O Donnel

College and Lansdowne in Toronto? That's where I live. Honestly, I don't really like it. At Lansdowne you have the first evidence of suburbia; I live above a small proto-stripmall which houses a Harvey's, a Domino's Pizza and a 7-11. I buy cream and newspapers at the 7-11, the occasional veggie burger at Harvey's and the very very occasional pizza from Domino's. For some reason, pizza just doesn't hold the thrill it used to. Nothing does. Theatre doesn't have much relevance anymore. Or so acclaimed playwright Darren O'Donnell tells us. The dynamics of unplanned social interaction, he says, are far more compelling than any play he could produce. So his latest show, A Suicide-Site Guide to the City , isn't really a show; it's an interactive chitchat about memory, about depression, about 9/11. And it's hilarious. O'Donnell's artistic practice has evolved into 'something as close to hanging out as you can come and still charge admission.' With his theatre company, Mammalian Diving Reflex, O'Donnell has generated a series of ongoing events that induce interactions between strangers in public; the Talking Creature, Q&A, Home Tours, the Toronto Strategy Meetings and Diplomatic Immunities bring people together in odd configurations, ask revealing questions and prove the generosity, abundance and power of the social sphere. Social Acupuncture includes the full text of A Suicide-Site Guide to the City and an extensive essay on the waning significance of theatre and the notion of civic engagement and social interaction as an aesthetic. 'No other playwright working in Toronto right now has O'Donnell's talent for synthesizing psychosocial, artistic and political random thoughts and reflections into compelling analyses ... The world (not to mention the theatre world) could use more of this, if only to get us talking and debating.' - The Globe and Mail

Patrick O'Donnell achieved the status of a national hero when he killed Ireland's most infamous informer James Carey on board a steamship off the coast of South Africa in 1883. Why did the quiet-spoken labourer from the Donegal Gaeltacht shoot the leading Fenian in the Phoenix Park murders? And why did the President of the United States of America and the French writer Victor Hugo plead that Patrick O'Donnell not be hanged for his crime? Drawing extensively on court transcripts, official records from archives in Ireland, Britain, South Africa and America and many other sources, The Queen -v- Patrick O'Donnell reveals for the first time the full story behind one of the most compelling murder stories in Irish history, a thrilling tale of violence, courtroom drama, romance and political intrigue. Containing evidence from British Home Office files kept secret for 100 years, this account reveals shocking new information about the fate of Patrick O'Donnell.

We live in an "adultitarian" state, where the rules are based on very adult priorities and understandings of reality. Young people are disenfranchised and powerless; they understand they're subject to an authoritarian regime, whether they buy into it or not. But their unique perspectives also offer incredible potential for engagement and innovation. Cultural planner and performance director Darren O'Donnell has been collaborating with children for years through his theatre company, Mammalian Diving Reflex; their most well-known piece, Haircuts by Children (exactly what it sounds like) has been performed internationally. O'Donnell suggests that that working with children in the cultural industries in a manner that maintains a large space for their participation can be understood as a pilot for a vision of a very different role for young people in the world – one that the UN Committee on the Rights of the Child considers a "new social contract." Seen and Heard is a practical proposal for the inclusion of children in as many realms as possible, not only as an expression of their rights, but as a way to intervene in the world and to disrupt the stark economic inequalities perpetuated by the status quo. Deeply practical and wildly whimsical, Seen and Heard might actually make total sense. Darren O'Donnell is an urban cultural planner, novelist, essayist, playwright, director, designer, performer, and the artistic director of the Mammalian Diving Reflex theater company. O'Donnell currently resides in Toronto, Ontario.

Keeping digestion on track is the key to health in Ayurveda, and eating natural, homemade foods in accordance with personal constitution and changes in environment is often all that we need to find balance. In The Everyday Ayurveda Cookbook, Kate O’Donnell inspires you to get into the kitchen and explore this time-honored system of seasonal eating for health and vibrancy.Season by season, learn how the changing weather and environment both mirror and influence your body and appetite.Foundational "everyday" recipes can be adapted to any season and any dosha for nourishing, flavorful meals.Includes lifestyle advice on meal planning, self-care regimens, and how to ensure health during the change of seasons.

