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Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...

Cornwall, peopled mainly by Celts, but with an infusion of English blood, stands and always has stood apart from the rest of England, much, but in a less degree, as has Wales. That which brought it into more intimate association with English thought, interests, and progress was the loss of the old Cornish tongue. The isolation in which Cornwall had stood has tended to develop in it much originality of character; and the wildness of the coast has bred a hardy race of seamen and smugglers; the mineral wealth, moreover, drew thousands of men underground, and the underground life of the mines has a peculiar effect on mind and character: it is cramping in many ways, but it tends to develop a good deal of religious enthusiasm, that occasionally breaks forth in wild forms of fanaticism. Cornwall has produced admirable sailors, men who have won deathless renown in warfare at sea, as "Old Dreadnought" Boscawen, Pellew, Lord Exmouth, etc., and daring and adventurous smugglers, like "The King of Prussia," who combined great religious fervour with entire absence of scruple in the matter of defrauding the king's revenue. It has produced men of science who have made for themselves a world-fame, as Adams the astronomer, and Sir[Pg viii] Humphry Davy the chemist; men who have been benefactors to their race, as Henry Trengrouse, Sir Goldsworthy Gurney, and Trevithick...

Embark on a journey down the historic Ocean Highway from New Brunswick, New Jersey to Jacksonville, Florida with this informative travel guide. Complete with detailed maps, interesting historical facts, and recommendations for lodging and dining, readers will be transported back in time to a simpler era of American travel. Discover hidden gems and iconic landmarks along the way in this quintessential guide to exploring the Eastern seaboard. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In treating of Devonshire Characters, I have had to put aside the chief Worthies and those Devonians famous in history, as George Duke of Albemarle, Sir Walter Raleigh, Sir Francis Drake, Sir Joshua Reynolds, the Coleridges, Sir Stafford Northcote, first Earl of Iddesleigh, and many another; and to content myself with those who lie on a lower plane. So also I have had to set aside several remarkable characters, whose lives I have given elsewhere, as the Herrings of Langstone (whom I have called Grym or Grymstone) and Madame Drake, George Spurle the Post-boy, etc. Also I have had to pretermit several great rascals, as Thomas Gray and Nicholas Horner. But even so, I find an embarras de richesses, and have had to content myself with such as have had careers of some general interest. Moreover, it has not been possible to say all that might have been said relative to these, so as to economize space, and afford room for others. S. BARING-GOULD