New Oceania

The most comprehensive study of regional politics in Oceania produced to date. Drawing on a range of interdisciplinary sources and providing a systematic account of major issues facing the region, this book will appeal to anyone engaged in any aspect of regional studies in Oceania and beyond.

This book is inspired by the University of the South Pacific, the leading institution of higher education in the Pacific Islands region. Founded in 1968, USP has expanded the intellectual horizons of generations of students from its 12 member countries—Cook Islands, Fiji, Kiribati, Marshall Islands, Nauru, Niue, Samoa, Solomon Islands, Tokelau, Tonga, Tuvalu and Vanuatu—and been responsible for the formation of a regional elite of educated Pacific Islanders who can be found in key positions in government and commerce across the region. At the same time, this book celebrates the collaboration of USP with The Australian National University in research, doctoral training, teaching and joint activities. Twelve of our 19 contributors gained their doctorates at ANU, most of them before or after being students and/or teaching staff at USP, and the remaining five embody the cross-fertilisation in teaching, research and consultancy of the two institutions. The contributions to this collection, with a few exceptions, are republications of key articles on the Pacific Islands by scholars with extensive experience and knowledge of the region.

Oceania was the last region on earth to be permanently inhabited, with the final settlers reaching Aotearoa/New Zealand approximately AD 1300. This is about the same time that related Polynesian populations began erecting Easter Island's gigantic statues, farming the valley slopes of Tahiti and similar islands, and moving finely made basalt tools over several thousand kilometers of open ocean between Hawai'i, the Marquesas, the Cook Islands, and archipelagos in between. The remarkable prehistory of Polynesia is one chapter of Oceania's human story. Almost 50,000 years prior, people entered Oceania for the first time, arriving in New Guinea and its northern offshore islands shortly thereafter, a biogeographic region labelled Near Oceania and including parts of Melanesia. Near Oceania saw the independent development of agriculture and has a complex history resulting in the greatest linguistic diversity in the world. Beginning 1000 BC, after millennia of gradually accelerating cultural change in Near Oceania, some groups sailed east from this space of inter-visible islands and entered Remote Oceania, rapidly colonizing the widely separated separated archipelagos from Vanuatu to S?moa with purposeful, return voyages, and carrying an intricately decorated pottery called Lapita. From this common cultural foundation these populations developed separate, but occasionally connected, cultural traditions over the next 3000 years. Western Micronesia, the archipelagos of Palau, Guam and the Marianas, was also colonized around 1500 BC by canoes arriving from the west, beginning equally long sequences of increasingly complex social formations, exchange relationships and monumental constructions. All of these topics and others are presented in The Oxford Handbook of Prehistoric Oceania written by Oceania's leading archaeologists and allied researchers. Chapters describe the cultural sequences of the region's major island groups, provide the most recent explanations for diversity and change in Oceanic prehistory, and lay the foundation for the next generation of research.

For so long figured in European discourses as the antithesis of modernity, the Pacific Islands have remained all but absent from the modernist studies’ critical map. Yet, as the chapters of New Oceania: Modernisms and Modernities in the Pacific collectively show, Pacific artists and writers have been as creatively engaged in the construction and representation of modernity as any of their global counterparts. In the second half of the twentieth century, driving a still ongoing process of decolonisation, Pacific Islanders forged an extraordinary cultural and artistic movement. Integrating Indigenous aesthetics, forms, and techniques with a range of other influences — realist novels, avant-garde poetry, anti-colonial discourse, biblical verse, Indian mythology, American television, Bollywood film — Pacific artists developed new creative registers to express the complexity of the region’s transnational modernities. New Oceania presents the first sustained account of the modernist dimensions of this period, while presenting timely reflections on the ideological and methodological limitations of the global modernism rubric. Breaking new critical ground, it brings together scholars from a range of backgrounds to demonstrate the relevance of modernism for Pacific scholars, and the relevance of Pacific literature for modernist scholars.

Volcanic eruptions have killed thousands of people and damaged homes, villages, infrastructure, subsistence gardens, and hunting and fishing grounds in Papua New Guinea and the Solomon Islands. The central business district of a town was destroyed by a volcanic eruption in the case of Rabaul in 1994. Volcanic disasters litter not only the recent written history of both countries—particularly Papua New Guinea—but are recorded in traditional stories as well. Furthermore, evidence for disastrous volcanic eruptions many times greater than any witnessed in historical times is to be found in the geological record. Volcanic risk is greater today than at any time previously because of larger, mainly sedentary populations on or near volcanoes in both countries. An attempt is made in this book to review what is known about past volcanic eruptions and disasters with a view to determining how best volcanic risk can be reduced today in this tectonically complex and volcanically threatening region.