North Georgia Moonshine

In the early 1900s, moonshine was a way of life, and nearly every resident lived it. Out of the woods of North Georgia and Habersham County came Virgil Lovell, his boys, their recipe and their legacy. The family went from illegal to legal, and their product stands today as a testament to the determination of the region to hold on to its roots. Joining their story were hundreds just like them--liquor makers like Glenn Johnson--all professing theirs was the best. Through firsthand accounts from the Lovells and extensive research, author Judith Garrison revives the story of liquor making and a Georgia legacy.

In the late eighteenth century, waves of intrepid settlers made their way down the Great Wagon Road into the virgin wilderness of Northeast Georgia to find new homes and opportunity for land and wealth. Against a dramatic mountainous backdrop, these pioneers carved out farms and small communities in perilous isolation and created an American experience vastly different from that of the plantation-style society established along Georgia's coast. Battling Creek and Cherokee warriors, government intervention, natural disasters, and a landscape not easily tamed, year after year, these men and women of Northeast Georgia stamped their self-reliance, their perseverance, and their industriousness upon generations to follow and upon the very geography they called home. In Northeast Georgia: A History, readers travel across several centuries of change, from the early American Indian tribes that once made this territory their hunting grounds to the present day, a time of unprecedented growth and expansion in both industry and population. Truly a world unto itself, Northeast Georgia has served as a haven and destination for all classes over the past two centuries: the bold gold miners of 1829, the stalwart sustenance farmers, the social elite enjoying fresh mountain air at the many summer resorts, a multitude of businessmen seeking opportunity in railroading, cotton, lumber, and poultry farming, and bootleggers finding the landscape convenient for clandestine whiskey-making and distribution. These stories and more provide insight into understanding a people and place unique in Georgia.

Traces the development of this early twentieth century tourism route that connected the South to the urban North, the growth of businesses serving the route's visitors, and the evolution of the handmade chenille coverlets sold along the route that laid the groundwork for the modern carpet industry. Original.

Study Guide for Essentials of Economics is a valuable support tool for the student using Essentials of Economics. It provides several important features that contribute to a good course which cannot be included in the standard textbook, and if used correctly it will improve understanding of, and ability to apply, economic principles to everyday decision-making. The book contains self-test questions, problems and projects, and perspectives in economics. Topics covered in the text include economic approaches, tools of the economist, supply, demand, and the market process, and money and the banking system. An answer key is provided at the end of the book. This text is intended for students of economics.

Nothing but clear, 100-proof American history. Hooch. White lightning. White whiskey. Mountain dew. Moonshine goes by many names. So what is it, really? Technically speaking, “moonshine” refers to untaxed liquor made in an unlicensed still. In the United States, it’s typically corn that’s used to make the clear, unaged beverage, and it’s the mountain people of the American South who are most closely associated with the image of making and selling backwoods booze at night—by the light of the moon—to avoid detection by law enforcement. In Moonshine: A Cultural History of America’s Infamous Liquor, writer Jaime Joyce explores America’s centuries-old relationship with moonshine through fact, folklore, and fiction. From the country’s early adoption of Scottish and Irish home distilling techniques and traditions to the Whiskey Rebellion of the late 1700s to a comparison of the moonshine industry pre- and post-Prohibition, plus a look at modern-day craft distilling, Joyce examines the historical context that gave rise to moonshining in America and explores its continued appeal. But even more fascinating is Joyce’s entertaining and eye-opening analysis of moonshine’s widespread effect on U.S. pop culture: she illuminates the fact that moonshine runners were NASCAR’s first marquee drivers; explores the status of white whiskey as the unspoken star of countless Hollywood film and television productions, including The Dukes of Hazzard, Thunder Road, and Gator; and the numerous songs inspired by making ’shine from such folk and country artists as Joan Baez, Bob Dylan, Alan Jackson, and Dolly Parton. So while we can’t condone making your own illegal liquor, reading Moonshine will give you a new perspective on the profound implications that underground moonshine-making has had on life in America.

“Excellent, readable, and absorbing history . . . gives us a better understanding of this compelling aspect of the Civil War.” —Library Journal Families, communities, and the nation itself were irretrievably altered by the Civil War and the subsequent societal transformations of the nineteenth century. The repercussions of the war incited a broad range of unique problems in Appalachia, including political dynamics, racial prejudices, and the regional economy. This anthology of essays reveals life in Appalachia after the ravages of the Civil War, an unexplored area that has left a void in historical literature. Addressing a gap in the chronicles of our nation, this vital collection explores little-known aspects of history with a particular focus on the Reconstruction and post-Reconstruction periods. Acclaimed scholars John C. Inscoe, Gordon B. McKinney, and Ken Fones-Wolf are joined by up-and-comers like Mary Ella Engel, Anne E. Marshall, and Kyle Osborn in a unique volume investigating postwar Appalachia with clarity and precision. Featuring a broad geographic focus, the compelling essays cover postwar events in Georgia, Kentucky, North Carolina, Tennessee, West Virginia, and Pennsylvania. This approach provides an intimate portrait of Appalachia as a diverse collection of communities where the values of place and family are of crucial importance. Highlighting a wide array of topics including racial reconciliation, tension between former Unionists and Confederates, the evolution of post—Civil War memory, and altered perceptions of race, gender, and economic status, Reconstructing Appalachia is a timely and essential study of a region rich in heritage and tradition. “Outstanding.” —North Carolina Historical Review

Most Americans think of the Civil War as a series of dramatic clashes between massive armies led by romantic-seeming leaders. But in the Appalachian communities of North Georgia, things were very different. Focusing on Fannin and Lumpkin counties in the Blue Ridge Mountains along Georgia’s northern border, A Separate Civil War: Communities in Conflict in the Mountain South argues for a more localized, idiosyncratic understanding of this momentous period in our nation’s history. The book reveals that, for many participants, this war was fought less for abstract ideological causes than for reasons tied to home, family, friends, and community. Making use of a large trove of letters, diaries, interviews, government documents, and sociological data, Jonathan Dean Sarris brings to life a previously obscured version of our nation’s most divisive and destructive war. From the outset, the prospect of secession and war divided Georgia’s mountain communities along the lines of race and religion, and war itself only heightened these tensions. As the Confederate government began to draft men into the army and seize supplies from farmers, many mountaineers became more disaffected still. They banded together in armed squads, fighting off Confederate soldiers, state militia, and their own pro-Confederate neighbors. A local civil war ensued, with each side seeing the other as a threat to law, order, and community itself. In this very personal conflict, both factions came to dehumanize their enemies and use methods that shocked even seasoned soldiers with their savagery. But when the war was over in 1865, each faction sought to sanitize the past and integrate its stories into the national myths later popularized about the Civil War. By arguing that the reason for choosing sides had more to do with local concerns than with competing ideologies or social or political visions, Sarris adds a much-needed complication to the question of why men fought in the Civil War.