O Nun Productions Presents

These are the original commandments of pot etiquette. The time has come . . . And this is it . . . Finally, this is the complete list of confirmed laws of conduct that will steer you, direct you, teach you, and remind you of not only what actions and behaviors are correct and acceptable but also what is inappropriate and will not be tolerated within the pot-smoking community. This is a concrete, real-world, user-friendly step-by-step everyday manual, handbook, and guide meant to lead, direct, teach, and correct any and all stoners. The techniques and the rules are intended to keep you from embarrassing the pot-smoking community, your friends, and yourself! No matter your age, size, color, origin, or citizenship, these commandments are for everyone, from the novice beginner to the seasoned veteran. These teachings and handed-down laws can be applied in every imaginable smoking situation. Learn the rites, which have been tried through centuries and generations.

THESE ARE THE ORIGINAL COMANDMENTS OF POT ETIQUETTE. ...The time has come... ...And this is it... FINALLY the complete list of: Confirmed laws of conduct which will steer you, direct you, teach you and remind you of not only what actions and behaviors are correct and acceptable but also, what is inappropriate and will not be tolerated within the pot smoking community. A step by step, concrete, everyday, real-world, user-friendly manual, handbook, guide: to lead, direct, teach and correct any and all Stoners. The 'techniques' and the 'rules', to keep you from embarrassing the pot smoking community, your friends and yourself! No matter, your age, size, color, origin or citizenship, these commandments are for everyone, the novice beginner to the seasoned veteran. These teachings and handed down laws can be applied in every imaginable smoking situation. Learn the rites which have been tried through centuries and generations.

The films of John Carpenter cover a tremendous range and yet all bear his clear personal stamp. From the horrifying (Halloween) to the touching (Starman) to the controversial (The Thing) to the comic (Big Trouble in Little China), his films reflect a unique approach to filmmaking and singular views of humanity and American culture. This analysis of Carpenter’s films includes a historical overview of his career, and in-depth entries on each of his films, from 1975’s Dark Star to 1998’s Vampires. Complete cast and production information is provided for each. The book also covers those films written and produced by Carpenter, such as Halloween II and Black Moon Rising, as well as Carpenter’s work for television. Appendices are included on films Carpenter was offered but turned down, the slasher films that followed in the wake of the highly-successful Halloween, the actors and characters who make repeated appearances in Carpenter’s films, and ratings for Carpenter’s work. Notes, bibliography, and index are included.

Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)

When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.

Amácio Mazzaropi's work is a unique instance in Brazilian culture - as an artist not connected with the subsidized film industry, he developed a singular voice and represents a segment of the population usually either ignored or viewed with contempt by the established, experimental filmmakers.

From Broadway to regional and college stages and back again, the plays of Eugene O?Neill have been widely presented to audiences around the world. This work brings together biographical information on more than 3300 individuals who have appeared in or been a part of O?Neill productions. Some came famous to their roles; some used a play as a springboard to success; many had their O?Neill moment and were heard from no more. All?including actors, directors, producers, and other personnel?are listed here. Each entry includes either the role played (for cast members) or the position filled (for crew) and the opening dates and place of the production. Where possible, fuller biographical data, including birth and death dates and information on other performances, is provided. Indexes offer access to titles, characters, and theater names.