No Roses From My Mouth Poems From Prison

Winner, 2020 Oxfam / Novib PEN International Award for Freedom of Expression"Nyanzi is a hero. Her insistence on violating patriarchy's rules by talking explicitly about taboo subjects-be they the president's buttocks, sex, sexuality, queerness-should be studied everywhere as a masterclass in the power of refusing to obey the rules of "politeness." - Mona Eltahawy, author of The Seven Necessary Sins for Women and Girls"Through her actions, Nyanzi has shown that fighting for a free, democratic and equal Uganda does not come free. [...] Her story is one that reminds Ugandans that the struggle for freedom has never been achieved by playing to the standards of civility set by those in power." - Rosebell Kagumire, Editor, African Feminism Stella Nyanzi was arrested on November 2, 2018 for posting a poem on Facebook that was said to cyber-harras the long-serving President of Uganda, Mr. Yoweri Museveni. She was convicted and sentenced to eighteen months in jail. At the date of publishing this poetry collection, Nyanzi remains incarcerated. She wrote all the poems in this collection during her detention. This arguably makes her the first Ugandan prison writer to publish a poetry collection written in jail while still incarcerated. The first batch of the poems was released on her 45th birthday on June 16, 2019 celebrated while she was in jail under the hashtag #45Poems4Freedom. Other poems were written after the birthday. These poems must be read not only for their beauty and the power of the poet's vision, but also for the bravery and radical intent of their writing and publishing.

Anne Carson's poetry - characterized by various reviewers as "short talks", "essays", or "verse narratives" - combines the confessional and the critical in a voice all her own. Known as a remarkable classicist, Anne Carson in Glass, Irony and God weaves contemporary and ancient poetic strands with stunning style. This collection includes: "The Glass Essay", a powerful poem about the end of a love affair, told in the context of Carson's reading of the Bronte sisters; "Book of Isaiah", a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome", about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.

WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award "100 Notable Books of the Year," The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 "By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.

Steinbeck's tough yet charming portrait of people on the margins of society, dependant on one another for both physical and emotional survival Published in 1945, Cannery Row focuses on the acceptance of life as it is: both the exuberance of community and the loneliness of the individual. Drawing on his memories of the real inhabitants of Monterey, California, including longtime friend Ed Ricketts, Steinbeck interweaves the stories of Doc, Dora, Mack and his boys, Lee Chong, and the other characters in this world where only the fittest survive, to create a novel that is at once one of his most humorous and poignant works. In her introduction, Susan Shillinglaw shows how the novel expresses, both in style and theme, much that is essentially Steinbeck: “scientific detachment, empathy toward the lonely and depressed…and, at the darkest level…the terror of isolation and nothingness.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition.

A Nation In Labour is a collection of social conscience poetry that paints a picture of the giant politician, the restless citizen, the clueless youth, those struggling to heal from life's scratches and the ones hunting for words to describe fiery flames of affection.