Nora S Chicks

From Newbery Medalist Patricia MacLachlan comes a reassuring story about new beginnings and making friends. Nora and her family have just arrived from Russia and are making a new home on the American frontier. The prairie is very different from the forested hills Nora is used to. Most of all, it’s lonely. Papa has the cows he sings to as he milks them. Baby brother Milo has a dog to follow him wherever he goes. But Nora has no one and nothing to call her own until Papa brings home a dozen chicks and two geese. Nora names each one, and they follow her everywhere — even to church! But what will happen when one of her beloved chicks goes missing?

"Nora, Dora and Flora are three silly chickens who constantly bicker over which of them is the most beautiful. Fed up with their squabbles, the other chickens suggest they ask the Farmer. But surely he'll put them in his pot for supper! Concerned for their welfare, the Wise Old Goat grants them three wishes. Will they use them wisely? Not these silly birds."--Back cover.

Nobody Here But Us Chickens is a virtuoso display of literary and hiNobody Here But Us Chickens is a virtuoso display of literary and historical portraiture by Marvin Mudrick, whom the Washington Post called a “literary curmudgeon, randy iconoclast, and a delight.” Mudrick believed that in books, as in life, people matter, and that it matters in books, as it does in life, whether people are decent or not. Sticking to this plain common sense, Mudrick assembles an eye-opening hall of fame and rogues gallery that includes devastating, satirical attacks on Shakespeare, Jesus, and Flaubert, as well as a wide-ranging meditation on heroism. Mudrick devotees will know that he favors Chaucer, Jane Austen, and D. H. Lawrence, all of whom appear here, but we also get to know what he thinks about Coriolanus, Van Gogh, and Solzhenitsyn. Readers unfamiliar with the daring of Mudrick’s opinions and the special texture of his prose will come away from Nobody Here But Us Chickens wishing that critical biography was always this much fun.storical portraiture by Marvin Mudrick, whom the Washington Post called a "literary curmudgeon, randy iconoclast, and a delight."

Tweencom Girls analyzes the different ways character tropes are portrayed in media targeted at eight- to twelve-year-olds, particularly female characters, over the last twenty-five years. The book focuses particularly on sitcoms produced by the cable giants Disney Channel and Nickelodeon because of their popularity and ubiquity. It provides extensive examples and alternative interpretations of the shows’ tropes and themes, particularly for those who are unfamiliar with the genre. The first section explores common tweencom tropes, focusing on different themes that are prevalent throughout the series. The second section includes a discussion of the big picture of how tropes and themes give insight into the female characters portrayed in the popular tweencom programming, as well as advice to parents and educators.

The first book length study of the genre of 'chick lit' informed by an advanced stylistic approach, covering tradition and cognitive angles.

This heartwarming story by Natalie Kinsey-Warnock is based on a real-life event: the Vermont Flood of 1927. Watercolors by Caldecott Medal-winning artist Emily Arnold McCully capture both the sweeping drama of the flood and the comfort of a cozy kitchen filled with friends, neighbors, and good cheer

A marvelous actress, Gloria Grahame (1923-1981) was also an iconic figure of film noir. Her talents are showcased in several classic motion pictures of the 1940s and 1950s, including It's a Wonderful Life, Crossfire, In a Lonely Place, The Greatest Show on Earth, The Big Heat, Oklahoma!, and The Bad and the Beautiful, for which she earned an Academy Award. This comprehensive overview of Gloria Grahame's life and work examines each of her feature films in detail, as well as her made-for-television productions, her television-series appearances and her stage career. Also discussed are the varied ways in which Grahame's acting performances were affected by her tumultuous personal life--which included four marriages, the second to director Nicholas Ray and the fourth to Ray's stepson Anthony.