In today's Ireland, it's not only the economy that's booming. Dublin-based architects O'Donnell + Tuomey have brought a wealth of exciting buildings to the Emerald Isle for the past seventeen years. Their striking modernist works show their appreciation for Ireland's rich cultural, historic, and civic identity without falling into the trap of typical pitched roofs, gables, slate, and brick. Instead the firm chooses less conventional but more fitting materials that seem to express something not quite visible about their sites. O'Donnell + Tuomey, the first monograph on the firm, presents fifteen of their institutional and residential projects in an arresting collection of color photography, plans, and drawings. The book includes the controversial Irish Pavilion at the Irish Museum of Modern Art, the Ranelagh Multidenominational School, the Irish Pavilion at the 2004 Venice Biennale, and their recent Glucksman Gallery at the University College Cork, which was one of six buildings shortlisted for the 2005 Stirling Prize.

The first comprehensive examination of one of Ireland's leading social novelists of this century. No other Irish novelist has succeeded so completely in rendering rural Irish life as Peadar O'Donnell. From the minutest details of life on tiny islands to the broader sweep of townland life in mainland Donegal, O'Donnell manages to re-create rural Ireland in a deeply intimate and moving way. Gonzalez's "reader's guide" provides the first thorough assessment of O'Donnell's complete literary output, both the fiction and non-fiction. He also places O'Donnell in the context of Irish literature in general, showing how his fiction relates to that of his contemporaries, including George Moore and James Joyce, as well as to that of modern Irish literature in general. His novels, The Knife, about the Civil War, The Big Windows, about rural Donegal, and Islanders, about the poverty and struggles of a small island community, probably provide the most unsentimental and honest portrait of Irish life written by any Irish writer this century. His vision of his homeland is complex and many-layered, affectionate yet unsentimental, and always honest. Alexander G. Gonzalez is Professor of English at Cortland College of the State University of New York and has published extensively on contemporary Irish literature.

ABOUT THE BOOK Roseann Teresa ODonnell was born on March 21, 1962 in Commack, New York to Roseann and Edward ODonnell. Her mother was a homemaker, while her father worked as an electrical engineer. ODonnell was the middle child of five children, and though her father did well within his profession, raising five kids was expensive. ODonnell has said that the family bought their clothes at flea markets, not Macys and she had to share one vehicle, a Plymouth Volare, with her four siblings. This made Rosie and her siblings different from the others with whom they attended school in Dix Hills, New York, most of whom received their own cars on their sixteenth birthdays. One of the greatest tragedies of ODonnells life came when she was just a little girl. Her mother died of breast cancer, leaving ODonnells father to raise the five children. Roseann ODonnell was buried on the stars eleventh birthday, though she and her siblings did not attend the funeral, at the insistence of their father. ODonnells parents had kept the illness from their children, so ODonnell and her siblings were left stunned by their mothers death. EXCERPT FROM THE BOOK Despite on-air professions of love for Tom Cruise throughout the run of The Rosie ODonnell Show,ODonnell said very little about her love life for many years, though she had privately acknowledged herself as a lesbian for some 20 years. She met marketing executive Kelli Carpenter in 1997, and the two began dating, though ODonnell did not come out publicly as a lesbian until 2002. The couple adopted a child together in 1999, son Blake Christopher. ODonnell came out to the public during an interview with Diane Sawyer in March of 2002. She told Sawyer that her decision to come out publicly was due to a Florida-based gay couple who were challenging a Florida law that prohibited same-sex couples from adopting children. She and Carpenter welcomed a new addition to their family in 2002 with the birth of Vivienne Rose, who was conceived through artificial insemination using an anonymous donor. ODonnell took time off from her career to be a stay-at-home mom. The star remarked that being a stay-at-home mom was a great, great, great time. She and Carpenter got married in 2004 in San Francisco, California. Carpenter took ODonnells name. ODonnell and Carpenter formed a travel business, R Family Vacations, which created cruise vacation packages for the gay and lesbian community and their families and friends. The first cruise was filmed and made into a documentary for HBO. Buy a copy to keep reading! CHAPTER OUTLINE Biography of Rosie O’Donnell + Background and Upbringing + Major Accomplishments and Awards + Personal Life + Recap of Recent News + ...and much more