Obsession Marlene Dietrich

Parisian gallery owner, antiques dealer, and style tastemaker Pierre Passebon curates his favorite portraits of Marlene Dietrich by world-class photographers in this exquisite cloth-bound volume. Featuring rare images from Pierre Passebon’s personal collection, this volume celebrates Marlene Dietrich, Hollywood’s iconic femme fatale, as immortalized by master photographers including Edward Steichen, Irving Penn, Richard Avedon, Cecil Beaton, Milton Greene, George Hurrell, Antony Armstrong-Jones, and others. An active participant in her photo sessions, she constructed her own unique image of charm and seduction. Dietrich’s life was devoted to glamour for over forty years: in stage performances, on screen, and in concert. The public loved her. A modern and transgressive woman, she didn’t hesitate to break the rules by dressing in menswear (she was Yves Saint Laurent’s muse for his iconic tuxedos) or by being seen in public with her husband and her lovers (both male and female). Dietrich also refused to bend to Hollywood conventions around motherhood by raising her daughter in the limelight as well. Her beauty, style, and elegance made her the archetypal femme fatale, but it was Dietrich’s unwavering confidence, gender fluidity, and firm stand against Nazism that made her a revolutionary and an icon. This volume reveals how her fascination lies not only in the way she inspired the greatest photographers and fashion designers of her time, but in how she continues to embody the essence of glamour and female independence today.

- Collaged, spliced, and reassembled images of Hollywood star Marlene Dietrich by French photographers Edouard Taufenbach and Bastien Pourtout, created using vintage photographs from the collection of Pierre Passebon- Published in conjunction with an exhibition at the Galerie du Passage-Pierre Passebon from February 15th - March 15th 2022It was during a chance meeting with the collector Pierre Passebon and French photographers Édouard Taufenbach and Bastien Pourtout that the idea of a commission was born: to tell a story within the story of Passebon's stellar collection of over 500 vintage photographs of Marlène Dietrich. Taufenbach and Pourtout have developed - using their iPhones - a new form of photomontage based on the instantaneous nature of Instagram and the possibility of communicating images remotely. In real time, they mix elements of the photographs; editing, splicing, juxtaposing, and reassembling them. These transformed images of one of the most alluring stars of cinema are a meditation on beauty, fame, and the nature of obsession. "With these effects, comparable to the chronophotography of Étienne-Jules Marey or the stroboscopy used by Harold Edgerton or Gjon Mili, Édouard Taufenbach and Bastien Pourtout follow a photographic tradition while simultaneously renewing it. This modernity... reveals an obsession: that of Marlène preoccupied with control over her image. She knew, all her life, how to hide under the mask of eternal beauty, as shown in the works assembled here." - Jean-Luc Monterosso. Text in English and French.

From the stages of Berlin to anti-Nazi efforts and silver-screen stardom, Steven Bach reveals the fascinating woman behind the myth surrounding Marlene Dietrich in a biography that will stand as the ultimate authority on a singular star. Based on six years of research and hundreds of interviews—including conversations with Dietrich—this is the life story of one of the century’s greatest movie actresses and performers, an icon who embodied glamour and sophistication for audiences around the globe.

A Boston Globe Best Book of 2015 A Washington Post Notable Nonfiction Pick of 2015 Magisterial in scope, this dual biography examines two complex lives that began alike but ended on opposite sides of the century’s greatest conflict. Marlene Dietrich and Leni Riefenstahl, born less than a year apart, lived so close to each other that Riefenstahl could see into Dietrich’s Berlin apartment. Coming of age at the dawn of the Weimar Republic, both sought fame in Germany’s burgeoning motion picture industry. While Dietrich’s depiction of Lola-Lola in The Blue Angel catapulted her to Hollywood stardom, Riefenstahl—who missed out on the part—insinuated herself into Hitler’s inner circle to direct groundbreaking if infamous Nazi propaganda films, like Triumph of the Will. Dietrich, who toured tirelessly with the USO, could never truly go home again; Riefenstahl could never shake her Nazi past. Acclaimed German historian Karin Wieland examines these lives within the vicious crosscurrents of a turbulent century, evoking piercing insights into "the modern era’s most difficult questions, about illusion and mass intoxication, art and truth, courage and capitulation" (New Yorker).

Autobiografie van Marlene Dietrich.

Marlene Dietrich never threw anything away. She kept her good-luck rag doll (it appeared with her in The Blue Angel and followed her to dressing tables on every movie set). She kept the letters she received from, friends, colleagues, lovers, and her husband of fifty-three years. She kept every article of clothing made for her by the great French couturiers and many from legendary Hollywood costume designers. She kept everything. After Dietrich's death, all of the memorabilia were cataloged—25,000 objects and 18,000 images. Marlene Dietrich: Photographs and Memories brings together her treasures as depicted in 289 photographs from her own collection and features extended captions by her daughter and sole biographer, Maria Riva. We see Dietrich across the years and roles of her life: a child, a young actress in Berlin, a newlywed, a devoted American, a mother, and of course, a glamorous Hollywood legend. An intimate look into the life of an unforgettable star, this collection offers fans more than just photos and memorabilia—it shares perspective from Marlene herself.

Marlene Dietrich never threw away anything. She kept her good-luck black rag doll (it appeared with her in The Blue Angel and followed her to dressing tables on every movie set). She kept the letters (every last one) she received from her lovers and her husband of fifty-three years. She kept every article of clothing made for her by the great French couturiers and the legendary Hollywood costume designers. She kept everything. And she believed in storage. Six storage companies, from New York to California, London, and Paris, held pieces of Miss Dietrich’s life, locked away for decades like the pieces of the life of Charles Foster Kane. Over the years, hundreds of thousands of dollars were paid in rental fees. After Dietrich’s death, the articles were gathered together—twenty-five thousand objects and eighteen thousand images. Some were auctioned at Sotheby’s in Los Angeles. The major pieces of Dietrich’s vast collection were assembled in an archive and given to the FilmMuseum Berlin. Now, her treasures are brought together in 289 photographs from her own collection, with extended captions by her daughter, Maria Riva. We see Dietrich as a child, in velvet dress and golden ringlets...Dietrich as a young actress in Berlin...as the newly married Mrs. Rudolf Sieber, standing proudly with her husband. We see love letters and letters marking the ends of affairs. We see Dietrich in Hollywood...with Chaplin...with Fritz Lang...at the Paramount commissary...Dietrich captured in snapshots by her movie-creator, Josef von Sternberg...Dietrich as a mother. We see her at war...in never-before-published photographs of a USO tour...in uniform (tailor-made for her, of course) disembarking from a transport plane...Dietrich with the 82nd Airborne...Dietrich rolling into Germany in a U.S. tank. Here she is with her directors and fellow actors: Katharine Hepburn, Claudette Colbert, Judy Garland, John Wayne, Ernst Lubitsch, Clark Gable, Cary Grant, Tyrone Power. Here are portraits of her by Cecil Beaton, Horst P. Horst, Milton Greene, John Engstead. And here is Marlene, shimmering, in Las Vegas, the consummate performer, and at the Palladium in London, triumphant!