Not Waving But Drowning

Not Waving But Drowning tells the harrowing true story of one man's childhood struggle against poverty and his subsequent drive to become a policeman in the Royal Ulster Constabulary. From his earliest days, Edmund Gregory possessed an awareness beyond his years. During the course of his parents' turbulent and doomed marriage, he soaked up the horror of seeing his mother and father tearing each other apart. After they separated, he experienced a lonely boyhood, starved of affection, while living in welfare homes, dingy Belfast bedsits, and a sordid care home for young boys. However, Gregory later found solace in his marriage to Agnes, and in a concerted effort to drag himself and his new family out of poverty, he joined the Royal Ulster Constabulary. After five trauma-filled years serving in Belfast's riot squads, Gregory transferred into the somewhat elitist VIP protection branch of the RUC, where he was involved in providing bodyguard protection to many high-threat members of Northern Ireland's establishment. While working within that unit, he was also involved in teams protecting several members of the Royal family and then US President Bill Clinton throughout the course of their visits to the Province. During his last four years in the force, Gregory was charged with protecting the Reverend Ian Paisley's deputy, Peter Robinson MP, an outspoken personality who was under constant and serious threat of assassination. After 21 years of service, however, Gregory was diagnosed as suffering from post-traumatic stress disorder, which resulted in his medical retirement. Not Waving But Drowning is an emotionally charged journey through Gregory’s impoverished childhood and the dark underbelly of his later life as a policeman in Northern Ireland performing what was, according to Interpol, the most dangerous policing role in the world.

When Stevie Smith died in 1971 she was one of the twentieth-century's most popular poets; many of her poems have been widely anthologised, and 'Not Waving but Drowning' remains one of the nation's favourite poems to this day. Satirical, mischievous, teasing, disarming, her characteristically lightning-fast changes in tone take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling. In this wholly new edition of her work, Smith scholar Will May collects together the illustrations and poems from her original published volumes for the first time, recording fascinating details about their provenance, and describing the various versions Smith presented both on stage and page. Including over 500 works from Smith's 35-year career, The Collected Poems and Drawings of Stevie Smith is the essential edition of modern poetry's most distinctive voice. I was much further out than you thought And not waving but drowning. - 'Not Waving but Drowning'

You know John Cuneo from his award-winning illustrations that have graced the pages of Esquire or the covers of The New Yorker, but less known are the over-the-top and hilariously perverse cartoons that fill the pages of Not Waving But Drawing. Assembling Cuneo's best privately drawn sketchbook pages, each page immediately introduces us to unique takes on sex and domestic life in his signature squiggly style. Not Waving But Drawing is full of dark thoughts, lightly rendered.

The essential edition of one of modern poetry’s most distinctive voices: all Stevie Smith’s flabbergasting poems, now in paperback Stevie Smith is among the most popular British poets of the twentieth century. Her poem “Not Waving but Drowning” has been widely anthologized, and her life was celebrated in the classic movie Stevie. This new and updated edition includes hundreds of works from her thirty-five-year career. In addition to the poems and illustrations from all her published volumes, the Smith scholar Will May discovered never-before-published verses and provides fascinating details about their provenance. Satirical, mischievous, teasing, disarming, Stevie Smith’s poems take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling.

MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.