New York Trilogy

First published in 1985-1986, "The New York Trilogy "("City of Glass, Ghosts," and "The Locked Room") brought immediate international attention to its author, Paul Auster, and elevated him to near-celebrity status, particularly in France. This trilogy and his many works since then (including "In the Country of Last Words," "Leviathan," "Mr. Vertigo," "Moon Palace," and others) have been translated into numerous languages and have brought him further world attention. Auster's trilogy broke ground in its mix of serious fictional techniques and detective and mystery genres. Geoffrey O'Brien of "The Village Voice "wrote: ""The New York Trilogy "are novels of desire: the desire to write a detective novel, to read one, to -inhabit it. . . . By turning the mystery novel inside out, Auster may have -initiated a whole new round of storytelling." This new edition will delight readers and collectors of Auster's work.

The remarkable, acclaimed series of interconnected detective novels – from the author of 4 3 2 1: A Novel The New York Review of Books has called Paul Auster's work “one of the most distinctive niches in contemporary literature.” Moving at the breathless pace of a thriller, this uniquely stylized triology of detective novels begins with City of Glass, in which Quinn, a mystery writer, receives an ominous phone call in the middle of the night. He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.

The remarkable, acclaimed series of interconnected detective novels – from the author of 4 3 2 1: A Novel The New York Review of Books has called Paul Auster's work “one of the most distinctive niches in contemporary literature.” Moving at the breathless pace of a thriller, this uniquely stylized triology of detective novels begins with City of Glass, in which Quinn, a mystery writer, receives an ominous phone call in the middle of the night. He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems. This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The second book in the acclaimed New York Trilogy--a detective story that becomes a haunting and eerie exploration of identity and deception. It is a story of hidden violence that culminates in an inevitable but unexpectedly shattering climax.

When reclusive crime writer Daniel Quinn receives a mysterious call seeking a private detective in the middle of the night, he quickly and unwittingly becomes the protagonist in a thriller of his own. As the familiar territory of the noir detective genre gives way to something altogether more disturbing, Quinn becomes consumed by his mission, and begins to lose his grip on reality.

An inside look into Paul Auster's art and craft, the inspirations and obsessions, mesmerizing and dramatic in turn. A remarkably candid, and often surprisingly dramatic, investigation into one writer's art, craft, and life, A Life in Words is rooted in three years of dialogue between Auster and Professor I. B. Siegumfeldt, starting in 2011, while Siegumfeldt was in the process of launching the Center for Paul Auster Studies at the University of Copenhagen. It includes a number of surprising disclosures, both concerning Auster's work and about the art of writing generally. It is a book that's full of surprises, unscripted yet amounting to a sharply focused portrait of the inner workings of one of America's most productive and successful writers, through all twenty-one of Auster's narrative works and the themes and obsessions that drive them.

A “compelling” (Los Angeles Times) tale of friendship, betrayal, estrangement, and the unpredictable intrusions of violence in the everyday – from the author of the forthcoming 4 3 2 1: A Novel "Six days ago, a man blew himself up by the side of a road in northern Wisconsin. . . ." So begins the story by Peter Aaron about his best friend, Benjamin Sachs. Sachs had a marriage Aaron envied, an intelligence he admired, a world he shared. And then suddenly, after a near-fatal fall that might or might not have been intentional, Sachs disappeared. Now Aaron must piece together the life that led to Sach's death. His sole aim is to tell the truth and preserve it, before those who are investigating the case invent an account of their own.

"Originally published in Great Britain in 1991 by Hamish Hamilton Ltd."--Title page verso.