Of Captivity And Resistance

An intervention in the field of dissenting writings by women political detainees in India in the 1970s, and it straddles three interlinked areas: politics, prison and writing. It focuses on writings arising out of Bengal's Naxalite movement (1967–1975) and from the pan-Indian period of Emergency (1975–1977).

"Betancourt's riveting account...is an unforgettable epic of moral courage and human endurance." -Los Angeles Times In the midst of her campaign for the Colombian presidency in 2002, Ingrid Betancourt traveled into a military-controlled region, where she was abducted by the FARC, a brutal terrorist guerrilla organization in conflict with the government. She would spend the next six and a half years captive in the depths of the Colombian jungle. Even Silence Has an End is her deeply moving and personal account of that time. The facts of her story are astounding, but it is Betancourt's indomitable spirit that drives this very special narrative-an intensely intelligent, thoughtful, and compassionate reflection on what it really means to be human.

On 22 May 1940 Alec Jay arrived in Calais with his Battalion, the Queen Victoria Rifles. After four days of intense fighting, he was taken prisoner of war along with those of his colleagues who were not killed. The Calais Garrison was not evacuated.His situation as a POW was exceptionally perilous as he was a Jew. Made to wear distinctive clothing, he was all too aware of the Nazis' determination to eradicate his race. Undeterred he made five escape attempts as well as leading a successful protest strike, one of the few during the War.When he finally escaped, he teamed up with Czech partisans and fought alongside them during the closing stages of the War.John Jay, a distinguished journalist and Investment manager, has reconstructed his Father's war using the archive material from four countries and numerous other sources and POW accounts. The result is a fascinating and inspiring story.

Doyle shows that, though setting and circumstances may change, POW stories share a common structure and are driven by similar themes. Capture, incarceration, isolation, propaganda, torture, capitulation or resistance, death, spiritual quest, escape, liberation and repatriation are recurrent key motifs in these narratives.

In Scales of Captivity, Mary Pat Brady traces the figure of the captive or cast-off child in Latinx and Chicanx literature and art between chattel slavery’s final years and the mass deportations of the twenty-first century. She shows how Latinx expressive practices expose how every rescaling of economic and military power requires new modalities of capture, new ways to bracket and hedge life. Through readings of novels by Helena María Viramontes, Oscar Casares, Lorraine López, Maceo Montoya, Reyna Grande, Daniel Peña, and others, Brady illustrates how submerged captivities reveal the way mechanisms of constraint such as deportability ground institutional forms of carceral modernity and how such practices scale relations by naturalizing the logic of scalar hierarchies underpinning racial capitalism. By showing how representations of the captive child critique the entrenched logic undergirding colonial power, Brady challenges racialized modes of citizenship while offering visions for living beyond borders.

In this book, the author argues for a new interpretation of the captivity narrative - one that takes into account the profound shifts in political and social authority and legitimacy that occurred in New England at the end of the 17th century.

"With rigorous original scholarship and creative narration, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the "First Indian War" (later named King Philip's War) by relaying the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. In reading seventeenth-century sources alongside an analysis of the landscape and interpretations informed by tribal history, Brooks's pathbreaking scholarship is grounded not just in extensive archival research but also in the land and communities of Native New England."--Jacket flap.