Noah Haidle Three Plays

Includes the plays Rag and Bone, Mr Marmalade and Vigils 'Precocious and formidably talented' (The New Yorker), Noah Haidle is now considered 'one of the most foremost playwrights of his generation' (Boston Globe). This collection celebrates the arrival of Haidle's virtuosic theatrical talent by bringing together three of his most acclaimed plays to date. Rag and Bone , in which two brothers run an under-the-counter business in human hearts and emotions - 'delightful moments of absurdity' (New York Times) Mr Marmalade, in which four-year-old Lucy delivers a crash-course in contemporary relationships, 'alternately hilarious and heartbreaking' (The New Yorker) and Vigils, 'a simple, sweet exploration of human memory and grief' (Variety)

THE STORY: Two brothers, Jeff and George, run The Ladder Store, which is actually a front for their business in black-market hearts. In the world of RAG AND BONE, hearts are bought and sold for people who can't feel enough. The play begins when George steals the heart of a poet. The play then follows the poet with no heart; a hooker with a heart of gold; T-Bone, her pimp who feels too damn much; and the Millionaire, who eventually receives the poet's heart and sees a whole different world. Jeff and George recently lost their mother, but they put her heart into George's body, and all of a sudden he's wearing a dress, drinking martinis and cooking pot roasts. This is a heartfelt (excuse the pun) comedy about the limits of feeling, and the consequences of either feeling nothing or too damn much.

Magical realism collides with manic vaudeville in a family drama unlike any you’ve ever seen. Fetuses swap philosophy while awaiting their birth, a daughter eats dirt and doesn’t speak, a father is about to drive away and never return, and there’s an apple tree growing through the walls of the house. Whipping from astonishing tenderness to profound humor and back again, SMOKEFALL explores the lives of a family in a lyrical treatise on the fragility of life and the power of love.

Magical realism collides with manic vaudeville in this family drama with a chewy metaphysical core by Noah Haidle, one of our most exciting and daring young playwrights. With a glancing nod to Our Town, a man named Footnote acts as guide. The Twins swap philosophy while awaiting their birth. Daughter Beauty eats dirt and doesn't speak, and Father is about to drive away and never return, leaving pregnant and dreamy mother Violet alone to live out her father's notion that "every love story is a tragedy, because its ending is built into its beginning." Whipping from astonishing tenderness to profound humor and back again, this wholly original play uncovers the extraordinary family connections that stretch and warp across the years but can never quite be broken. Smokefall's award-winning Chicago premiere, directed by Anne Kauffmann, was followed by its off-Broadway premiere in 2015, also directed by Kauffmann and starring Zachary Quinto and Robin Tunney, in highly praised performances.

Viciously funny...he is despicable but you want to go on despising him all night. --Boston Globe. ...the gutter-lyrical fireworks of the rogue male ego...a compelling voice... --Time Out London. ...the most alluringly sleazy newshound this side of the twenty-fir

YELLOW FACE is that rarity in theater, a pungent play of ideas with a big heart. Picaresque tale brings to the national discussion about race three much-needed commodities: a sense of humor a mile wide, an even-handed treatment and a hopeful, healing vis LAST OF THE BOYS is to the Vietnam war what Angels In America was to the AIDS crisis. --Talkin' Broadway. Dietz has conjured the 1960s and the war in Vietnam better than any playwright has managed to date. Ghosts appear and disappear in this play...and th

There are echoes. Do you know what I mean? They were here. And then they weren't. And I have to stay here. Because this is where they were. Every thirty years, the planet Saturn returns to the same place in the universe it occupied on the day of your birth. Its arrival is said to herald pivotal events in a person's life. In Saturn Returns, we follow one man, Gustin Novak, at the ages of 28, 58 and 88, as he reaches a series of crossroads with three key women and comes to understand how the echoes of the past have defined the orbit of his life. An enthralling time-bending structure allows us to watch Gustin over a period of sixty years in a series of deftly interwoven scenes. Moving from wry humour to touching poignancy, this new play from one of American theatre's brightest new voices unashamedly looks for answers to life's big questions.