Northern Dancer

The story of Northern Dancer is the stuff of legend. A little horse, dismissed time and again because of his size, Northern Dancer not only won the 1964 Kentucky Derby in record time, today his descendants dominate racing the world over. Best selling author, Muriel Lennox, takes readers on a memorable ride into the sport of kings and queens. Lennox's deep empathy with horses results in dramatic portrayals of the animals themselves. Northern Dancer, his ancestors and descendants - from the eccentric Hyperion to the brilliant Nijinsky - fairly gallop off the pages.

Inspired by Lakota traditional dancers from South Dakota, the author presents a brief history, then concentrates on the outfits worn for northern powwows, the materials and techniques for their construction.

In every sport there are a select few competitors that come to define the excellence that all others must forever aspire to. In “the sport of kings,” there is one that stands alone. Northern Dancer is not only a Canadian legend, but the cornerstone of his breed. It has been estimated that 70 percent of the thoroughbreds alive today are his descendants, which includes the majority of the horses running in the biggest races around the world. His offspring received recordbreaking prices on the auction floor. While much has been written about Northern Dancer’s prepotence as a sire, this book is the only one devoted to his 1964 campaign, which saw him win two of the Triple Crown races in the U.S. and Canada’s Queen’s Plate. In that time, he captured the attention of the world and the hearts of all Canadians. In Northern Dancer, the world-famous horse comes alive through the people whose lives he touched: E.P. Taylor, the visionary industrialist whose web of business placed him at the end of every consumer transaction for every Canadian and made him the subject of scorn; Horatio Luro, the dapper Argentinean trainer (and tango dancer, pilot, and race car driver) who was notorious for his affairs with Hollywood starlets and his tender treatment of horses; and Bill Hartack, a wildly successful jockey whose squabbles with the press and his inability to conceal his unvarnished truth from influential owners and trainers was, by 1964, beginning to affect his career. Using news clippings from 1964 and interviews, this book offers novelistic detail not only on the remarkable 1964 Triple Crown and Queen’s Plate races, but also revisits, fifty years later, the era in which Canada was struggling to establish an identity, needing, more than anything, a national hero.

Designing Speed in the Racehorse is an indispensable reference by Ken McLean, one of the world's foremost bloodstock advisors and pedigree experts. McLean discusses genetic affinities and pedigree patterns, analyzes the pedigrees of important sires and ancestors to isolate elements of speed and stamina, explains what characteristics to look for in a sire, and updates the elite mare list. Breeders will be especially interested in McLean's analysis of the conformation of many of the breed's most illustrious sires and the physical attributes and faults they passed on to their progeny. Best of all, he tells the current sire and dam lines most likely to produce quality racehorses. With his recommendations at hand, today's Thoroughbred breeder has an edge in the competitive world of racing.

In the early 1950s, a rising star flickered across millions of black-and-white TV sets.

With Volume 2 of Legacies of the Turf II Edward Bowen focuses on the men whose horses have dominated racing in the last half of the 20th century and into the 21st. He has woven together a rich tapestry of horse racing lore.

#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • From the National Book Award–winning author of Between the World and Me, a boldly conjured debut novel about a magical gift, a devastating loss, and an underground war for freedom. “This potent book about America’s most disgraceful sin establishes [Ta-Nehisi Coates] as a first-rate novelist.”—San Francisco Chronicle IN DEVELOPMENT AS A MAJOR MOTION PICTURE • Adapted by Ta-Nehisi Coates and Kamilah Forbes, directed by Nia DaCosta, and produced by MGM, Plan B, and Oprah Winfrey’s Harpo Films NOMINATED FOR THE NAACP IMAGE AWARD • NAMED ONE OF PASTE’S BEST NOVELS OF THE DECADE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • The Washington Post • Chicago Tribune • Vanity Fair • Esquire • Good Housekeeping • Paste • Town & Country • The New York Public Library • Kirkus Reviews • Library Journal Young Hiram Walker was born into bondage. When his mother was sold away, Hiram was robbed of all memory of her—but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he’s ever known. So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the Deep South to dangerously idealistic movements in the North. Even as he’s enlisted in the underground war between slavers and the enslaved, Hiram’s resolve to rescue the family he left behind endures. This is the dramatic story of an atrocity inflicted on generations of women, men, and children—the violent and capricious separation of families—and the war they waged to simply make lives with the people they loved. Written by one of today’s most exciting thinkers and writers, The Water Dancer is a propulsive, transcendent work that restores the humanity of those from whom everything was stolen. Praise for The Water Dancer “Ta-Nehisi Coates is the most important essayist in a generation and a writer who changed the national political conversation about race with his 2015 memoir, Between the World and Me. So naturally his debut novel comes with slightly unrealistic expectations—and then proceeds to exceed them. The Water Dancer . . . is a work of both staggering imagination and rich historical significance. . . . What’s most powerful is the way Coates enlists his notions of the fantastic, as well as his fluid prose, to probe a wound that never seems to heal. . . . Timeless and instantly canon-worthy.”—Rolling Stone