Occult Paris

How fin-de-siècle Paris became the locus for the most intense revival of magical practices and doctrines since the Renaissance • Examines the remarkable lives of occult practitioners Joséphin Peladan, Papus, Stanislas de Guaïta, Saint-Yves d’Alveydre, Jules Doinel, and others • Reveals how occult activity deeply influenced many well-known cultural movements, such as Symbolism, the Decadents, modern music, and the “psychedelic 60s” During Paris’s Belle Époque (1871-1914), many cultural movements and artistic styles flourished--Symbolism, Impressionism, Art Nouveau, the Decadents--all of which profoundly shaped modern culture. Inseparable from this cultural advancement was the explosion of occult activity taking place in the City of Light at the same time. Exploring the magical, artistic, and intellectual world of the Belle Époque, Tobias Churton shows how a wide variety of Theosophists, Rosicrucians, Martinists, Freemasons, Gnostics, and neo-Cathars called fin-de-siècle Paris home. He examines the precise interplay of occultists Joséphin Peladan, Papus, Stanislas de Guaïta, and founder of the modern Gnostic Church Jules Doinel, along with lesser known figures such as Saint-Yves d’Alveydre, Paul Sédir, Charles Barlet, Edmond Bailly, Albert Jounet, Abbé Lacuria, and Lady Caithness. He reveals how the work of many masters of modern culture such as composers Claude Debussy and Erik Satie, writers Arthur Rimbaud and Charles Baudelaire, and painters Georges Seurat and Alphonse Osbert bear signs of immersion in the esoteric circles that were thriving in Paris at the time. The author demonstrates how the creative hermetic ferment that animated the City of Light in the decades leading up to World War I remains an enduring presence and powerful influence today. Where, he asks, would Aleister Crowley and all the magicians of today be without the Parisian source of so much creativity in this field? Conveying the living energy of Paris in this richly artistic period of history, Churton brings into full perspective the characters, personalities, and forces that made Paris a global magnet and which allowed later cultural movements, such as the “psychedelic 60s,” to rise from the ashes of post-war Europe.

• Includes a dictionary of nearly 300 magical plants with descriptions of each plant’s scientific name, common names, elemental qualities, ruling planets, and zodiacal signatures, with commentary on medico-magical properties and uses • Explores methods of phytotherapy and plant magic, including the Paracelsian “transplantation of diseases,” ritual pacts with trees, the secret ingredients of witches’ ointments, and the composition of magical philters • Explains the occult secrets of phytogenesis, plant physiology, and plant physiognomy (classification of plants according to the doctrine of signatures) Merging the scientific discipline of botany with ancient, medieval, and Renaissance traditions of occult herbalism, this seminal guide was first published in French in 1902 as a textbook for students of Papus’s École hermétique and sparked a revival in the study of magical herbalism in early twentieth-century France. Author Paul Sédir, pseudonym of Yvon Le Loup (1871-1926), explains the occult secrets of phytogenesis (the esoteric origin and evolutionary development of the plant kingdom), plant physiology (the occult anatomy of plants), and plant physiognomy (classification of plants according to the doctrine of signatures). Unveiling the mysteries behind planetary and zodiacal attributions, he provides readers with the keys to make their own informed determinations of the astral properties of plants. Moving from theory into practice, Sédir explores various methods of phytotherapy and plant magic, including the Paracelsian “transplantation of diseases,” the secret ingredients of witches’ ointments, and the composition of magical philters. In the third section of the book, Sédir offers a dictionary of magical plants that covers nearly 300 plant species with descriptions of their astral signatures, occult properties, and medico-magical uses. Compiled from an array of rare sources and esoterica, this classic text includes a wealth of additional materials and supplemental charts and diagrams drawn from Sédir’s occult colleagues, all of whom adopted and expanded upon Sédir’s pioneering system of plant correspondences.

An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel. Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.”

During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine’s in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, in spite of the dangers involved in studying condemned works, and how the monks combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.

What do you wear to Paris? Ami and I discussed it for hours but I still couldn't think of anything suitable. Ami said a trench coat with nothing underneath but your best underwear. That was only if some boy was meeting you at the airport, I said. Eighteen-year-old Lisette has just arrived in Paris (France!) - the city of haute couture and all things stylish - to practise her French and see great works of art. Her clairvoyant landlady Madame Christophe forces her to attend language lessons with a bunch of international students but soon Lise discovers she's more interested in studying boys than art or verbs ... When the undeniably hot Anders jogs into her life it feels too good to be true. Things get even more complicated when she is pursued by Hugo, a charming English antiques dealer. Can she take a chance and follow her own dreams? How far into the future can Madame Christophe see? And could Lise really be falling in love - in Paris?

It is Paris in the 1880s and the century is in its final decadent throes as it moves towards the fin de siecle. New scientific ideas are countered by a resurgent interest in the practice of magic, whilst in the arts the Symbolists are exploring the strangeness of dream and the imagination. In the Salpêtrière Hospital, hundreds of female patients are suffering from the curious malady of 'hysteria'. Many of these are being treated by hypnosis under the regime of the celebrated and charismatic Professor J-M. Charcot. One such patient is Madeleine Seguin, a young woman whose past is a mystery and who evokes a fascination and possessiveness in those who come close to her. As well as the doctors Madeleine will encounter a young Symbolist artist, a Catholic priest, a powerful aristocrat, and most dangerously, those practicing the darkest aspects of the occult, each of whom will try to save or corrupt her. She must survive them all if she is to shape her own destiny.