The Sound Of Her Voice

Detective Buchanan remembers every victim. But this one he can't forget. The body of a woman has been found on a pristine New Zealand beach - over a decade after she was murdered. Detective Matt Buchanan of the Auckland Police is certain it carries all the hallmarks of an unsolved crime he investigated 12 years ago: when Samantha Coates walked out one day and never came home. Re-opening the case, Buchanan begins to piece the terrible crimes together, setting into motion a chain of events that will force him to the darkest corners of society - and back into his deepest obsession... Shortlisted for the Ngaio Marsh Best Crime Novel of the Year award, The Sound of Her Voice is a brilliantly gripping crime thriller for fans of Sirens by Joe Knox, Streets of Darkness by A.A. Dhand, Stuart Macbride and Ian Rankin.

Sara Gelbard's story of her experience growing up on one of the first kibbutzim in Israel.

Morris Magellan wakes one morning to find himself stuck in a corporate job and living the suburban dream with a wife and two children, except this dream feels like a nightmare. Out of his depth and starting to drift from reality, we meet Morris at the precipice. Bit by bit he is losing his struggle with addiction – he just doesn't know it yet. His only solace and escape from suburban family life and corporate duties is music and alcohol. His life is soundtracked with symphonies and concertos, every note, and every drink, carries him from moment to moment hoping to salvage something of himself before that too slips from his grasp. Harrowing but compellingly written, with humour and compassion, The Sound of My Voice is a stylistic masterpiece that presents conflict between a man's cowardice and cruelty, and a desperate attempt to recover his humanity.

Marylin and Kate find that boys can be just as complicated as friendship in this conclusion to the bestselling Secret Language of Girls trilogy, a “quietly perceptive tour de force” (Kirkus Reviews) from the bestselling author of Dovey Coe and The Secret Language of Girls. Marylin knows that, as a middle school cheerleader, she has certain obligations. She has to smile as she walks down the hall, be friends with the right people, and keep her manicure in tip-top shape. But Marylin is surprised to learn there are also rules about whom she’s allowed to like—and Benjamin, the student body president, is deemed unacceptable. But maybe there is a way to convince the cheerleaders that her interest in Benjamin is for their own good—maybe she’ll pretend that she’s using him to get new cheerleading uniforms! Kate, of course, finds this ludicrous. She is going to like who she likes, thank you very much. And she just so happens to be spending more time than ever with Matthew Holler. But even a girl who marches to the beat of her own guitar strings can play the wrong notes—and are she and Matthew even playing the same song? She’s just not sure. So when Matthew tells Kate that the school’s Audio Lab needs funding from the student government, she decides to do what she can to help him get it. But there isn’t enough money to go around, and it soon becomes clear that only one of the two girls can get her way. Ultimately, though, is it even her way? Or are both girls pushing for something they never really wanted in the first place?

*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.

Dwayne Davis is a contented hermit working at his new job as caretaker of Ephraim Mansion. The last thing he needs is this new chatty resident, Rose Abernathy, interrupting his peace and quiet. Rose, however, is delighted to have him there. She has been awfully lonely.

In The Naked Voice, W. Stephen Smith invites all singers to improve their vocal technique through his renowned and time-tested wholistic method. Focusing not only on the most important technical, but also on the often overlooked psychological and spiritual elements of learning to sing, his book allows readers to develop their own full and individual identities as singers. With philosophies and techniques drawn from a lifetime of teaching voice, Smith demonstrates how one can reveal the true unique sound of one's own voice by singing with the whole self. The master's method, presented in concrete and comprehensible terms with helpful illustrations, is enhanced by a CD containing exercises performed by singers from Smith's own studio-singers whose talent and training bring them across the country and around the world. The clear and easy style of The Naked Voice welcomes the reader into Smith's teaching studio, and into conversation with Smith himself as he presents the six simple and elegant exercises that form the core of his method. These exercises provide a foundation for free singing, and lead singers through the step-by-step process of mastering the technique. Throughout, Smith speaks sympathetically and encouragingly to the singer in search of an unencumbered and effective approach to the art. The Naked Voice is a must-read for all singers, giving teachers and students, amateurs and professionals, access to the methods and concepts that have earned Smith his reputation as one of the most highly-sought-after vocal instructors in the international arena today.

“Readers will appreciate that things are a little topsy-turvy, with spiritual insights coming from unexpected places.” —Publishers Weekly Who do you listen to when every word might be a lie? Brought up in a strict religion in the small town of Smoke River, Washington, Chloe Montoya has seen the leaders she trusted disgraced and watched helplessly as her best friends rejected their faith. When radio evangelist Luke Fisher is invited to headquarter his ministry in town, Chloe is drawn to him. Against her church’s will, she joins the staff at the station as bookkeeper and, while she’s totally behind Luke’s vision for the community, she begins to realize that under the message is a sound that frightens her … Fresh out of the state police academy and assigned to the Organized Crime Task Force, Ray Harper is sent to Smoke River to investigate an underground church that seems to attract the criminal and the predatory. What he finds is a town prospering in its religious fervor—and a dark-haired, dark-eyed innocent who he’d bet his first year’s salary has never been kissed. Ray has no use for religion. She’s forbidden even to speak to him, never mind love him. But Luke Fisher’s growing power threatens what they both love—and sometimes you have to listen to someone … and hope that they hear you … The Sound of Your Voice is the third novel in the faith-based Smoke River domestic suspense series. The books can be read as standalones, though the characters all know one another and appear in each other's stories. No strong language, just a dollop of suspense, a loving kiss, and a guaranteed happily ever after. If you like books by Sage Parker, Christy Barritt, or Charles Martin, you’re in the right place. Enjoy!