New Hampshire Icons

New Hampshire literally has something for everyone: urban types looking for bookstores, coffee shops, swank eateries, and nightclubs; outdoorsy folks searching for endless vistas atop the high peaks of the White Mountains; history buffs seeking clues to the state’s rich past; or snow-loving families hoping to schuss the slopes all day long. It is a place of quaint villages, swimming holes, general stores, and hillside farms. And its people, those singular Granite Staters, are the friendly caretakers who make sure it’s there for all to enjoy. Profiled within these pages are fifty classic symbols of this extraordinary state, revealing little-known facts, longtime secrets, and historical legends. From frost heaves to Robert Frost, from Stonyfield Yogurt to the New Hampshire State House, New Hampshire Icons offers up the inside story on the Granite State. Did you know that New Hampshire has the shortest coastline of any state (18 miles)? That Mt. Washington is the official home of the world’s worst weather? That pumpkins are the official state fruit? New Hampshire Icons features the people, places, events, foods, animals, and traditions that make it the singular state it is.

The state of Vermont is illustrated through gorgeous photographs and evocative essays, showcasing 50 iconic places, events, inventions, foods, and objects from the Green Mountain State.

Profiled here are fifty classic symbols of this extraordinary city, revealing little-known facts, longtime secrets, and historical legends.

Presents information about the state of New Hampshire, its nickname, motto, and emblems.

"In today's society, hidden beliefs can subtly guide the management of parks, such as treating them as natural resources rather than national assets. Resulting management practices often lead to deferred maintenance on park infrastructure, causing inadequate protection from vandalism, poaching, and theft of artefacts. A sad demise, often due to an out-dated belief that parks are non-essential leisure services rather than necessities for a vibrant modern life. This book challenges the reader to examine the core beliefs that created our public parklands, comparing them with the beliefs that guide contemporary park stewardship in an effort to improve the management of parks and reassess their purpose in modern life."--pub. desc.

The photographs of the unknown Warsaw Ghetto little boy and the well-known Anne Frank became famous documents worldwide, representing the Holocaust. Many artists adopted them as a source of inspiration to express their feelings and ideas about Holocaust events in general and to deal with the fate of these two victims in particular. Moreover, the artists emphasized the uniqueness of both children, but at the same time used their image to convey social and political messages. By using images of these children, the artists both evoke our attention and sympathy and our anger against the Nazis’ crime of killing one and a half million Jewish children in the Holocaust. Because they represent different sexes, and different aspects - Western and Eastern Jewry - of Holocaust experience, artists used them in many contexts. This book will complete the lack of comprehensive research referring to the visual representations of these children in artworks.

Everyone loves a heel, especially one to whom nothing was sacred and who charmed his or her way into the hearts, minds, and wallets of bumpkins and belles alike. This collection offers twenty-four tales of petty bandits, sleazy bunko artists, and conniving conmen and –women who traveled West to seek their fortunes by preying on the men and women who went before them to settle and explore. These stories of who they were, what they did, and why they are remembered for their deeds include ample and engaging historic illustrations of the shady characters at work and at play.

"St Theodore the Studite's Defence of the Icons provides an investigation of the icon-theology of St Theodore the Studite, mainly as it is presented in his three refutations of the iconoclasts, the Antirrhetici tres adversus iconomachos. Torstein Theodor Tollefsen explores Theodore's 'philosophy of images', namely his doctrine of images and his arguments that justify the legitimacy of images in general and of Christ in particular. Tollefsen offers a historical, theological, and philosophical exploration of Theodore's doctrine of images and his arguments justifying the legitimacy of images and of Christ. In addition to the main elements of Theodore's defence of the icon, like the Christological issue, the relation between image and prototype, the question of veneration, his explanation of why we may say of an image that 'this is Christ', and his innovative thinking on the representative character of the icon, the book has an introduction that places Theodore in the history of Byzantine philosophy: He has some knowledge of traditional logical topics and is able to utilize argumentative forms in countering his iconoclast opponents. The volume also provides an appendix which shows that the making of images is somehow natural given the character of Christianity as a religion."--Publisher's website.