Occult Paris

How fin-de-siècle Paris became the locus for the most intense revival of magical practices and doctrines since the Renaissance • Examines the remarkable lives of occult practitioners Joséphin Peladan, Papus, Stanislas de Guaïta, Saint-Yves d’Alveydre, Jules Doinel, and others • Reveals how occult activity deeply influenced many well-known cultural movements, such as Symbolism, the Decadents, modern music, and the “psychedelic 60s” During Paris’s Belle Époque (1871-1914), many cultural movements and artistic styles flourished--Symbolism, Impressionism, Art Nouveau, the Decadents--all of which profoundly shaped modern culture. Inseparable from this cultural advancement was the explosion of occult activity taking place in the City of Light at the same time. Exploring the magical, artistic, and intellectual world of the Belle Époque, Tobias Churton shows how a wide variety of Theosophists, Rosicrucians, Martinists, Freemasons, Gnostics, and neo-Cathars called fin-de-siècle Paris home. He examines the precise interplay of occultists Joséphin Peladan, Papus, Stanislas de Guaïta, and founder of the modern Gnostic Church Jules Doinel, along with lesser known figures such as Saint-Yves d’Alveydre, Paul Sédir, Charles Barlet, Edmond Bailly, Albert Jounet, Abbé Lacuria, and Lady Caithness. He reveals how the work of many masters of modern culture such as composers Claude Debussy and Erik Satie, writers Arthur Rimbaud and Charles Baudelaire, and painters Georges Seurat and Alphonse Osbert bear signs of immersion in the esoteric circles that were thriving in Paris at the time. The author demonstrates how the creative hermetic ferment that animated the City of Light in the decades leading up to World War I remains an enduring presence and powerful influence today. Where, he asks, would Aleister Crowley and all the magicians of today be without the Parisian source of so much creativity in this field? Conveying the living energy of Paris in this richly artistic period of history, Churton brings into full perspective the characters, personalities, and forces that made Paris a global magnet and which allowed later cultural movements, such as the “psychedelic 60s,” to rise from the ashes of post-war Europe.

This classic study of the French magician Eliphas Lévi and the occult revival in France is at last available again after being out of print and highly sought after for many years. Its central focus is Lévi himself (1810-1875), would-be priest, revolutionary socialist, utopian visionary, artist, poet and, above all, author of a number of seminal books on magic and occultism. It is largely thanks to Lévi, for example, that the Tarot is so widely used today as a divinatory method and a system of esoteric symbolism. The magicians of the Golden Dawn were strongly influenced by him, and Aleister Crowley even believed himself to be Lévi's reincarnation. The book is not only about Lévi, however, but also covers the era of which he was a part and the remarkable figures who preceded and followed him – the esoteric Freemasons and Illuminati of the late 18th century, and later figures such as the Rosicrucian magus Joséphin Péladan, the occultist Papus (Gérard Encausse), the Counter-Pope Eugène Vintras, and the writer J.-K. Huysmans, whose work drew strongly on occult themes. These people were avatars of a set of traditions which are now seen as an important part of the western heritage and which are gaining increasing attention in the academy. Christopher McIntosh's vivid account of this richly fascinating era in the history of occultism remains as fresh and compelling as ever.

In this collection of essays, Charles W. Olliver surveys the origins of the occult, considers its relationship to religion and spiritualism, and discusses how we should deal with experiences outside our understanding through the proposed science of metapsychics. A comprehensive overview of the hidden histories of religion, sorcery, esoterica, and superstition, The Occult, Magic & Witchcraft is a wide-ranging classic work that delves into symbols, divinatory practices, mediumship, Satanism, witchcraft - and even vampires and werewolves. From bizarre beliefs and disturbing rites to the grisly details of various witch trials, Olliver presents everything with a spirit of scientific curiosity.

