No One S World

Argues that as China, India, Brazil and other emerging powers rise, the founding ideals of the West will not continue to spread, and that in the near future, Europe and the United States will need to fashion a new consensus with these powers on issues of legitimacy, sovereignty and governance.

The world is on the cusp of a global turn. Between 1500 and 1800, the West sprinted ahead of other centers of power in Asia and the Middle East. Europe and the United States have dominated the world since. But today the West's preeminence is slipping away as China, India, Brazil and other emerging powers rise. Although most strategists recognize that the dominance of the West is on the wane, they are confident that its founding ideas--democracy, capitalism, and secular nationalism--will continue to spread, ensuring that the Western order will outlast its primacy. In No One's World, Charles A. Kupchan boldly challenges this view, arguing that the world is headed for political and ideological diversity; emerging powers will neither defer to the West's lead nor converge toward the Western way. The ascent of the West was the product of social and economic conditions unique to Europe and the United States. As other regions now rise, they are following their own paths to modernity and embracing their own conceptions of domestic and international order. Kupchan contends that the Western order will not be displaced by a new great power or dominant political model. The twenty-first century will not belong to America, China, Asia, or anyone else. It will be no one's world. For the first time in history, an interdependent world will be without a center of gravity or global guardian. More than simply diagnosing what lies ahead, Kupchan provides a detailed strategy for striking a bargain between the West and the rising rest by fashioning a new consensus on issues of legitimacy, sovereignty, and governance. Thoughtful, provocative, sweeping in scope, this work is nothing less than a global guidebook for the 21st century.

A young boy goes missing. The accused is a loner and outsider. When Ava Manseau learns that the suspect is her brother, Fred, she is compelled to piece together what actually happened, convinced that she alone will be able to explain him and his innocence. Fred has always been different: certainly impaired, never evaluated. The siblings grew up under seemingly idyllic circumstances, free of formal education and constraint in a family that rejected labels and diagnoses. Now brother and sister have grown apart, their parents are gone - the boy is dead and Fred is in jail. Ava is forced to wonder: who is truly responsible for this turn of events? And is it her job to save him? Hager Cohen brings her trademark wisdom and grace, depth of feeling and insight to an enthralling and morally ambiguous story. Perhaps, she suggests, in our ongoing struggle to comprehend one another, our imaginations can be more useful than facts.

Challenges mainstream beliefs about overpopulation and cites the consequences of a rapidly depopulating world.

According to Thomas Metzinger, no such things as selves exist in the world: nobody ever had or was a self. All that exists are phenomenal selves, as they appear in conscious experience. The phenomenal self, however, is not a thing but an ongoing process; it is the content of a "transparent self-model." In Being No One, Metzinger, a German philosopher, draws strongly on neuroscientific research to present a representationalist and functional analysis of what a consciously experienced first-person perspective actually is. Building a bridge between the humanities and the empirical sciences of the mind, he develops new conceptual toolkits and metaphors; uses case studies of unusual states of mind such as agnosia, neglect, blindsight, and hallucinations; and offers new sets of multilevel constraints for the concept of consciousness. Metzinger's central question is: How exactly does strong, consciously experienced subjectivity emerge out of objective events in the natural world? His epistemic goal is to determine whether conscious experience, in particular the experience of being someone that results from the emergence of a phenomenal self, can be analyzed on subpersonal levels of description. He also asks if and how our Cartesian intuitions that subjective experiences as such can never be reductively explained are themselves ultimately rooted in the deeper representational structure of our conscious minds.

