No Path Home

For more than 60 million displaced people around the world, humanitarian aid has become a chronic condition. No Path Home describes its symptoms in detail. Elizabeth Cullen Dunn shows how war creates a deeply damaged world in which the structures that allow people to occupy social roles, constitute economic value, preserve bodily integrity, and engage in meaningful daily practice have been blown apart. After the Georgian war with Russia in 2008, Dunn spent sixteen months immersed in the everyday lives of the 28,000 people placed in thirty-six resettlement camps by official and nongovernmental organizations acting in concert with the Georgian government. She reached the conclusion that the humanitarian condition poses a survival problem that is not only biological but also existential. In No Path Home, she paints a moving picture of the ways in which humanitarianism leaves displaced people in limbo, neither in a state of emergency nor able to act as normal citizens in the country where they reside.

Small cities face intricate challenges. No Straight Lines provides the basis for a refined model of community-engaged leadership and research designed to realize equality of quality of life. With particular attention to the small city of Kamloops, BC, this book explores the impact of extended, short-term, and unique leadership collaborations and local responses to homelessness, sustainability and food security, aging populations, and the recovery of local history. It offers exciting insights into the role of the university in the small city, from generating local learning opportunities to the integration of undergraduates and faculty in achieving positive change. Based on active engagement, No Straight Lines reveals the barriers present in addressing local needs, and the transformations that can be achieved through effective collaboration. It offers rich accounts and valuable insights into flexible practices that respond to the needs of community organizations while recognizing the challenges associated with resource constraints and limitations in capacity. This unique collection provides new insights into the twists and turns of leadership and learning in the small city.

For all who dare to go off the beaten track, this is the inspirational, power-packed playbook for transforming your life and your world—from a young, Black social entrepreneur whose dorm-room tech startup has helped millions pay for college and access unprecedented opportunity. Gray, the son of a single working mother who had him at age fourteen, grew up in deep poverty in Birmingham, Alabama. An academic star, he had every qualification for attending a top college—except for the financial means. Desperate, Gray headed off the beaten path, searching online to apply for every scholarship he could find. His hustle resulted in awards of 1.3 million dollars and became his call to action to help other students win their own “schollys.” It inspired him to start up Scholly, an app that matches college applicants with millions of dollars in outside scholarships that often go unclaimed. When he was a senior at Drexel University, he appeared on Shark Tank as CEO of Scholly. In the most heated fight in the show’s history, the sharks challenged Gray as to whether his app was a charity or a profitable business. Both, he insisted, proposing a new paradigm for social entrepreneurship and netting deals from Lori Grenier and Daymond John. At the time Scholly’s subscriber base was 90,000 users. Today the app has 4 million subscribers who have won scholarships totaling more than $100 million. Meanwhile, Gray—without help from the mostly all-white boy’s club of Silicon Valley—has emerged as a tech startup superhero now tackling the crisis of student debt with innovative, unrivaled strategies. Gray’s premise is that when you lead with the good—confronting issues such as poverty and racism—the money will follow. His story is proof that when you develop a mindset for success, you turn disadvantages into gold. And when you create opportunities for others, you enrich the marketplace for yourself too. Gray shows us, we can carve out new paths to better days and leave trails for others.

For more than 337years, the world has suffered the effects of inhumanity. Man, against man. Peoples of color from everywhere, yellow, brown, red and black were branded and used by the imperial and colonial forces. Aiyeko-ooto follows the path of history, seeking redemption, reparations and reintegration. Some still claim the fallacy of superior white race. Yes! Let's go there! Do we look on, when some rhetoric of current day; remain like those of the hateful past? Is it possible for man to forgive and live together in harmony, despite our grave human errors? There are lessons to be learned from memories that ache and reasons to accommodate. In 5 movements: Our journey is short; roaming the winds; we?re better than that; in swamps and marshes and on a note of laughter, Aiye-ko ooto delivers 50 pungent poems to capture the past, present and future!

Using Toronto as a case study, Subdivided asks how cities would function if decision-makers genuinely accounted for race, ethnicity, and class when confronting issues such as housing, policing, labor markets, and public space. With essays contributed by an array of city-builders, it proposes solutions for fully inclusive communities that respond to the complexities of a global city. Jay Pitter is a writer and professor based in Toronto. She holds a Masters in Environmental Studies from York University. John Lorinc is a Toronto-based journalist who writes about urban affairs, politics, and business. He co-edited The Ward: The Life and Loss of Toronto's First Immigrant Neighbourhood (Coach House, 2015).

A beautiful, user-friendly overview to building more energy-efficient and environmentally friendly homes using prefabrication. Prefabulous + Almost Off the Grid explores the many ways of using prefabrication to build beautiful homes that are not only environmentally friendly, but also incredibly energy efficient. Profiling more than thirty of the most energy-efficient homes in the United States, this user-friendly guide reveals how homebuilders can achieve similar results—whether they want to earn an advanced green certification or just incorporate a few energy-saving measures—with the help of floor plans, detailed resource lists, explanations of the latest technologies, and brilliant photographs. Author Sheri Koones shows that building green doesn’t have to be more expensive, and in fact, can lead to dramatic savings. Koones’s almost-off-the-grid homes, which take energy from the grid when necessary and return any excess energy produced, are healthier, quieter inside, and far cheaper to operate. As energy costs continue to rise, energy independence is becoming increasingly essential, and as this guide shows, the almost-off-the-grid home is a solution that is achievable for everyone. Recipient of the 2013 Robert Bruss Gold Book Award from the National Association of Real Estate Editors (NAREE) Praise for Prefabulous + Almost Off the Grid “The time has come to throw out the old stereotypes and to embrace prefab building techniques as the way of the future?and the best approach for today. For anyone wanting to create a house that’s sustainable in every sense of the word, this book is an excellent place to start.” —Sarah Susanka, architect and author of The Not So Big House series “You can build a high quality, environmentally friendly and efficient home at a reasonable price with a look and feel of a traditional home. Advancements like those used in our house and the other houses in this book will transform the homebuilding industry.” —Christine Todd Whitman, former governor of New Jersey and administrator of the Environmental Protection Agency “This is an easy-on-the-eyes guide that includes floor plans and multiple images of the exterior and interior of each home. It is not a manual for green construction, but a general overview of aspects of prefab and green construction. And it does that well.” —Natural Life magazine

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.