No One Is An Island

This volume is a stimulating series of spiritual reflections which will prove helpful for all struggling to find the meaning of human existence and to live the richest, fullest and noblest life. --Chicago Tribune

This meditative prose conveys the essence of the human place in the world -- past and present.

NEW YORK TIMES EDITORS’ CHOICE • LONGLISTED FOR THE BOOKER PRIZE • A “beautifully and sparingly constructed” (The New York Times) novel about a lighthouse keeper with a mysterious past, and the stranger who washes up on his shores—An Island is the American debut of a major voice in world literature. “An Island by Karen Jennings is quite simply a revelation—a ferocious, swift chess game of a novel.”—Paul Yoon, author of Run Me to Earth ONE OF THE BEST BOOKS OF THE YEAR: Vulture Samuel has lived alone on an island off the coast of an unnamed African country for more than two decades. He tends to his garden, his lighthouse, and his chickens, content with a solitary life. Routinely, the nameless bodies of refugees wash ashore, but Samuel—who understands that the government only values certain lives, certain deaths—always buries them himself. One day, though, he finds that one of these bodies is still breathing. As he nurses the stranger back to life, Samuel—feeling strangely threatened—is soon swept up in memories of his former life as a political prisoner on the mainland. This was a life that saw his country exploited under colonial rule, followed by a period of revolution and a brief, hard-won independence—only for the cycle of suffering to continue under a cruel dictator. And he can’t help but recall his own shameful role in that history. In this stranger’s presence, he begins to consider, as he did in his youth: What does it mean to own land, or to belong to it? And what does it cost to have, and lose, a home? A timeless and gripping portrait of regret, terror, and the extraordinary stakes of companionship, An Island is a story as page-turning as it is profound.

This book examines Iceland vis-à-vis international affairs, with special focus on immigration, foreign aid, Arctic policy, climate change and Iceland´s international image, identity and perception. All issues that play an important role in Iceland´s foreign and domestic policy. This book addresses Iceland as a small state from a variety of perspectives offered by academics and officials. In this book, the authors explore how Iceland’s domestic and international behaviour is marked by its smallness, suggesting that the Icelandic perspective is perhaps more idiosyncratic than international.

Government bureaucracies across the globe have become increasingly attuned in recent years to cultural diversity within their populations. Using culture as a category to process people and dispense services, however, can create its own problems and unintended consequences. In No Family Is an Island, a comparative ethnography of Samoan migrants living in the United States and New Zealand, Ilana Gershon investigates how and when the categories "cultural" and "acultural" become relevant for Samoans as they encounter cultural differences in churches, ritual exchanges, welfare offices, and community-based organizations. In both New Zealand and the United States, Samoan migrants are minor minorities in an ethnic constellation dominated by other minority groups. As a result, they often find themselves in contexts where the challenge is not to establish the terms of the debate but to rewrite them. To navigate complicated and often unyielding bureaucracies, they must become skilled in what Gershon calls "reflexive engagement" with the multiple social orders they inhabit. Those who are successful are able to parlay their own cultural expertise (their "Samoanness") into an ability to subtly alter the institutions with which they interact in their everyday lives. Just as the "cultural" is sometimes constrained by the forces exerted by acultural institutions, so too can migrant culture reshape the bureaucracies of their new countries. Theoretically sophisticated yet highly readable, No Family Is an Island contributes significantly to our understanding of the modern immigrant experience of making homes abroad.

FOREWORD BY LIN-MANUEL MIRANDA AND LUIS A. MIRANDA, JR. The true story of how José Andrés and World Central Kitchen’s chefs fed hundreds of thousands of hungry Americans after Hurricane Maria and touched the hearts of many more Chef José Andrés arrived in Puerto Rico four days after Hurricane Maria ripped through the island. The economy was destroyed and for most people there was no clean water, no food, no power, no gas, and no way to communicate with the outside world. Andrés addressed the humanitarian crisis the only way he knew how: by feeding people, one hot meal at a time. From serving sancocho with his friend José Enrique at Enrique’s ravaged restaurant in San Juan to eventually cooking 100,000 meals a day at more than a dozen kitchens across the island, Andrés and his team fed hundreds of thousands of people, including with massive paellas made to serve thousands of people alone. At the same time, they also confronted a crisis with deep roots, as well as the broken and wasteful system that helps keep some of the biggest charities and NGOs in business. Based on Andrés’s insider’s take as well as on meetings, messages, and conversations he had while in Puerto Rico, We Fed an Island movingly describes how a network of community kitchens activated real change and tells an extraordinary story of hope in the face of disasters both natural and man-made, offering suggestions for how to address a crisis like this in the future. Beyond that, a portion of the proceeds from the book will be donated to the Chef Relief Network of World Central Kitchen for efforts in Puerto Rico and beyond.

This is the book about immigration detention that all Australians need to read. During the time of the Gillard government, 24-year-old Sydneysider Adele Dumont accepted a volunteer position to teach English to men in immigration detention on Christmas Island. She did not expect to find the work so rewarding or the people she met so interesting. When she was offered a job working at Curtin detention centre near Derby in Western Australia, she took it. Working at Curtin required her to live a fly-in fly-out lifestyle, feeling never quite settled in one place or the other. She lived in a donga when she was in WA, her life full of bus trips to the detention centre and the work she did there; back home in Sydney, she was overwhelmed by the choices people had and the things they didn't do with those choices. What kept her returning to Curtin were her students: men from many lands who had sacrificed all they knew for a chance to live in Australia; men who were unfailingly polite to her in a situation that was barbarous. Slowly, falteringly, these men learned her language and taught her things about their culture. No Man is an Island is the story that will make the issue of immigration detention accessible to far more interested Australians than any number of stern newspaper articles. It is a vividly told story that is full of characters and humanity. It is the story about immigration detention that all Australians need to read.