Examines Aleister Crowley’s 30-year-long intimate association with Paris • Investigates the tales of Crowley “raising Pan,” going mad, and working gay sex magick in Paris • Uncovers Crowley’s involvement in the Belle Époque with sculptor Auguste Rodin and other artists and in the 1920s with Berenice Abbott, Nancy Cunard, Man Ray, André Gide, and Aimée Crocker • Reveals Crowley’s “expulsion” from Paris in 1929 as a high-level conspiracy against Crowley Exploring occultist, magician, poet, painter, and writer Aleister Crowley’s longstanding and intimate association with Paris, Tobias Churton provides the first detailed account of Crowley’s activities in the City of Light. Using previously unpublished letters and diaries, Churton explores how Crowley was initiated into the Golden Dawn’s Inner Order in Paris in 1900 and how, in 1902, he relocated to Montparnasse. Soon engaged to Anglo-Irish artist Eileen Gray, Crowley pontificates and parties with English, American, and French artists gathered around sculptor Auguste Rodin: all keen to exhibit at Paris’s famed Salon d’Automne. In 1904—still dressed as “Prince Chioa Khan” and recently returned from his Book of the Law experience in Cairo—Crowleydines with novelist Arnold Bennett at Paillard’s. In 1908 Crowley is back in Paris to prove it’s possible to attain Samadhi (or “knowl­edge and conversation of the Holy Guardian Angel”) while living a modern life in a busy metropolis. In 1913 he organizes a demonstra­tion for artistic and sexual freedom at Oscar Wilde’s tomb. Until war spoils all in 1914, Paris is Crowley’s playground. The author details how, after returning from America in 1920, and though based at his “Abbey of Thelema” in Sicily, Crowley can’t leave Paris alone. When Mussolini expels him from Italy, Paris becomes his home from 1924 until 1929. Churton reveals Crowley’s part in the jazz-age explosion of modernism, as the lover of photographer Berenice Abbott and many others, and how he enjoyed camaraderie with Man Ray, Nancy Cunard, André Gide, and Aimée Crocker. The author explores Crowley’s adventures in Tunisia, Algeria, the Riviera,his battle with heroin addiction, his relation­ship with daughter Astarte Lulu—raised at Cefalù—and finally, a high-level ministerial conspiracy to get him out of Paris. Reconstructing Crowley’s heyday in the last decade and a half of France’s Belle Époque and the “roaring Twenties,” this book illuminates Crowley’s place within the artistic, literary, and spiritual ferment of the great City of Light.

• Includes a dictionary of nearly 300 magical plants with descriptions of each plant’s scientific name, common names, elemental qualities, ruling planets, and zodiacal signatures, with commentary on medico-magical properties and uses • Explores methods of phytotherapy and plant magic, including the Paracelsian “transplantation of diseases,” ritual pacts with trees, the secret ingredients of witches’ ointments, and the composition of magical philters • Explains the occult secrets of phytogenesis, plant physiology, and plant physiognomy (classification of plants according to the doctrine of signatures) Merging the scientific discipline of botany with ancient, medieval, and Renaissance traditions of occult herbalism, this seminal guide was first published in French in 1902 as a textbook for students of Papus’s École hermétique and sparked a revival in the study of magical herbalism in early twentieth-century France. Author Paul Sédir, pseudonym of Yvon Le Loup (1871-1926), explains the occult secrets of phytogenesis (the esoteric origin and evolutionary development of the plant kingdom), plant physiology (the occult anatomy of plants), and plant physiognomy (classification of plants according to the doctrine of signatures). Unveiling the mysteries behind planetary and zodiacal attributions, he provides readers with the keys to make their own informed determinations of the astral properties of plants. Moving from theory into practice, Sédir explores various methods of phytotherapy and plant magic, including the Paracelsian “transplantation of diseases,” the secret ingredients of witches’ ointments, and the composition of magical philters. In the third section of the book, Sédir offers a dictionary of magical plants that covers nearly 300 plant species with descriptions of their astral signatures, occult properties, and medico-magical uses. Compiled from an array of rare sources and esoterica, this classic text includes a wealth of additional materials and supplemental charts and diagrams drawn from Sédir’s occult colleagues, all of whom adopted and expanded upon Sédir’s pioneering system of plant correspondences.

Christian Giudice's Occult Imperium explores Italian national forms of Occultism, chiefly analyzing Arturo Reghini (1878-1946), his copious writings, and Roman Traditionalism. Trained as a mathematician at the prestigious University of Pisa, Reghini was one of the three giants of occult and esoteric thought in Italy, alongside his colleagues Julius Evola (1898-1974) and Giulian Kremmerz (1861-1930). Using Reghini's articles, books, and letters, as a guide, Giudice explores the interaction between occultism, Traditionalism, and different facets of modernity in early-twentieth-century Italy. The book takes into consideration many factors particular to the Italian peninsula: the ties with avant-garde movements such as the Florentine Scapigliatura and Futurism, the occult vogues typical to Italy, the rise to power of Benito Mussolini and Fascism, and, lastly, the power of the Holy See over different expressions of spirituality. Occult Imperium explores the convergence of new forms of spirituality in early twentieth-century Italy.

Absolute Key To Occult Science, The Tarot Of The Bohemians Papus - Originally published in 1892, this fully illustrated book is intended for initiates of the tarot. Papus is after a 'Theory of Everything', and finds evidence for it in the Tarot and a set of correspondences with everything from the tetragrammaton to numerology and astrology.

Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Rainer Maria Rilke, August Strindberg, W.B. Yeats, Joséphin Péladan and the artist Jan Švankmaier, as well as in avant-garde film, post-war Greek Surrealism, and Scandinavian Retrogardism. Combining the theoretical and methodological foundations of the field of Esotericism Studies with those of Literary Studies, Art History, and Cinema Studies, this volume provides in-depth and nuanced perspectives upon the relationship between Occultism and Modernism in the Western arts from the nineteenth century to the present day.