New Theatre Quarterly 51 Volume 13 Part 3

Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.

Provides an international forum for the discussion of topics of current interest in theatre studies. This issue includes articles on women and theatre in Spain; Sarah Bernhardt in Vaudeville; Giorgio Strehler's 'Faust' project; Deborah Levy in interview; and social space in ancient theatre.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 71 include: Remembering Martin Esslin, 1918 2002; 'An Uncooked Army Boot': Spike Milligan, 1918 2002; Doing Things with Words: Directing Darion Fo in the UK; The Long Road Home: Athol Fugard and His Collaborators; Theatre Audience Surveys: towards a Semiotic Approach; Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson; The Mud and the Wind: an Inquiry into Dramaturgy.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.