Nuns Navigating The Spanish Empire

Nuns Navigating the Spanish Empire tells the remarkable story of a group of nuns who traveled halfway around the globe in the seventeenth century to establish the first female Franciscan convent in the Far East. In 1620 Sor Jerónima de la Asunción (1556–1630) and her cofounders left their cloistered convent in Toledo, Spain, journeying to Mexico to board a Manila galleon on their way to the Philippines. Sor Jerónima is familiar to art historians for her portrait by Velázquez that hangs in the Prado Museum in Madrid. What most people do not know is that one of her travel companions, Sor Ana de Cristo (1565–1636), wrote a long biographical account of Sor Jerónima and their fifteen-month odyssey. Drawing from Sor Ana’s manuscript, other archival sources, and rare books, Owens’s study offers a fascinating view of travel, evangelization, and empire.

Cover -- Halftitle -- Title Page -- Copyright -- Dedication -- Table of Contents -- List of Illustrations -- Acknowledgments -- Introduction: Unveiling the Manuscript -- Chapter One. Toledo to Cadiz -- Chapter Two. Cadiz to Mexico -- Chapter Three. The Manila Galleon -- Chapter Four. The Convent in Manila -- Chapter Five: Literacy and Inspirational Role Models -- Epilogue -- Notes -- Bibliography -- Index

"Originally titled 'Account of the journey of five Capuchin nuns'"--Introd.

The first history of women's contributions to the Spanish colonization of the New World.

The ten essays in this interdisciplinary collection explore the lives, places, and stories of women in the Iberian Atlantic between 1500 and 1800. Distinguished contributors such as Ida Altman, Matt D. Childs, and Allyson M. Poska utilize the complexities of gender to understand issues of race, class, family, health, and religious practices in the Atlantic basin. Unlike previous scholarship, which has focused primarily on upper-class and noble women, this book examines the lives of those on the periphery, including free and enslaved Africans, colonized indigenous mothers, and poor Spanish women. Chapters range broadly across time periods and regions of the Atlantic world. The authors explore the lives of Caribbean women in the earliest era of Spanish colonization and gender norms in Spain and its far-flung colonies. They extend the boundaries of the traditional Atlantic by analyzing healing knowledge of indigenous women in Portuguese Goa and kinship bonds among women in Spanish East Texas. Together, these innovative essays rechart the Iberian Atlantic while revealing the widespread impact of women's activities on the emergence of the Iberian Atlantic world.

Religion in New Spain presents an overview of the history of colonial religious culture and encompasses aspects of religion in the many regions of New Spain. In reading these essays, it is clear the Spanish conquest was not the end-all of indigenous culture, that the Virgin of Guadalupe was a myth-in-the-making by locals as well as foreigners, that nuns and priests had real lives, and that the institutional colonial church, even post-Trent, was seldom if ever above or beyond political or economic influence. Susan Schroeder and Stafford Poole have divided the presentations into seven parts that represent general categories spanning the colonial era: "Encounters, Accommodation, and Outright Idolatry"; "Native Sexuality and Christian Morality"; "Believing in Miracles: Taking the Veil and New Realities"; "Guardian of the Christian Society: The Holy Office of the Inquisition--Racism, Judaizing, and Gambling"; "Music and Martyrdom on the Northern Frontier"; and "Tangential Christianity on Other Frontiers: Business and Politics as Usual." Sacred space can be anywhere and might not be bound by walls and ceilings. As the authors of these essays show, religion is often an attempt to reconcile the mysterious and unmanageable forces of nature, such as storms, droughts, floods, infestations of pests, epidemic diseases, and sicknesses; it is an attempt to control the uncontrollable.

This translation of part of the diary of a 17th century Peruvian mystic includes the convent life of slaves and former slaves and baroque Catholic spiritual experiences from the perspective of a woman of color.

Lee offers a more realistic portrait of the legendary Aztec ruler Nezahualcoyotl, derived from examination of original Nahuatl codices and poetry, as well as Spanish chronicles.