Night In Tehran

Based on historic events, and frighteningly relevant to today's headlines -- a taut thriller about one American diplomat’s year of living dangerously in Tehran in the days leading up to the Iranian Revolution … In the style of Alan Furst, this suspenseful thriller -- based on real events -- places an idealistic American diplomat in a turbulent, US-hating Tehran in the days leading up to the Iranian Revolution. Backed by the CIA, and trailed by a beautiful and engaging French journalist he suspects is a spy, David Weiseman's mission is to ease the Shah of Iran out of power and find the best alternative between the military, religious extremists, and the political ruling class -- many of whom are simultaneously trying to kill him.

Veteran CIA officer, Titus Ray--on the run from the Iranian secret police--finds shelter with a group of Iranian Christians in Tehran. While urging Titus to become a believer in Jesus Christ, they manage to smuggle him out of Iran to freedom in Turkey. Returning to the States, he discovers his Iranian mission failed because of political infighting within the Agency. In a hot-tempered outburst, he delivers a scathing indictment against the Deputy Director of Operations and, as a result, the deputy forces Titus to take a year's medical leave in Oklahoma.

""The Nights of Tehran" is a story that takes place in the 1960s and 1970s, the years that led to the uprisings and tumult that toppled the monarchical regime and ended in the 1978-79 Islamic Revolution and the establishment of a theocracy in Iran. It is a story about the young people in those decades, the story of a generation, Alizadeh's own generation, which she called an idealistic generation of dreamers who believed in patriotism, freedom, justice, culture, and beauty. But it was also a "lost generation." "The Nights of Tehran" is also the story of Iran's capital city itself, albeit a Tehran that is schizophrenic. North Tehran, where much of the story takes place, is an affluent modern city with luxurious homes and gardens, whereas south Tehran, where a significant portion of the novel occurs, is poverty-stricken with dusty, windy, narrow alleyways and old dilapidated houses and flophouses. Alizadeh's Tehran is an imagined city, a construct of the creative mind of the writer. However, many readers who have lived or visited the Iranian capital city at that time will find the same city reflected in this novel"--

Public places are places where all citizens, irrespective of their race, age, religion, or class level (social or economic), cannot be excluded. It serves to improve the lifestyle experience of its inhabitants, as well as promote social connections. All citizens are responsible for it and are interested in it, and the intervention for change must be the responsibility of all without exception. As such, bottom-up urban planning is essential for urban environments and for transforming nightlife in public places in order to create more meaningful experiences and instill a greater sense of identity and community. Transforming Urban Nightlife and the Development of Smart Public Spaces analyzes the patterns of transformations of nightlife in public life. The book investigates urban nightlife transformations and the challenge of enhancing the sense of belonging in sensitive areas such as local communities and historical sites. The chapters present new insights to control the chaotic intervention related to the elements of traditional or digital technology, whether from citizens themselves or local authorities. The objective also is to document urban nightlife transformations that enhance the sense of belonging in historical sites. Important topics covered include urban-gamification, digital urban art, urban socio-ecosystems, and reimagining space in the urban nightlife. This book is ideal for urban planners, developers, social scientists, technologists, civil engineers, architects, policymakers, government officials, practitioners, researchers, academicians, and students who are interested in urban nightlife and nightscape and the smart technologies used for transformation.

In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides

This book, based on conference excerpts, investigates various aspects of contemporary Iranian urbanism. The topics covered range from the impacts of political developments on the cities’ rapid socio-economic developments, to the cities’ troubled relationship with the country’s built-environment history and their frequently ill-managed exposure to Western notions of development and globalisation. Last but not least, the country’s vulnerability to natural disasters in an age of increasing urban-population densification is also considered. Alongside more theoretically and artistically oriented debates, the book’s individual contributions turn their attention to the now much higher proportion of urban dwellers in the country’s rising population. It also discusses the policies designed in response to these demographic moves, including those to develop new towns, find housing for the excess population in existing cities, renovate historic buildings and create new public spaces. The practice-policy oriented contributions also include those concerning the country’s responses to natural disasters.

A United States Foreign Service couple renews an official presence in Yemen. Set only eight years after the Republican Revolution had ousted a thousand-year-old dynasty of Shiite (Zaydi) Muslim imams, the memoir describes with both humor and respect the country's struggles in the early throes of becoming a modern, viable state.

A city of stories – short, fragmented, amorphous, and at times contradictory – Tehran is an impossible tale to tell. For the capital city of one of the most powerful nations in the Middle East, its literary output is rarely acknowledged in the West. This unique celebration of its writing brings together ten stories exploring the tensions and pressures that make the city what it is: tensions between the public and the private, pressures from without – judgemental neighbours, the expectations of religion and society – and from within – family feuds, thwarted ambitions, destructive relationships. The psychological impact of these pressures manifests in different ways: a man wakes up to find a stranger relaxing in his living room and starts to wonder if this is his house at all; a struggling writer decides only when his girlfriend breaks his heart will his work have depth... In all cases, coping with these pressures leads us, the readers, into an unexpected trove of cultural treasures – like the burglar, in one story, descending into the basement of a mysterious antique collector’s house – treasures of which we, in the West, are almost wholly ignorant. Translated by: Sara Khalili, Sholeh Wolpé, Alireza Abiz, Caroline Croskery, Farzaneh Doosti, Shahab Vaezzadeh, Niloufar Talebi, Lida Nosrati, Susan Niazi and Poupeh Missaghi. Foreword by Orkideh Behrouzan. Developed in partnership with Visiting Arts. 'The aesthetic sensibility of Iranian culture appears, to the West, as mainly pre-modern, if not actually anti-modern... The fiction showcased in The Book of Tehran is a welcome corrective to this tendency... These stories feel decidedly contemporary in style and subject matter alike, with their protagonists' inner lives and interpersonal relationships at the fore.' - The Times Literary Supplement 'Fiction exploring the interior life of contemporary Iranians is not well represented in translations readily available in the West. The Book of Tehran aims to begin to redress the shortage...' - Asian Review of Books