No Gravestone Left Unturned

She suspects everyone of everything. Now, everyone suspects her. For cemetery owner and world’s best fur-mom Jane Ladling, death is her business, romance is her misfortune and suspicion is her passion. When she discovers a fresh body on her porch, she calls Special Agent Conrad Ryan, her smoke-show of a boyfriend. Who isn’t actually her boyfriend. Whatever. It’s complicated, especially now that she’s being framed for the murder of the only “hard-hitting” journalist in the small town of Aurelian Hills, Georgia. Determined to clear her good name, Jane dives headlong into following the clues––with best friends Fiona and Beau at her side. But can she identify the killer before she goes to jail? Or worse…there’s another victim?

Borderlands, boundaries and frontiers are crucibles for diverse cultures and multiple alternative histories. Nowhere is this truer than in the debateable lands between nation states in what is commonly known as the British Isles. This collection takes the reader on an imaginative journey inside the borders, offering a fresh perspective on the liminality of these porous and contested terrains and the liminal peoples therein. Implicitly or explicitly, the contributors to this volume, in one way or another acknowledge that the term ‘borderland’ is imprecise, ambiguous and never neutral, and due to its liminal status, a crucible for multiple and competing identities. As the essays in this collection show, these borders don’t have to be geographical, but can extend to any cultural, psychic or social terrain which exists beyond or between accepted categories, power structures, nations or states. This collection concerns itself with Borders Theory in its multifarious manifestations from pre-history to the present day. Border Crossings draws together a number of key researchers in their respective fields and enables a dialogue between different disciplines and theoreticians. More generally, in its disciplinary and theoretical scope, the collection links with a number of other works, whilst its focus on England, Ireland and Scotland maintains its distinctiveness and addresses an area of comparative critical neglect.

Jane Ladling presents the perfect fail-proof recipe to spice up the holidays. Or ruin them. Baker’s choice! Mix a murderous cat with a goofy corgi. (Ignore any hissing. That definitely probably means the two ingredients are blending amazingly well.) Then add a landlocked cemetery allegedly peppered with gold-stuffed coffins. Whisk in a gravekeeper convinced a family curse forever dooms her to lose any man she loves. Marinate with a ridiculously charming special agent whose muscles and lopsided smile make her forget said curse. Toss in a pinch of mystery courtesy of an old, coded treasure map and crank up the heat. Broil, baby! If no one dies, serve with a smile. If they do, smile wider. And maybe, just maybe, Jane can solve a series of bewildering clues, end the curse for good, and finally find her own happily ever after. Or not.

Jane Ladling told her side of the story. Now Special Agent Conrad Ryan tells his. Welcome to Aurelian Hills, a small town rich in history and community, and six feet deep in murder. When a local playboy doctor is found dead in an unearthed grave, Conrad is on the case. But this loner by choice is ill prepared for the cemetery’s quirky owner. A beautiful brunette with a curious nature, a fascination with cats, hats and a talent for distracting him. Doesn’t help when she, well, tries to help, and constantly inserts herself into the investigation. With suspects stacking up, wild theories flying and a would-be amateur sleuth giving him a run for his money, Conrad must do what he does best. Buckle down, piece together the evidence and save the day. What he won’t do? Fall for the enchanting gravekeeper. Not him. No way.

She suspects everyone of everything. Sometimes she gets it right. Jane Ladling is the sole proprietor of her family’s landlocked cemetery, Garden of Memories. She’s responsible for the, er, guests, but there’s a slight problem. Well, besides her moody cat, Rolex, and her sixty-two-year-old best friend’s unrequited crush on the sheriff. An extra body now rests in Plot #39. Enter Special Agent Conrad Ryan. He’s gruff, he’s gorgeous, and oh, yes, he kind of suspects her of murder. What’s an innocent—and very single, not that it matters—girl to do? Solve the crime herself. Even if she must turn the small town of Aurelian Hills, Georgia upside down. The only line she won’t cross? Falling for the first man to make her heart flutter. Nope, not happening. Not even a little.

Jane Ladling presents the perfect fail-proof “Don’t Fall Deeper In Love With Your Boyfriend” Checklist! Remember the family curse—check (ish) Keep your mind focused on his bid for sheriff—check Never find his competition dead in their home—check mate? For too long, Jane has lived in fear of a generational curse. Fall in love, lose the guy; marry him and watch him die. Finally, this quirky ray of sunshine is determined to experience all life offers. With the help of the world’s most amazing guardcat, she preserves Garden of Memories, a landlocked cemetery and heaven on earth. At her side is the best ragtag team of friends in history. Plus, she’s dating the tastiest snack in Aurelian Hills, Georgia. Protective grump and future sheriff Conrad Ryan. There’s just one problem: someone murdered Conrad’s only opponent. Of course, like any expert amateur sleuth, Jane dives heart first into an investigation. Except, the hotter the leads, the colder the case. From feuding neighbors to secret blackmailers and a missing crime boss, reality proves stranger than fiction. As new buddies and old enemies emerge, Jane will stop at nothing to uncover the truth. And maybe, just maybe, she’ll win her own campaign along the way: being crowned Miss Happily Ever After.

'A triumphant family memoir' Hallie Rubenhold 'Powerfully told...an impressive work' The Times 'Gives a voice to the voiceless' Australian Book Review In this remarkable book, Carmen Callil discovers the story of her British ancestors, beginning with her great-great grandmother Sary Lacey, born in 1808, an impoverished stocking frame worker. Through detailed research, we follow Sary from slum to tenement and from pregnancy to pregnancy. We also meet George Conquest, a canal worker and the father of one of Sary's children. George was sentenced - for a minor theft - to seven years' transportation to Australia, where he faced the extraordinary brutality of convict life. But for George, as for so many disenfranchised British people like him, Australia turned out to be his Happy Day. He survived, prospered and eventually returned to England, where he met Sary again, after nearly thirty years. He brought her out to Australia, and they were never parted again. A miracle of research and fuelled by righteous anger, Oh Happy Day is a story of Empire, migration and the inequality and injustice of nineteenth-century England. 'A remarkable tale...drawing chilling parallels to the inequalities of our times' Observer

Humor and cruelty can be the best of friends. Many cruel domains have facilitated hilarity of all kinds, whether experienced directly or vicariously, stretching from the torture chamber to the living room—or wherever else a screen is to be found. Conversely, many jests have provided the vehicle with which to dispense cruelty, whether callously or gleefully, in myriad settings, from public events to intimate family dinners. Combining the sources and resources of the humanities and social sciences, this book investigates the mutually supportive liaisons of humor and cruelty. We unearth the brutal, aggressive, and/or sadomasochistic roots of mockery and self-mockery, sarcasm and satire, whilst addressing contemporary debates in humor studies focusing on the thorny ethics and existential challenges arising from the acceptance of the much-appreciated yet seldom innocent channel for human interaction called "humor."