New Theatre Quarterly 55 Volume 14 Part 3

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.

International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.

Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.

Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to critical questioning. Articles in Volume 66 will include: Dario Fo, the Commune, and the Battle for the Palazzina Liberty; Dramaturgy according to Daedalus; 'Other' Spaces of Translation: the Theatre of Bernard-Marie Koltès; 'Everybody Got Their Brown Dress': Millennium Revivals of the Medieval Mysteries; 'Suffrage Shrews': Mary Pickford's Katherina and the Stratford Visit to Los Angeles; Alternative Theatre in Poland since 1989.

Provides an international forum where theatrical scholarship and practice can meet.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 71 include: Remembering Martin Esslin, 1918 2002; 'An Uncooked Army Boot': Spike Milligan, 1918 2002; Doing Things with Words: Directing Darion Fo in the UK; The Long Road Home: Athol Fugard and His Collaborators; Theatre Audience Surveys: towards a Semiotic Approach; Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson; The Mud and the Wind: an Inquiry into Dramaturgy.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies needs a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 63 include: Ventriloquism: the Voices of the Dead; Bodies, Rest and Motion: from Shiva's Cosmic Dance to Chaos Theory's Biodance; Computer Intelligence in the Theatre; Burmese Nights: Myanmar's Pagoda Festival in the Age of the Hollywood Titanic; Censoring the Uncensored: the Case of Children in Uniform; Henry Irving and the Staging of Spiritualism; Boal and the Shifting Sands: Unpolitical Master Swimmer.