Notes By The Editors

'The Editor of Wisden is an important personage. It is he who decides the policy of the Cricketers' Bible and cricketers the world over look to him to give a lead on all controversial problems. His is, therefore, no easy task, but Wisden has been fortunate in its editors'. That was written in 1933, and it is still true. The heart of the Almanack is the section entitled Notes By The Editor. The editor's opinions can change careers, laws – indeed every part of the game. This anthology is a brief dip into the half a million words or so that make up the annual Notes as the editors take a view of what really matters – the spirit in which cricket is played and how to keep it relevant and popular. And, of course, the weather. Throughout the Notes the Editors retain their sense of optimism and fervent love of the game, even when dealing with difficult issues such as bodyline or match-fixing, and they express their views succinctly and stylishly. As John Woodcock wrote in 1983, 'the game is never quite the same from one season to the next' and nor, indeed, are the Notes. However, as this anthology shows, the Notes are always stimulating and firmly expressed, providing an important insight into the cricket of the day.

When Wisden Cricketers' Almanack was first published in 1864, it included no comments or opinions at all. As the editors explained, they “carefully avoided making any remarks upon the play or players, as the purport of this little work is to record the scores of the matches”. But by the turn of the century, things had changed, and since the first set of “Notes By The Editor” appeared in Wisden in 1901, the editor's opinions have become a feature of the Almanack, the first pages that readers turn to, to see what bees are in the editorial bonnet this year. In this collection, Notes by the Editors reproduces many of the most memorable editor opinions expressed over the 120 years since they first appeared. Wisden's views on all the great topics (and some of the smaller ones) are included – throwing, bodyline, Packer, the d'Oliveira Affair, not to mention ball tampering and the development of The Hundred. And the weather, always the weather.

Previously published as: Victoria, the pleasures of staying in touch.

The Copyeditor's Handbook is a lively, practical manual for newcomers to publishing and for experienced editors who want to fine-tune their skills or broaden their understanding of the craft. Addressed to copyeditors in book publishing and corporate communications, this thoughtful handbook explains what copyeditors do, what they look for when they edit a manuscript, and how they develop the editorial judgment needed to make sound decisions. This revised edition reflects the most recent editions of The Chicago Manual of Style (15th ed.), the Publication Manual of the American Psychological Association (5th ed.), and Merriam-Webster's Collegiate Dictionary (11th ed.).

Set in the twilight years of the Czechoslovak communist regime, recalled from the suburbs of Washington, this novel describes a doomed love affair between two young people trapped by the system. Roger Scruton evokes a world in which every word and gesture bears a double meaning, as people seek to find truth amid the lies and love in the midst of betrayal. The novel tells the story of Jan Reichl, condemned to a menial life by his father's alleged crime, and of Betka, the girl who offers him education, opportunity and love, but who mysteriously refuses to commit herself.

Ireland 1984.After Shell's mother dies, her obsessively religious father descends into alcoholic mourning and Shell is left to care for her younger brother and sister. Her only release from the harshness of everyday life comes from her budding spiritual friendship with a naive young priest, and most importantly, her developing relationship with childhood friend, Declan, who is charming, eloquent, and persuasive. But when Declan suddenly leaves Ireland to seek his fortune in America, Shell finds herself pregnant and the center of a scandal that rocks the small community in which she lives, with repercussions across the whole country. The lives of those immediately around her will never be the same again.This is a story of love and loss, religious belief and spirituality—it will move the hearts of any who read it.

In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation - penned by none other than the Nobel winner Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics at work today. Taking his cues from T. S. Eliot - whose treatise Notes Towards the Definition of Culture is a touchstone precisely because the culture Eliot aimed to describe has since vanished - Vargas Llosa traces a decline whose ill effects have only just begun to be felt. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate. But Vargas Llosa stubbornly refuses to fade into the background. He is not content to merely sign a petition; he will not bite his tongue. A necessary provocateur, here vividly translated by John King, provides an impassioned and essential critique of our time and culture.