Objects And Identities

This volume explores Rome's northern provinces through the portable artefacts people used and left behind. Objects are crucial to our understanding of the past, and can be used to explore interlinking aspects of identity. For example, can we identify incomers? How are exotic materials (such as amber and ivory) and objects depicting 'the exotic' (e.g. Africans) consumed? Do regional styles exist below the homogenizing influence of Roman trade? How do all these aspects of identity interact with others, such as status, gender, and age? In this innovative study, the author combines theoretical awareness and a willingness to engage with questions of social and cultural identity with a thorough investigation into the well-published but underused material culture of Rome's northern provinces. Pottery and coins, the dominant categories of many other studies, have here been largely excluded in favour of small portable objects such as items of personal adornment, amulets, and writing equipment. The case studies included were chosen because they relate to specific, often interlinking aspects of identity such as provincial, elite, regional, or religious identity. Their meaning is explored in their own right and in depth, and in careful examination of their contexts. It is hoped that these case studies will be of use to archaeologists working in other periods, and indeed to students of material culture generally by making a small contribution to a growing corpus of academic and popular books that develop interpretative, historical narratives from selected objects.

Material Identities examines the way that individuals use material objects as tools for projecting aspects of their identities. Considers the way identity is fashioned, launched, used, and admired in the material world. Contributors intervene from the disciplines of art history, anthropology, design and material culture. Considers contrasting media - painting, print, sculpture, dress, coinage, architecture, furniture, luxury items, and interior design. Explores the complexity of identity through the intersection notions of gender, ethnicity, age, sexuality, and class. Reaffirms the central role of public identities and their impact on social life.

Identity has for long been an important concept in philosophy and logic. Plato in his Sophist puts same among those fonns which "run through" all others. The scholastics inherited the idea (and the tenninology), classifying same as one of the "transcendentals", i.e. as running through all the categories. The work of Locke and l.eibniz made the concept a problematic one. But it is rather recently, i.e. since the importance of Frege has been generally recognized, that there has been a keen interest in the notion, fonnulated by him, of a criterion of identity. This, at first sight harmless as well as useful, has proved to be like a charge of dynamite. The seed had indeed been sown long ago, by Euclid. In Book V of his Elements he first gives a useless defmition of a ratio: "A ratio is a sort of relation between two magnitudes in respect of muchness". But then, in definition 5 he answers, not the question "What is a ratio?" but rather ''What is it for magnitudes to be in the same ratio?" and this is the definition that does the work.

Focusing on the experiences of Russian migrants to the United Kingdom, this book explores the connection between migrations, homes and identities. It evaluates several approaches to studying them, and is structured around a series of case studies on attitudes to homemaking, food and cooking, and clothing.

A comprehensive introduction to the nature of the self and its relation to the body, this title places the problem of personal identity in the context of more general puzzles about identity, and discusses the major related theories.

" it engages with the agentive qualities of matter " it shows how affective dimensions in history connect with material history " it explores the religious and cultural identity dimensions of the use of materials and artefacts

Exploring the relationship between museums and biographies, this collection of essays examines examples from the early 19th century to the present day.