Ng Teng Fong Roof Garden Commission Cao Fei

This publication spotlights the fourth work in the Ng Teng Fong Roof Garden Commission series by Cao Fei, Fú Chá. An accompaniment to her kinetic installation, this artist's book features a text by curator Sam I-Shan, essays by Cao Fei as well as a poem by the artist Liao Huilan, alongside full-colour images of the commission.

This publication spotlights 浮槎 Fú Chá, a kinetic installation commissioned for the Gallery’s Roof Garden series. It includes a curatorial essay on the work by curator Sam I-shan, a poem by the artist Liao Huilan and a series of vignettes by Cao Fei herself.

This catalogue for Antony Gormley’s largest-ever showing in Singapore features stunning full-colour plates of the installations at National Gallery Singapore, including the fifth Ng Teng Fong Roof Garden Commission, Horizon Field Singapore. This publication also contains an interview with the artist by Eugene Tan, an essay by exhibition curators Qinyi Lim and Russell Storer, and an essay by cultural critic Ackbar Abbas, which continues his investigation into the situatedness of Gormley’s practice.

This is the inaugural exhibition of the Ng Teng Fong Roof Garden Commission series, which invites leading international artists to create site-specific installations at the Ng Teng Fong Roof Garden Gallery, made possible by a gift from the family of Ng Teng Fong. Published to accompany this exhibition, this catalogue delves deeper into Danh’s practice and broader discussions surrounding cross-cultural identity through essays by leading scholar Professor Nora Taylor and National Gallery Singapore curator Charmaine Toh alongside full-colour images of the commissioned work.

The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf, and a time of unsurpassed literary creativity. Mark Lewis captures a dynamic era in which the empire reached its greatest geographical extent under Chinese rule, painting and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets in Wang Wei, Li Bo, and Du Fu. The Chinese engaged in extensive trade on sea and land. Merchants from Inner Asia settled in the capital, while Chinese entrepreneurs set off for the wider world, the beginning of a global diaspora. The emergence of an economically and culturally dominant south that was controlled from a northern capital set a pattern for the rest of Chinese imperial history. Poems celebrated the glories of the capital, meditated on individual loneliness in its midst, and described heroic young men and beautiful women who filled city streets and bars. Despite the romantic aura attached to the Tang, it was not a time of unending peace. In 756, General An Lushan led a revolt that shook the country to its core, weakening the government to such a degree that by the early tenth century, regional warlordism gripped many areas, heralding the decline of the Great Tang.

Published in conjunction with Georgette Chen: at home in the world, 27 November 2020 - 26 September 2021, an exhibition organised by National Gallery Singapore.

his illustrated publication is the outcome of the conference 'Ming: Courts and Contacts 1400-1450' held October 9-October 11, 2014 and that accompanied the British Museum's major exhibition Ming: 50 years that changed China (September 2014-January 2015). The scope of the exhibition and conference focused on Ming dynasty China in the years 1400 to 1450.

This book, full of quantitative evidence and limited-circulation archives, details manufacturing and the beginnings of industrialisation in China from 1644 to 1911. It thoroughly examines the interior organisation of public craft production and the complementary activities of the private sector. It offers detailed knowledge of shipbuilding and printing. Moreover, it contributes to the research of labour history and the rise of capitalism in China through its examination of living conditions, working conditions, and wages.