; approaches from different angles and different disciplines, but all converging in their own way on the post-colonial paradigm. Topics discussed include globalization, cartography and ontology, transitional identity, ecocritical sensibility, questions of the application of post-coloniality, gender and sexuality, and attitudes towards space and place. As well as studies of the cinema of the settler colonies, the films of Neil Jordan, and 'Othering' in Canadian sports journalism, there are treatments of the Nigerian novel, South African prison memoirs, and African women's writing. Authors examined include Elizabeth Bowen, Bruce Chatwin, Mohamed Choukri, Nuruddin Farah, Jamaica Kincaid, Pauline Melville, Bharati Mukherjee, Michael Ondaatje, and Leslie Marmon Silko.