Objects Of Desire

'Sestanovich’s elegant prose takes seriously the quiet unrest that can ravage a life' - Raven Leilani, author of Luster A Best Book of the Summer in The Wall Street Journal, Entertainment Weekly,Vogue, Esquire and Refinery29 A university student is flying home to visit her family when she strikes up an odd, ephemeral friendship with the couple next to her on the plane. A mother prepares for her son's wedding, her own life unravelling as his comes together. A long-lost stepbrother's visit prompts a family's reckoning with its old taboos. In these eleven powerful stories, thrilling desire and melancholic yearning animate women’s lives – from the brink of adulthood, to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly lapse. Tender, lucid and piercingly funny, Objects of Desire is a collection pulsing with subtle drama, rich with unforgettable scenes, and alive with moments of recognition, each more startling than the last - a spellbinding debut that announces a major talent. 'A debut story collection of the rarest kind . . . you wish that every single entry could be an entire novel.' — Entertainment Weekly Clare Sestanovich named one of The National Book Foundation's '5 under 35'.

What makes something sexy? Why are some things regarded as sacred and others profane? Why do mourners face such difficulty in parting with their beloved’s possessions? Why do we often feel distraught when we lose something, even when the object has little real value? We spend our lives in a meaningful dialogue with things around us. Sometimes the conversation is loud, as in a collector’s passion for coins or art. More often, the exchange is subtle and muted, even imperceptible. We are surrounded by things, and they affect our emotions and impact our thoughts. The arrival of a dozen flowers from a lover or a letter from a grandchild makes our day; an old photo album or an afghan knitted by a favorite aunt offers comfort when we are troubled. From exploring what makes something “beautiful” to why we place such value on antiques and artifacts from the past, Objects of Our Desire offers insights, both deep and delightful, into the ways we invest things with meaning and the powerful roles they play in our lives. Notice the inviting contours of that sofa, the glint of a knife’s edge, the sparkle of a diamond ring. Feel the softness of the pashmina around that woman’s milky shoulders. Look at the majesty of a large jet plane. Take in the somberness of a gravestone. Put on an old pair of shoes. Clutch a warm mug of freshly brewed coffee. Sit on a rocking chair. Feel the sumptuous leather seats of a new car. We are surrounded by things. We are involved with them, indebted to them. We speak to things and things speak to us. To say that we are interdependent is banal. Let us be courageous. Let us admit it: we are lovers. —From Objects of Our Desire

Surrealism expanded our reality by drawing upon myths, dreams, and the subconscious as sources of artistic inspiration. Beginning in the 1930s, the movement made a crucial impact on design, and it continues to inspire designers to this day. »Objects of Desire: Surrealism and Design« is the first book to document this fascinating conversation. It includes numerous essays and a comprehensive selection of images which traces these reciprocal exchanges by juxtaposing exemplary artworks and design objects. Among the featured artists and designers are Gae Aulenti, Achille Castiglioni, Giorgio de Chirico, Le Corbusier, Salvador Dalí, Marcel Duchamp, ntoni Gaudí, Frederick Kiesler, René Magritte, Carlo Mollino, Meret Oppenheim, and many others. The book is rounded off with historical text material as well as short texts and statements by contemporary designers. This in- depth examination makes one thing abundantly clear: form does not always follow function -- it can also follow our obsessions, our fantasies, and our hidden desires.

Publisher description

The world of erotic product design is revealed in this curated showcase of over 100 beautifully crafted objects and the creative minds behind them. The latest adult toys, jewelry, and accessories from leading companies, as well as intriguing prototypes, are featured. Each product, from high-tech gadgets to handcrafted pieces of art, is presented with concise descriptions in a minimal graphic format that emphasizes the flowing curves, materiality, and overall design of the products. Once taboo, sex toys are in the midst of a design revolution. Including a foreword by Sarah Forbes, curator at New York City's Museum of Sex, and in-depth interviews with leading sex bloggers, shop owners, and designers, the book will appeal to both fans of good design as well as "lovers" of good design interested in acquiring these pieces for their own collections.

The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body, the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the "epistemophilic urge"--the desire to know-guides fictional plots and our reading of them. It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself-which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force. This major book entertains and teaches: Brooks presumes no special knowledge on the part of his readers. His account proceeds chronologically from Rousseau in the eighteenth century forward to contemporary artists and writers. Body Work gives us a set of analytical tools and ideas-primarily from psychoanalysis, narrative and film studies, and feminist theory-that enable us to read modern narrative afresh.