Nights Abroad An Illustrated Travelogue

"When asked to update this fascinating travelogue, I found few words needed to be changed. It remains a fascinating journey by a lovely adventuress who flourishes in the nights of romantic cities." - Barthélemy Banks, Mumm Visit four romantic European cities — Rome, Venice, London, and Paris — with travel writer Liz Pennell and her artist husband Joe. From their arrival in Italy by bicycle to their celebration of the nightlife of Paris, you'll feel like you're privy to their personal travel diary. What's more, you will meet their colorful circle of friends — painters, poets, novelists, artists of all sorts — and listen in on their squabbles, pontifications, musings, and comments about the culture of the cities they explore. Lavishly illustrated with more than 100 stunning new photographs, you'll be treated to nighttime vistas of landmarks, monuments, palaces, and notable artworks.

The Innocents Abroad, or The New Pilgrims' Progress is a travel book by American author Mark Twain published in 1869 which humorously chronicles what Twain called his "Great Pleasure Excursion" on board the chartered vessel Quaker City (formerly USS Quaker City) through Europe and the Holy Land with a group of American travelers in 1867. It was the best selling of Twain's works during his lifetime and one of the best selling travel books of all time.

Innocents Abroad is a travel book which humorously chronicles the trip Twain called his "Great Pleasure Excursion," on board the chartered vessel Quaker City through Europe and the Holy Land in 1867. The excursion was billed as a Holy Land expedition, with numerous stops and side trips along the coast of the Mediterranean Sea, such as the train excursion from Marseille to Paris for the 1867 Paris Exhibition during the reign of Napoleon III and the Second French Empire, a journey through the Papal States to Rome, a side trip through the Black Sea to Odessa, and finally culminating in an excursion through the Holy Land. Twain recorded his observations and critiques of the various aspects of culture and society which he encountered on the journey, some more serious than others. Many of his observations draw a contrast between his own experiences and the often grandiose accounts in contemporary travelogues, which were regarded in their own time as indispensable aids for traveling in the region. Samuel Langhorne Clemens (1835-1910), better known by his pen name Mark Twain, was an American writer, humorist, entrepreneur, publisher, and lecturer. He is best known for his two novels – The Adventures of Tom Sawyer and its sequel, the Adventures of Huckleberry Finn, but his satirical stories and travel books are also widely popular. His wit and satire, in prose and in speech, earned him praise from critics and peers. He was lauded as the greatest American humorist of his age.

Critics in this volume reassess the prescient nature of Richard Wright's mind as well as his life and body of writings, especially those directly concerned with America and its racial dynamics. This edited collection offers new readings and understandings of the particular America that became Wright's focus at the beginning of his career and was still prominent in his mind at the end. Virginia Whatley Smith's edited collection examines Wright's fixation with America at home and from abroad: his oppression by, rejection of, conflict with, revolts against, and flight from America. Other people have written on Wright's revolutionary heroes, his difficulties with the FBI, and his works as a postcolonial provocateur; but none have focused singly on his treatment of America. Wherever Wright traveled, he always positioned himself as an African American as he compared his experiences to those at hand. However, as his domestic settlements changed to international residences, Wright's craftsmanship changed as well. To convey his cultural message, Wright created characters, themes, and plots that would expose arbitrary and whimsical American policies, oppressive rules which would invariably ensnare Wright's protagonists and sink them more deeply into the quagmire of racial subjugation as they grasped for a fleeting moment of freedom. Smith's collection brings to the fore new ways of looking at Wright, particularly his post-Native Son international writings. Indeed, no critical interrogations have considered the full significance of Wright's masterful crime fictions. In addition, the author's haiku poetry complements the fictional pieces addressed here, reflecting Wright's attitude toward America as he, near the end of his life, searched for nirvana--his antidote to American racism.

The pioneering Iranian poet and filmmaker Forugh Farrokhzad was an iconic figure in her own day and has come to represent the spirit of revolt against patriarchal and cultural norms in 1960s Iran. Five decades after her tragic death at the age of 32, Forugh Farrokhzad, Poet of Modern Iran brings her ground-breaking work into new focus. During her lifetime Farrokhzad embodied the vexed predicament of the contemporary Iranian woman, at once subjected to long-held traditional practices and influenced by newly introduced modern social sensibilities. Highlighting her literary and cinematic innovation, this volume examines the unique place Farrokhzad occupies in Iran, both among modern Persian poets in general and as an Iranian woman writer in particular. The authors also explore Farrokhzad's appeal outside Iran in the Iranian diasporic imagination and through the numerous translations of her poetry into English. It is a fitting and authoritative tribute to the work of a remarkable woman which will introduce and explain her legacy for a 21st-century audience. This second edition includes two new chapters which explore a travelogue Farrokhzad wrote during her time in Italy, and an examination of Farrokhzad's influence on the writings of the Afghan female poet Laila Sarahat Rowshani.

A Tramp Abroad is a work of travel literature, including a mixture of autobiography and fictional events, by American author Mark Twain, published in 1880. The book details a journey by the author, with his friend Harris, through central and southern Europe.

In a nation struggling to establish its own identity, all kinds of Americans, for all kinds of reasons, were enchanted with Europe. A European trip, whether extravagant or modest, could serve social advancement, aesthetic enrichment, or personal curiosity. Travel allowed men and women, the descendants of European settlers or African slaves, to shed their familiar surroundings and comfortable personas, adopt new roles, and measure themselves against the European experience. These travelers were often also writers. Throughout the nineteenth century, celebrated authors and beginners alike published newspaper columns, magazine articles, guidebooks, travel essays, letters, and novels based on their European journeys. In Going Abroad, Stowe examines not only classic works by such writers as Irving, Fuller, Twain, James, and Adams, but also lesser-known works by African-American authors, journalists, feminist writers, and diarists. Travel and the writing of it were important, Stowe argues, in molding a peculiarly democratic, yet essentially class-based, sense of personal and group identity. Combining literary and cultural analysis, he suggests new ways of understanding nineteenth-century Americans' concept of their nation and its place in the world. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.