Odd Man Out

A hilairious inside baseball account of year in the minor leagues Odd Man Out captures the gritty essence of our national pastime as it is played outside the spot­light. Matt McCarthy, a decent left-handed starting pitcher on one of the worst squads in Yale history, earned a ticket to spring training as the twenty-sixth-round draft pick of the 2002 Anaheim Angels. This is the hilarious inside story of his year with the Provo Angels, Anaheim's minor league affiliate in the heart of Mormon country, as McCarthy navigates the ups and downs of an antic, grueling season, filled with cross-country bus trips, bizarre rivalries, and wild locker-room hijinks.

'A spellbinder . . . takes hold before the first shot is fired' - New York Times 'Rarely does a tale about pursuers and pursued reach the intensity of fear, uncertainty and apprehension' - New York World-Telegram 'Of unusual interest and distinction . . . very moving . . . produces effects of high and painful excitement' - Spectator An Irish Republican Army plot goes horribly wrong when its leader, Johnny Murtah, kills an innocent man and is himself gravely wounded. As the police close in on Johnny, his compatriots must make a daring bid to rescue him. But they are not the only ones in pursuit: an impoverished artist, a saintly priest, a sleazy informer, and a beautiful young woman all have their own reasons to be desperate to find him. Meanwhile Johnny wanders the streets injured and alone, trapped in a delirious nightmare, surrounded on all sides by betrayal and faced with the realization that he may die that night with the stain of murder on his soul. As the action unfolds over eight hours of a cold Belfast night, the suspense builds towards an explosive conclusion. Both a critical success and a bestseller, F. L. Green's masterful thriller Odd Man Out (1945) is best known today as the basis for the classic 1947 film adaptation directed by Carol Reed and starring James Mason. This edition, the first in over 30 years, features a new introduction by Adrian McKinty.

This documentation of the architecture of Santa Barbara, California has grown since the first edition was published in 1970: the second (1980) saw an expanded format and some 150 new photographs, and the third includes still more pages and photographs. The architectural examples presented here, selected from thousands taken on a block-by- block survey, were chosen for purity of style, historical signficance, and uniqueness. Each clear and beautiful black and white photo is captioned with information on the original owner or building title; date of construction; name of architect, designer, or builder; address; and alterations or additions to the building. 11x10" Annotation copyright by Book News, Inc., Portland, OR

From the New York Times bestselling author of Dear Martin comes an honest and touching depiction of friendship, first love, and everything in between. Perfect for fans of Love, Simon and What If It's Us. Courtney Cooper and Jupiter Charity-Sanchez (Coop and Jupe!) have been next-door neighbors and best friends since they were seven years old. She's his partner in crime and other half. But lately, Coop can't ignore the fact that he might want something more than friendship from Jupiter. When Rae Chin moves to town, she can't believe how lucky she is to find Coop and Jupe. Being the new kid is usually synonymous with "pariah," but around these two, she finally feels like she belongs. She's so grateful she wants to kiss him . . . and her. Jupiter has always liked girls. But when Coop starts daing Rae, Jupe realizes that the only girl she ever really imagined by his side was her. One story. Three sides. No easy answers. "Fans of Nic and new readers will find themselves engrossed." --Teen Vogue "Declaring yourself--how you would like to be represented and whom you want to love and connect with--is treated with real tenderness." --The New York Times

Ever wonder what it is like to be a longtime member of the Christian Right and a married gay man? Ever believe that such a combo would make Ozzie & Harriet look like Oscar & Felix? Joe Murray was a longtime cadet of the Christian Right and spent the early years of his life building a resume that might make Goldwater envious. He served as a member of Pat Buchanan's Presidential campaign staff in 1999 and was appointed to the Alliance Defending Freedom's prestigious Blackstone Fellowship for budding Christian attorneys in 2000. He spent a number years working on the front lines of the "Culture War" as a Staff Attorney for the American Family Association. He worked with the Pennsylvania Pastor's Network and was a columnist for the conservative Philadelphia Bulletin. Murray, a Conservative Catholic, also happens to be gay. In his new book, Odd Man Out, Murray tackles the misconception that one's identity should predetermine one's politics. Murray's background has provided an excellent opportunity for a frank discussion on a number of social policy issues that are presently dividing the nation. Building upon his experiences working deep inside the Christian Right, Murray discusses how public interest politics has led to a perverse politics in which profit overtakes principle. He shines a light on some of the not-so-Christian events he witnessed while working for the Christian Right and he talks about some of the rivalries that existed (and continue to exist) on the Right. Murray uses his personal story to take the reader behind the scenes of Christian and gay politics and, in doing so, offers new insights on how to frame the controversial discussion. Though a piece of political nonfiction, Murray's new book is also intimately personal. Murray shares a number of stories that have molded his life and shaped how he sees the world. He opens the door for readers to see how a Catholic, Libertarian-leaning, Irish-American, gay attorney is able to fully operate in society, despite the political perception that he is an ideological inconsistency. Murray uses his personal experiences to argue that people should use their identity to expand their ideas, not limit them.

Winner of the Sheila A. Egoff Children’s Literature Prize and the TD CCBC Canadian Children's Literature Award Kip is spending the summer with his grandmother and his five eccentric girl cousins, including Emily, who thinks she's a dog. Gran's house is about to be demolished, so anything goes, whether it's drawing maps on the walls or sawing off the knob at the bottom of the banister for a smoother ride. When Kip bashes through an old closet, he discovers the binder his late father kept as a teenager. He's bewildered by what he finds: puzzling lists, hair samples, old newspaper clippings and business cards -- all accompanying a confidential report written by a mysterious young operative who is carrying out a secret plan to infect teenagers with a cell-altering virus. This wonderful novel has all the Sarah Ellis hallmarks -- quirky characters, insight and wit -- underpinned by resonant themes of family, memory and the creative imagination. Upcoming from Sarah Ellis in May 2014 Outside In: Eight years after the publication of Odd Man Out, Sarah Ellis returns to Groundwood Books with a highly anticipated new novel about family, friendship, materialism and beauty.

Thus, the strife between North Koreans and South Koreans was secondary, and the war itself was avoidable."--BOOK JACKET.

In Odd Man Out, Carol Armstrong offers an important study of Edgar Degas's work and reputation. Armstrong grapples with contradictory portrayals of Degas as "odd man out" within the modernist canon: he was a realist whom realists rejected; a storyteller in pictures who did not satisfy novelist-critics; a painter of modern life who was not a modernist; a member of the impressionist group who was no impressionist. Armstrong confronts these and other paradoxes by analyzing the critical vocabularies used to describe Degas's work. By reading several groups of the artist's images through the lens of a sequence of critical texts, Armstrong shows how our critical and popular expectations of Degas are overturned and subverted. This is a reprint of the book first published by the University of Chicago Press in 1991.