We all have freedom of choice. Nobody is telling you what you must do. It is your conscience that you have to live with! As we look around us these days, do you notice how the world has changed? We went from better to worse, worse to horrific and we're heading from horrific to dread? We can have the power to control situations, only if we raise the levels of our own consciousness and get back to basics. Remember when we wore white shirts and black ties for assembly? When your parents told you to do something you didn't ask why, you just did it? When No One is Looking is about bringing "Integrity" back into our lives and being more conscious of decisions we make and actions we take which can make this a better world. "The most influential tool we have in your entire arsenal is your integrity." - Zig Zigler "Only a person with integrity has the ability to command a long time respect and admiration, young or old, rich or poor. It doesn't matter what you have now, you can live with integrity and elegance and you can take utmost pride in that. That is because integrity is something you decide to have. It is a principle you chose to live by. Each of us will someday, be judged by our standard of life, not by the standard of living; by our measure of giving, not by our measure of wealth; by our simple goodness, not by seeming greatness" - William Arthur Ward

A tense, mesmerizing novel about memory, privacy, fear, and what happens when our past catches up with us. After a decade living in England, Jeremy O'Keefe returns to New York, where he has been hired as a professor of German history at New York University. Though comfortable in his new life, and happy to be near his daughter once again, Jeremy continues to feel the quiet pangs of loneliness. Walking through the city at night, it's as though he could disappear and no one would even notice. But soon, Jeremy's life begins taking strange turns: boxes containing records of his online activity are delivered to his apartment, a young man seems to be following him, and his elderly mother receives anonymous phone calls slandering her son. Why, he wonders, would anyone want to watch him so closely, and, even more upsetting, why would they alert him to the fact that he was being watched? As Jeremy takes stock of the entanglements that marked his years abroad, he wonders if he has unwittingly committed a crime so serious as to make him an enemy of the state. Moving towards a shattering reassessment of what it means to be free in a time of ever more intrusive surveillance, Jeremy is forced to ask himself whether he is "no one," as he believes, or a traitor not just to his country but to everyone around him. — Included in NPR's Best of 2016 Book Concierge

Good Press presents to you this unique collection of the greatest classics of all time: Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Robinson Crusoe (Daniel Defoe) Pride & Prejudice (Jane Austen) Frankenstein (Mary Shelley) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Great Expectations (Charles Dickens) Ulysses (James Joyce) Pygmalion (George Bernard Shaw) Ivanhoe (Sir Walter Scott) Dr Jekyll and Mr Hyde (Robert Louis Stevenson) Peter and Wendy (J. M. Barrie) The Adventures of Huckleberry Finn (Mark Twain) The Call of the Wild (Jack London) Moby-Dick (Herman Melville) Little Women (Louisa May Alcott) Walden (Henry David Thoreau) Leaves of Grass (Walt Whitman) The Raven (Edgar Allan Poe) Anne of Green Gables (L. M. Montgomery) Iliad & Odyssey (Homer) The Republic (Plato) Faust, a Tragedy (Johann Wolfgang von Goethe) Siddhartha (Herman Hesse) Thus Spoke Zarathustra (Friedrich Nietzsche) 20,000 Leagues Under the Sea (Jules Verne) Journey to the Centre of the Earth (Jules Verne) Les Misérables (Victor Hugo) The Hunchback of Notre Dame (Victor Hugo) The Flowers of Evil (Charles Baudelaire) The Count of Monte Cristo (Alexandre Dumas) A Doll's House (Henrik Ibsen) Anna Karenina (Leo Tolstoy) War and Peace (Leo Tolstoy) Crime and Punishment (Fyodor Dostoevsky) The Brothers Karamazov (Fyodor Dostoyevsky) Dead Souls (Nikolai Gogol) Don Quixote (Miguel de Cervantes) Dona Perfecta (Benito Pérez Galdós) The Life of Lazarillo de Tormes (Anonymous) Life is a Dream (Pedro Calderon de la Barca) The Divine Comedy (Dante) Decameron (Giovanni Boccaccio) The Prince (Machiavelli) Arabian Nights Gitanjali (Rabindranath Tagore) The Poison Tree (Bankim Chandra Chatterjee) Shakuntala (Kalidasa) Rámáyan of Válmíki (Válmíki) Tao Te Ching (Laozi) Art of War (Sun Tzu) The Analects of Confucius (Confucius) Hung Lou Meng or, The Dream of the Red Chamber (Cao Xueqin) Two Years in the Forbidden City (Princess Der Ling) Bushido, the Soul of Japan (Inazo Nitobé) The Book of Tea (Kakuzo Okakura) Botchan (Soseki Natsume)...