Norway Bed Breakfast Book The 2011

This guidebook lists, in Norwegian, English, and German, the bed & breakfasts of Norway. It is a key to vacation sites in private homes, townhouses, farms, and mountain dairies.

Listings in English, Norwegian, and German include high-standard bed and breakfasts, small family-owned inns, private homes, cabins, townhouses, manors, farms, and even old-fashioned stabburs (storage huts). The book is equipped with excellent color maps of each region, detailed directions to each establishment, and an evaluation form encouraging guests to offer personal updates and comments on their stays. Additionally, all establishments are coded by the author per her standards, reflecting the hosts' attention to cleanliness, food quality, comfort level, amenities, and more.

An anthropologist is hospitalized for different diseases and makes her observations.

Language death is an aspect of language contact which has occupied the interest of linguists from the past twenty-five years or so. Although the phenomenon of language death is occuring all over the world very few instances of it have been dealt with both from a sociolinguistic and formal linguistic standpoint. Those that spring to mind are the works of Nancy Dorian on East Sutherland Gaelic and Hans-Jürgen Sasse on the Albanian dialect of Arvanítika in Greece. In both instances it is dialects of languages that are treated and not complete languages themselves. The study of language death in the Isle of Man deals with the decline and extinction of Manx Gaelic as a community language, and as a language in its own right. After setting the scenario of language death this study then looks into the sociolinguistic reasons which led to the decline and death of Manx in Man. There then follows a detailed look into the study of language and language use in Man, from early observations to the present day. This section includes a detailed description of phonetic and sound recordings made of Manx over the period. This leads to an in-depth study into the formal linguistic situation of Manx, tracing the development in its phonology, morphophonology, morphology, morphosyntax and syntax, idiom and lexicon, which ultimately led to its demise. As language revival is in itself a facet of language death, the study concludes with a short excursus into the various efforts at language revival and maintenance in Man, from the latter part of the 19th century to the present day. The appendices include Professor Carl Marstrander's diary of his visits to Man (1929-33) published for the first time. The diary contains percipient observations of the state of Manx in its final phase. In short, this study looks in some detail into the mechanics of language death on a once thriving and vibrant community language.

Simon & Schuster's legendary crossword puzzle book series maintains its status as the standard-bearer for cruciverbal excellence. This series continues to provide the most challenging, fresh, and original puzzles on the market.

Outsiders seldom understand the curious amalgam of artists, galleries, misfits and hangers-on known as the Santa Fe Art Scene. In this collection of stories, we witness a group of Santa Fe painters confronting their art and life in creative ways, solving the ages-old problems of painting the perfect canvas, making that obstinate muse smile. Julia Brownell is a patrician beauty whose exhibition of gold-leafed paintings sells out on its opening night and creates an envious discord among her peers. As Parsley Tiddle approaches the end of his creative life, he will not give up his randy ways, to the delight of his younger friends and the wrath of his socialite sister. The narrator of the title story jeopardizes his friendship with Donald Strether, a painter of small abstractions and a devoted rascal, by his disclosures to the guests at a summer luncheon party in the foothills. Robert Fenwick, a New Mexico plein air painter of note, discovers that a commission for landscapes of the Barbados cane fields is a more upside-down proposition than he bargained for. There is a keen sense of irony and suitable punishment for the crime in Atwill’s stories, light-hearted views of the obstacles and the ever-present challenges to making a living from art. Several of the stories are concerned with goings-on in the studio of Alabaster Prynne, a wellborn, Philadelphia spinster, now in spattered coveralls, who befriends artists fresh from school and offers them her encouragement and cautions. The sprawling compound of adobe studios called Casa Marchment is the setting for a tale of earnest, untried artists as they find out that all is not what it appears in the estate of Victor Marchment, a brilliant landscape painter from the early years. Each story contains the secret to a Santa Fe painter, facing craft and life, and how he or she confounds the conventional view of what it is to be an artist. DOUGLAS ATWILL was born in Pasadena, California, earned a BA from the University of Texas at Austin and he served in the Army Counterintelligence Corps. After a long sojourn on a Piedmont cattle farm in Virginia and on the move throughout Europe, he settled in Santa Fe to pursue painting full-time. From a studio on Canyon Road, he paints landscapes and paintings of his own gardens. His work is shown in galleries throughout the West. Atwill’s avocation of restoring adobe houses and building them anew has earned him a reputation for excellence in taste and design, and his houses have been featured in many magazines and books. This is his first collection of short stories.

The "We Are A Family" series IS NOT about any rich or famous people. It IS a factual account of how ONE FAMILY is living out the Christian life of the Creator's processes of JUSTIFICATION, SANTIFICATION, and eventual GLORIFICATION. His desire and love for us, along with His gift of FREE WILL, causes each of us to live a life on Earth of "ups" and "downs", daily, weekly, monthly, and yearly. Each of these experiences allow us to either grow closer to Him through PRAISE and THANKSGIVING or farther from Him by SELF GLORIFICATION of our successes and BLAME of Him for our tribulations. Part 1 covers the years 1873-1975. Part 2 covers 1976-1982. Part 3 covers 1983-1988. It is hoped that the book will inspire the reader to record a similar collection of "successes" and "failures" of their own family members as a LEGACY for future generations. Bob began his "Tour of Earth" in Kingston, NY in 1932. After High School the U.S. Navy provided him with both educational and experiential knowledge. His adult life with various Fortune 500 corporations provided extensive worldwide travel. At the time of Part-3 publication, he and his wife are residing on Hutchinson Island, FL while the children and grandchildren are pursuing their "Tour" across the U.S.A.