Newfoundland Portfolio

This work represents trailblazing artists, dedicated activists, innovative entrepreneurs - people who made their mark through their work or their calling. It includes long-loved eccentrics and exceptional young adults who met with tragedy, as well as those who happenedon momentous events and those who were swept along by them. Together theytouch on a myriad of incidents and adventures significant to the politics, industry and culture of this province, our country and the world, and leave the gift and legacy of their work and ideals.

Henry Hayward has been living life the way he's wanted—working hard, playing hard—but when his girlfriend tells him she's leaving, it destroys him. In a quest to recover, he joins an army-affiliated contracting crew that takes him overseas to a Canadian base in Afghanistan. In the company of friends, he begins to mend: having laughs and being rebellious, blithely unaware of all he's left behind. But everything changes during a roadside incursion when a routine patrol turns fatal. And Henry, who survives, knows in his heart that he is responsible. Upon returning home, tormented by guilt, he resolves to take care of the people and places around him: Martha Groves, whose boyfriend was killed in Afghanistan; his friends and neighbours; and a summer home that needs revitalizing. Henry tries his best to seek roots after a rootless life, collecting around himself a "community of a hundred people" for whom he cares deeply and is responsible. But he hasn’t factored in family history and social infidelity—and Martha has a revelation of her own that may change everything. Minister Without Portfolio illuminates the power and violence of self-creation. It asks: To whom are we beholden? Who do we adopt—and who couldn't we live without? It is an emotionally affecting work, filled with truths about the frailties and miracles of human nature, by a writer of exceptional talent.

A creepy, mysterious dollhouse takes center stage in this atmospheric middle-grade mystery for fans of Doll Bones and Small Spaces. Alice's world is falling apart. Her parents are getting a divorce, and they've cancelled their yearly cottage trip -- the one thing that gets Alice through the school year. Instead, Alice and her mom are heading to some small town where Alice's mom will be a live-in nurse to a rich elderly lady. The house is huge, imposing and spooky, and everything inside is meticulously kept and perfect -- not a fun place to spend the summer. Things start to get weird when Alice finds a dollhouse in the attic that's an exact replica of the house she's living in. Then she wakes up to find a girl asleep next to her in her bed -- a girl who looks a lot like one of the dolls from the dollhouse . . . When the dollhouse starts to change when Alice isn't looking, she knows she has to solve the mystery. Who are the girls in the dollhouse? What happened to them? And what is their connection to the mean and mysterious woman who owns the house?

WINNER OF THE BEST PUBLISHED ATLANTIC BOOK AWARD FOR 2006 PRESENTED BY THE ATLANTIC PUBLISHERS MARKETING ASSOCIATION. This volume celebrates the life and work of Helen and Reginald Shepherd and at the same time assesses their contribution to the visual arts in Newfoundland. It begins with an introduction by Ronald Rompkey to situate the Shepherds in the post-Confederation cultural milieu, followed by a general biographical and historical essay by Peter Gard, who wrote the catalogue for the AGNL exhibition "Helen Parsons Shepherd and Reginald Shepherd: Four Decades" in 1989. Next, jou alist and playwright Joan Sullivan explores through interviews with former students the environment created at the Newfoundland Academy of Art at 51 Cochrane Street. Lisa Moore, a fiction writer who also possesses a degree in visual art from NSCAD, follows with an investigation of the portrait as an art form and Helen Parsons Shepherd's career as a portraitist. The volume concludes with an essay on early printmaking in Newfoundland and Reginald Shepherd's work in this medium by Anne Pratt, who has had considerable experience as an art jou alist and critic. These essays constitute approximately half the volume, the remainder consisting of illustrations from the work of both artists.

Following significant increases in women's electoral representation in the 1980s and '90s, progress has stalled. Today, there are only a few more women in Canada's parliament and legislatures than a decade ago. What has happened to the representational gains for women and why does gender parity remain so elusive? To answer these questions, Stalled provides a detailed road map of women's political representation as candidates, office-holders, cabinet ministers, party leaders, and as representatives of the Crown at all levels of government across Canada. Comprehensive and accessible, this volume makes clear that women are far from achieving equality in sites of formal political power.