Noel The Coward

Coward powered Noel changes to a hero with the help of Charlie's School of Self Defense.

The Noël Coward Reader offers a wonderfully wide-ranging selection—the first of its kind—of the best of the Master’s oeuvre, entertainingly annotated and abundantly illustrated, and including material that has never before been published. Here are scenes from Coward’s famous plays, from Private Lives to Blithe Spirit, and his screenplays, from Brief Encounter to In Which We Serve. Here are four of his best short stories, scenes from his only novel, and a generous selection of his verse, alongside the lyrics of many of his most sublime songs, including “Mad Dogs and Englishmen,” “The Stately Homes of England,” and “Mad About the Boy.” The Noël Coward Reader is a must-have book both for those who adore his work and for those who are just discovering the many-faceted delights of his comic genius.

'A uniquely charming and enticing journey through a remarkable life. Coward's own record is made all the more delightful by the wise and helpful interpolations of Barry Day, the soundest authority on the Master that there is.' Stephen Fry 'Precise, witty, remarkably observed and gloriously English' Dame Judi Dench 'Barry Day's analysis is both perceptive and irresistible' Lord Richard Attenborough With virtually all the letters in this volume previously unpublished - this is a revealing new insight into the private life of a legendary figure. Coward's multi-faceted talent as an actor, writer, composer, producer and even as a war-time spy(!), brought him into close contact with the great, the good and the merely ambitious in film, literature and politics.With letters to and from the likes of: George Bernard Shaw, Virginia Woolf, Winston Churchill, Greta Garbo (she wrote asking him to marry her), Marlene Dietriech, Ian Fleming, Graham Greene, Evelyn Waugh, Fred Astaire, Charlie Chaplin, FD Roosevelt, the Queen Mother and many more, the picture that emerges is a series of vivid sketches of Noel Coward's private relationships, and a re-examination of the man himself. Deliciously insightful, witty, perfectly bitchy, wise, loving and often surprisingly moving, this extraordinary collection gives us Coward at his crackling best. A sublime portrait of a unique artist who made an indelible mark on the 20th century, from the Blitz to the Ritz and beyond.

"I was photographed naked on a cushion very early in life, an insane, toothless smile slitting my face and pleats of fat overlapping me like an ill-fitting overcoat. Later, at the age of two, I was photographed again. This time in a lace dress, leaning against a garden roller and laughing hysterically. If these photographs can be found they will adorn this book." Thus begins the life story of one of the most celebrated characters in British theatrical history, in the first of Coward's autobiographies, first published in 1937. Displaying an early dedication to the theatre, Present Indicative hints at the success that would come to Coward as actor, playwright, novelist and performer. Each line is punctuated with his trademark effervescent wit, making this book a comic tour de force in it's own right, as well as a "must read" for anyone with an interest in the British stage. "He is simply a phenomenon, and one that is unlikely to occur ever again in theatre history" Terence Rattigan

Published in 1924, "The Vortex" is a play in three acts by the English writer and actor Noël Coward. The play depicts the sexual vanity of a rich, ageing beauty, her troubled relationship with her adult son, and drug abuse in British society circles after the First World War. The son's cocaine habit is seen by many critics as a metaphor for homosexuality, then taboo in Britain. Despite, or because of, its scandalous content for the time, the play was Coward's first great commercial success.

Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and Coward's dazzling life in it. The book Noël Coward wanted, promised, threatened to write—and never did. Including essays, interviews, diary entries, verse, his views on his fellow playwrights: "My Colleague Will," Shaw, Wilde, Chekhov, Barrie, Maugham, Eliot, Osborne, Albee, Beckett, Miller, Williams, Rattigan, Pinter, and Shaffer. Coward on the critics—many of whom irritated him over the years but came to admire him: James Agate, Alexander Woollcott, Graham Greene, Kenneth Tynan among them. And on the plays he wrote, among them: The Vortex; Hay Fever; Private Lives; Design For Living; Blithe Spirit. Here is the Master on the producers who crossed his path: André Charlot, C. B. Cochran, Binkie Beaumont. And the actors in the Coward galaxy: John Gielgud, Laurence Olivier, Gertrude Lawrence, the Lunts, etc. . . . His views on the art of acting: auditions, rehearsals, learning the lines, clarity of delivery, timing, control, range, stage fright, fans, theater audiences, revivals, comedy, "the Method," plays with a "message," taste, construction, "Star Quality," etc. . . . And last, but Noël Coward least, his experience in, and thoughts on: revue, cabaret, television, and musical theater, Bitter Sweet, Conversation Piece, Pacific 1860, After the Ball, Ace of Clubs, Sail Away, The Girl Who Came to Supper, Words and Music, This Year of Grace, London Calling! . . . and much more. Ingeniously, deftly compiled, edited, and annotated by Barry Day, Coward authority and editor of The Noёl Coward Reader and The Letters of Noёl Coward.

The definitive biography of one of the twentieth century’s most celebrated and controversial dramatists. To several generations, actor, playwright, songwriter, and filmmaker Noël Coward (1899-1973) was the very personification of wit, glamour, and elegance. Given unprecedented access to the private papers and correspondence of Coward family members, compatriots, and numerous lovers, Samuel Johnson Prize-winning biographer Philip Hoare has produced an illuminating and sophisticated biography of Coward, whose relentless drive for success and approval fueled the stunning bursts of creativity that launched the once-painfully middle class boy from the suburbs of London into a pantheon of theatrical deities that includes Gilbert and Sullivan, Oscar Wilde, and George Bernard Shaw. As much the embodiment of a lifestyle as an actual inhabitant of it, Coward’s carefully cultivated image defined the aspirations of untold numbers of actors, artists, and writers who succeeded him, and Hoare’s meticulously researched biography peels away the layers of this complex persona to reveal the man underneath it all, whom The Times of London decreed upon his death to be the most versatile of all the great figures of the English theater.

'A gold mine of gossip with a cast of thousands' GUARDIAN The unexpurgated diaries of one of the greatest, most talented, and wittily flamboyant characters of the 20th century - with a new introduction by Stephen Fry 'Compulsive reading' SUNDAY TIMES '19th February 1956. A A Milne has died. Lord Beaverbrook has not ... Larry is going to make a movie of The Sleeping Prince with Marilyn Monroe, which might conceivably drive him round the bend' '28th February 1960 Princess Margaret has announced her engagement to Tony Armstrong-Jones ... He looks quite pretty, but whether or not the marriage is entirely suitable remains to be seen.' Noel Coward was a renowned actor, dramatist, director - and star. His incredible zest, versatility and unrivalled wit are revealed in these diaries, with a cast of characters ranging from The Beatles to the Queen, Churchill to Marilyn Monroe. Touching, funny and revealing, THE NOEL COWARD DIARIES is a superb account of one of the greatest entertainers of all time.