Nietzsche Religion And Mood

Die Reihe Monographien und Texte zur Nietzsche-Forschung (MTNF) setzt seit mehreren Jahrzehnten die Agenda in der sich stetig verändernden Nietzsche-Forschung. Die Bände sind interdisziplinär und international ausgerichtet und spiegeln das gesamte Spektrum der Nietzsche-Forschung wider, von der Philosophie über die Literaturwissenschaft bis zur politischen Theorie. Die Reihe veröffentlicht Monographien und Sammelbände, die einem strengen Peer-Review-Verfahren unterliegen. Die Buchreihe wird von einem internationalen Redaktionsteam geleitet.

How does Nietzsche, as psychologist, envision the future of religion and atheism? While there has been no lack of “psychological” studies that have sought to illuminate Nietzsche's philosophy of religion by interpreting his biography, this monograph is the first comprehensive study to approach the topic through the philosopher's own psychological thinking. The author shows how Nietzsche's critical writings on religion, and especially on religious decline and future possibilities, are informed by his psychological thinking about moods. The author furthermore argues that the clarification of this aspect of the philosopher’s work is essential to interpreting some of the most ambiguous words found in his writings; the words that God is dead. Instead of merely denying the existence of God in a way that leaves a melancholic need for religion or a futile search for replacements intact, Nietzsche arguably envisions the possibility of a radical atheism, which is characterized by a mood of joyful doubt. The examination of this vision should be of great interest to scholars of Nietzsche and of the history of philosophy, but also of relevance to all those who take an interest in the interdisciplinary discourse on secularization.

"I have slain all gods—for the sake of morality!" — Friedrich Wilhelm Nietzsche Although often regarded as an atheist who did not take religion seriously, Nietzsche in fact thought deeply about the gods and how they functioned in the human psyche. The son of a Lutheran pastor who dropped theology in college after only one semester, Nietzsche was a profound religious thinker who devoted much of his writing to reevaluating the concept of god that prevailed in nineteenth-century Germany. As this volume demonstrates, Nietzsche sharply discerned between the positive and negative aspects of various gods, including the Christian God, the Jewish God (Yahweh), the Greek gods (especially Apollo and Dionysus), and the Buddha. The essays further touch upon Nietzsche's relationship to prominent religious thinkers of his time, as well as his influence on later religious thinkers, such as Martin Buber and Paul Tillich. Wide-ranging and diverse, Nietzsche and the Gods will be indispensable to our continuing understanding of Nietzsche's thought and to the broader study of philosophy and religion.

Reproduction of the original: What Nietzsche Taught by Willard Huntington Wright

The work of the later Schelling (in and after 1809) seems antithetical to that of Nietzsche: one a Romantic, idealist and Christian, the other Dionysian, anti-idealist and anti-Christian. Still, there is a very meaningful and educative dialogue to be found between Schelling and Nietzsche on the topics of reason, freedom and religion. Both of them start their philosophy with a similar critique of the Western tradition, which to them is overly dualist, rationalist and anti-organic (metaphysically, ethically, religiously, politically). In response, they hope to inculcate a more lively view of reality in which a new understanding of freedom takes center stage. This freedom can be revealed and strengthened through a proper approach to religion, one that neither disconnects from nor subordinates religion to reason. Religion is the dialogical other to reason, one that refreshes and animates our attempts to navigate the world autonomously. In doing so, Schelling and Nietzsche open up new avenues of thinking about (the relationship between) freedom, reason and religion.

In his first book, The Birth of Tragedy, Nietzsche observes that Greek tragedy gathered people together as a community in the sight of their gods, and argues that modernity can be rescued from 'nihilism' only through the revival of such a festival. This is commonly thought to be a view which did not survive the termination of Nietzsche's early Wagnerianism, but Julian Young argues, on the basis of an examination of all of Nietzsche's published works, that his religious communitarianism in fact persists through all his writings. What follows, it is argued, is that the mature Nietzsche is neither an 'atheist', an 'individualist', nor an 'immoralist': he is a German philosopher belonging to a German tradition of conservative communitarianism - though to claim him as a proto-Nazi is radically mistaken. This important reassessment will be of interest to all Nietzsche scholars and to a wide range of readers in German philosophy.

This is a clear and lucid account of Nietzsche's philosophy of art.