Odalisque

In Percheron the Zar dies and Boaz, the young son of Herezah, the old Zar's wife and Absolute Favourite, takes power. Ambitious and scheming, Herezah arranges for her son's rivals to be disposed of and oversees the assembly of a new harem. One of its number is Ana, who enters a world where she wants for nothing except her freedom. Ana's only friends are Lazar, the secretive and eligible Spur of Percheron, and a seemingly insane dwarf called Pez. Her attempt at escape, after undergoing a brutal test of Virtue, sets in motion forces beyond anyone's control ...Even more mysterious is the rising of Iridor, heralding a new cycle in the war of faith that will enmesh them all in a deadly battle between gods.

This is a critical study of French and British art and written texts (poetry, literature, travel accounts, art criticism) -- orientalist works about the harem produced in the period from 1800-1875. Original readings are provided for over 150 harem pictures, from well-known salon paintings to rarely published erotic popular prints and book illustrations. Multiple Wives, Multiple Pleasures examines these works closely, often establishing fresh contexts for many of the more well-known nineteenth-century harem pictures, and often providing a consideration of lesser-known harem pictures that have been rarely published until now.

A fresh and provocative approach to representations of exotic women in Victorian Britain.

"A series of linked essays that considers different aspects of Matisse's life and work, revealing how the artist worked against many of the main tenets of modernism"--Provided by publisher.

In her debut poetry collection, Carmen GimŽnez Smith illuminates Latina identity in the prismatic light of postcolonial history, feminism, myth, and the fragmentation of modernity. From these disparate elements she fashions a female personaÑÒclairvoyant with great shoesÓÑwho is both bracingly modern and movingly vulnerable. Through her poems we traverse the landscape of a womanÕs life (girl, mother, lover), navigating a terrain tinted with mythology and relic yet still fresh and uncharted. The poems revolve around issues of identityÑand the ways in which identity is both inherited and constructed/reconstructed. Or, as one poem puts it, ÒThe planet floating backwards / whirling some of us older than the stars, some of us nascent and bare.Ó Although she employs techniques of avant-garde poetry, GimŽnez Smith shades and deepens the New World landscape into a territory of rare lyric intensity and energy. Humorous, sly, sexy, sophisticated, these poems are animated by passion and hard-won knowledge. In these poems we encounter such strange beauties as a girl assembling and disassembling, a moth trapped in a glass of water, new-age fairy godmothers, and a lark who sings for the milkman. Yet we are also made aware of how these beauties reflect the speakerÕs troublesÑher effort to employ, in the words of one of her most memorable poems, ÒOnly the invisible post where she writes the encounters / with airÕs lusters. Only the imagined hour / with which sheÕs made a fragile craft.Ó Vivid and charged with an inner light, these are poems that linger and expand in the mind and memory.

Hürrem is the third part in a saga that became the inspiration for the creators of the 'Magnificent Century' television series. The story, full of love, power, and intrigues, follows the lives of the Sultan's court, where behind every man, even the most powerful one, stands a woman who knows how to steer him. Set at the beginning of 16th century, Aleksandra, the small daughter of Russian clergyman, is kidnapped during a barbaric attack on the village. In a remarkable twist of trust, the young girl's kidnapper becomes her savior, and they quickly establish a father-daughter bond. However, life at the Tatar giant's side isn't a good solution for a growing beauty. Soon, Aleksandra finds herself at the Crimean Khan's palace, and immediately wins Sultana Güldane's heart. The old woman predicts a great future for the Russian girl and eventually sets her out on a journey to meet her destiny. Aleksandra, sent as a gift from the Crimean Khan to the Ottoman Empire's Khan, Sultan Sulieman, ends up in the powerful ruler's harem. There, the Russian odalisque takes on the name Ruslana, and waits weeks to meet the Sultan. Her dream is not only to win Sulieman's heart but also for power and to rule. Suleiman eventually becomes infatuated with the red-headed odalisque, and renames her Hürrem - and so begins the story of a woman who refused to be stopped in her desire for power, and to be remembered forever.

A memoir by a member of the Incredible String Band that charts a journey from hippie utopia to post-Woodstock implosion. Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle. Rose and partner Mike Heron believed in, and lived, a naive vision of utopia in Scotland. But they were also a band on tour, enjoying the thrills of that life. They were at the center of "Swinging London" and at the Chelsea Hotel with Andy Warhol's superstars. They shared stages with rock idols and played at Woodstock in 1969. Rose and fellow ISB member Licorice were hippie pin-ups, while Heron and Robin Williamson the seers and prophets of a new world.